"We finally came across a photo by a man called Flip Shulke. Flip had been known to strap himself to telephone poles to grab the worst of the weather on the Florida coast and this was one of those images. I was able to work with that as a foundation." - Hugh Syme, Chemistry
"The woman on the cover is really a symbol of us. If you think that's sexist in a negative way - well, it's really looking at ourselves so I don't think it can be. The idea is her perfect imperturbability in the face of all this chaos. In that she represents us. In the basic sense, all that cover picture means is forging on regardless, being completely uninvolved with all the chaos and ridiculous nonsense that's going on around us. Plus she represents the spirit of music and the spirit of radio, a symbol of perfect integrity and truth and beauty." - Neil Peart, Sounds, April 5, 1980
"There are always the inevitable last minute crises, such as the Chicago Daily Tribune being still so embarrassed about their 'Dewey defeats Truman' error of more than thirty years ago that they actually refused to let us use it on the cover!" - Neil Peart, "Personal Waves", Permanent Waves Tourbook
"We shot the newspaper with the headline 'Dewey Defeats Truman,' which now looks like '(Arabic)-Daily-(Arabic),' because we got a threat from the legal people at the Chicago Tribune, who are still embarrassed about their over-anxious printing of that headline...anything that pertains to that headline, according to the Chicago Tribune, is an embarrassment, and is subject to litigation if we were to print up any facet of it. [Webmaster note: When Harry Truman ran against Thomas Dewey for president of the United States, Truman lost in most of the states in the early returns. It looked like Dewey was going to win and the Chicago Tribune released a paper containing the erroneous headline early the next morning, Nov. 4, 1948.] To boot, Coca-Cola asked that we strip out their billboard way off in the background because it was too close to a cotton-clad mons pubis." - Hugh Syme, Creem, 1983