You would think,I would recalibrate whichever way I goI still think there may be some upward force on the arm when the bristles are on the record surface.
I get that so leaving it off until I hear something,or not hear something.To further illustrate, say the arm is lowering and it has a certain weight as it approaches the record surface. That's a given. Now, the brush bristles hit the record surface first. The bristles are going to take a certain mount of force to "bend" them as the arm lowers the rest of the way, thus taking some of the effective weight off the arm and so, off the stylus.
Doug
Brush in the back? I gotta see that.I have 2 Pickering stylus with the brush and one has the bristles opposite the other one. Short bristles in the front compared to short ones in the back. The brushes took cool but I take them off. The stylus w/o brush are $3 more for some reason.
I often used both Stanton and Pickering cartridges with the brushes removed, particularly after learning about Linn in the mid 1980's. Linn said, "Most record cleaning devices do more harm than good. The dust that inevitably collects on records is not harmful: it's on the surface, not in the grooves containing the signal. Attempts to remove the dust usually force the dust down into the grooves, where it does damage. The best method of cleaning records is to let the stylus remove the dust then clean it."
A stylus can't force dust lying on the surface of the record down into the grooves because the stylus's point of contact with the record is below the surface. A brush attempts to pick up dust from the surface as well as from in the grooves and, according to Linn, usually ends up pushing at least some dust that was lying harmlessly on the record surface down into the grooves where it can be impacted by the stylus as it plays. A stylus "cleans" the record in the sense that some of the dust on the record surface will cling to the stylus shank during play. For many years the only record cleaning I did was to give the stylus a couple of swipes with a dry brush or Linn's green sandpaper after each side of play.
Once used records became a significant part of how I obtained new music, I followed my Linn dealer's advice to get a Nitty Gritty record cleaner, which he had found to be safe and effective.
I agree and disagree with this.
First, the agreement - brushes that track the grooves are not a good way to clean a record. The concept of dirt being dragged through the entire record groove does not sit well with me, which is why I hate "Dust Bugs" and similar devices with a passion.
However, my disagreement lies in my understanding that despite it's appearance, I have heard that the Stanton/Pickering cart brushes aren't to clean the record. They are a part of the cart's design, to assist with tracking (particularly with warped records). I have heard that the sound better with the brush.
The bristles were backwards, brush in the front. It is a pickering not generic.Brush in the back? I gotta see that.