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Nudies of your modern gear!!

Audiosource AMP100 - 60W x 2 / 150W mono bridged

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I am totally in love with the Focals! I just want to stay home and listen to Sonny Rollins.

The tubes I just rolled in are a pair of vintage Phillips/Amperex 6922. They are so smooth and robust! I've been running the stock Electro Harmonix for the past 5 or so years. They sound real clean, but deliver a smaller soundstage than these Phillips.

Brett...you ever tried any Mullards? I have them in my preamp and boy they are so much better than the Gold Lion I have been using. They are very balanced and have a very good mid-range presence while at the same time keeping the bottom and highs the way I like them. They seem to have a little more texture than Gold Lion tubes.
 
Some pics of my audio-gd DAC 3SE which has been fitted with a replacement digital receiver and filter board (the centremost board). She's a big brute at around 30 pounds and 18" x 18". Three big R-core transformers are beneath the covers near the front of the DAC.

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The fabled PCM1704UK DAC chips:

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OLD vs NEW digital receiver and filter boards:

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New board in place but without the internal solid aluminium partitions re-fitted:

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Other than a slightly different layout, that OSD amp and its higher power sibling the Amp 200 both bear a striking resemblance inside and outside to the Audiosource amps. Even the output specs of the OSD Amp 120 are the same as the Audiosource Amp 100, except that the latter can be operated in bridge mode to produce 150W, whereas the OSD Amp 120 appears to not be bridgeable. I would guess that both are OEM products from the same manufacturer Phoenix Gold.
 
Other than a slightly different layout, that OSD amp and its higher power sibling the Amp 200 both bear a striking resemblance inside and outside to the Audiosource amps. Even the output specs of the OSD Amp 120 are the same as the Audiosource Amp 100, except that the latter can be operated in bridge mode to produce 150W, whereas the OSD Amp 120 appears to not be bridgeable. I would guess that both are OEM products from the same manufacturer Phoenix Gold.

+ 1, Many of Pyle's products show the same resemblance to the Audio Source gear as well. I think you nailed it in that Phoenix Gold is the manufacture.

Sherwood does a good bit of this as well.
 
Got shots - past and present

Some 'gut shots' of a few of my past and present amps. They where all great in their respective categories.

Left to right:
Hafler 915, Harman Kardon HK870, Pass Labs Aleph 30, Sansui AU717, Audio Electronics Super Amp 2, Pioneer A35R,
 
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My Marantz PM8005.

The small caps are Elnas, quite a few Cerafine and Silmic II in there !
The main caps are Nichicon, 18'000 uF
Main Rectifying diodes are Schottky and mounted on the main heatsink.
I've had it for a year now and I'm very happy with it.


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Lepai LP-2020A+, Pure Art

Class D or T amplifiers are the only new achievements science has offered in modern times, otherwise everything else seems pretty much the same..

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Some pics of my audio-gd DAC 3SE which has been fitted with a replacement digital receiver and filter board (the centremost board). She's a big brute at around 30 pounds and 18" x 18". Three big R-core transformers are beneath the covers near the front of the DAC.

dac3seconversion9_zpsff2ab8fb.jpg


dac3seconversion10_zps86c0c2cd.jpg



The fabled PCM1704UK DAC chips:

dac3seconversion7_zps20746c74.jpg



OLD vs NEW digital receiver and filter boards:

dac3seconversion4_zps0a6e9e97.jpg



New board in place but without the internal solid aluminium partitions re-fitted:

dac3seconversion6_zps18935372.jpg

Poultrygeist
I wonder how these Audio-Gd Dacs sound, a lot of people swear on them, but really a lot of stuff going on,
I hope the caps are not fakes from ebay..:idea::idea:
 
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