While I don’t like to crap on the OP’s thread/topic, I will try to be brief.
The AU-505 exhibits a more warmer tone with an excellent mid-range and nice deep bottom-end, the highs are a bit rolled off, not much, compared to my AU-999. Beautiful wide soundstage and depth. Overall the sound reminds me a lot of my Scott 222-b tube amp. Very easy to listen to, with zero listening fatigue, typical of cap-coupled amps. Very smooth. It sounds oh so good even at low volume, which is where I listen to most often. The mid-range this amp has is the best I’ve heard from a SS amp, at least of the ones I’ve listened to.
The 999 on the other hand, is more revealing, also presents a beautiful, wide soundstage, all across the spectrum. Bass is tighter and the highs are more airy and extended with all the detail present. Midrange is also glorious. More of an “audiophile amp” I would say.
To me it’s a well-rounded amp. It still has the warmth my old ears have to have to enjoy music these days.
Each one has their merits, that’s why I kept both. The Seven is a nice mix of the 505 and 999 all in one.
I honestly don’t think I will ever part with any of those three. I had a 9090 and a AU-9500 and they are both gone. Really a bummer as I really liked the looks of both of these early Sansui’s.
**Just to add, all of these comparisons were done with completely restored examples of each, using K-horn speakers.
The AU-505 exhibits a more warmer tone with an excellent mid-range and nice deep bottom-end, the highs are a bit rolled off, not much, compared to my AU-999. Beautiful wide soundstage and depth. Overall the sound reminds me a lot of my Scott 222-b tube amp. Very easy to listen to, with zero listening fatigue, typical of cap-coupled amps. Very smooth. It sounds oh so good even at low volume, which is where I listen to most often. The mid-range this amp has is the best I’ve heard from a SS amp, at least of the ones I’ve listened to.
The 999 on the other hand, is more revealing, also presents a beautiful, wide soundstage, all across the spectrum. Bass is tighter and the highs are more airy and extended with all the detail present. Midrange is also glorious. More of an “audiophile amp” I would say.
To me it’s a well-rounded amp. It still has the warmth my old ears have to have to enjoy music these days.
Each one has their merits, that’s why I kept both. The Seven is a nice mix of the 505 and 999 all in one.
I honestly don’t think I will ever part with any of those three. I had a 9090 and a AU-9500 and they are both gone. Really a bummer as I really liked the looks of both of these early Sansui’s.
**Just to add, all of these comparisons were done with completely restored examples of each, using K-horn speakers.