VA1DER
Member
I have been doing some refurbishing of old Realistic receivers and trying to analyze some amplifier finals of the day. It started when I was really impressed with the sound quality coming from an old STA-77. I'm trying to get a feel for exactly what everything is doing. Here is it's main amp:

I've included left and right because they are subtly different around R615 and R616, likely a drafting error on one of them but I don't have my STA-77 at the moment and can't check which one is true.
So, here's what I've identified myself:
Then I came across a QTA-753 for a great price - it's on its way as I write this. I pictured the QTA-753 the way it was marketed, as the quadraphonic "big brother" - the four-channel clean (vice Haffler circuit) version of the STA-77. But looking at the schematic for it, it impresses me a lot less. This main amp is very different architecture:

This seems far less sophisticated. This is what I've identified:
Anyway, I'd love comments and corrections to anything I've misidentified here.
EDIT: So far these are the features I've identified in each circuit. Please comment if there is anything I've missed or mis-identified.

I've included left and right because they are subtly different around R615 and R616, likely a drafting error on one of them but I don't have my STA-77 at the moment and can't check which one is true.
So, here's what I've identified myself:
- Differential pair TR601 and TR602 act as input stage - one side of the differential input is tied to ground, so this basically acts as a first stage and phase splitter all in one. Still gives good common mode rejection and good isolation.
- TR607 and TR609 a fully complementary NPN/PNP pair for the second stage
- TR611 and TR613 are two NPN power transistors operating semi-complementary.
- TR615 Feedback for overload detection and suppression
- TR605 - a cascode transistor? It's not wired quite the way I would expect a cascode to be to a differential pair, but I'm still learning this topology. Improving isolation? Some sort of bias set point? I'm not really sure here.
- Dual diode D601 and D611/VR601 appear to be a Baxandall diode sort of setup, but they are on the inputs of the second stage - I would typically see a Baxandall diode on the base of one of the NPNs, but I suppose putting it on the second stage could work too - that makes VR601 an adjustment for reducing crossover distortion? Am I misreading this?
Then I came across a QTA-753 for a great price - it's on its way as I write this. I pictured the QTA-753 the way it was marketed, as the quadraphonic "big brother" - the four-channel clean (vice Haffler circuit) version of the STA-77. But looking at the schematic for it, it impresses me a lot less. This main amp is very different architecture:

This seems far less sophisticated. This is what I've identified:
- TR601 = input transistor operating class A with the 17V bias, voltage amp first stage
- TR603 = phase splitter for the second stage, with VR901 providing crossover point tweaking
- TR604 and TR605 - Fully complementary PNP/NPN second stage
- TR606 and TR607 - Quasi-complementary NPN finals
- D601/D602 - Baxandall diode? But why two and why is one bussed with the D602 of every other channel?
- Is there anything in this providing the kind of overload protection in the STA-77's main amp?
- Is there anything in this providing the same kind of common-mode rejection in the STA-77's main amp?
Anyway, I'd love comments and corrections to anything I've misidentified here.
EDIT: So far these are the features I've identified in each circuit. Please comment if there is anything I've missed or mis-identified.
| STA-77 | QTA-753 | |
| Info | ▪1976 (STA-76 with likely same design was 1975) ▪$299 new ▪Stereo with Haffler pseudo-quad ▪"16W" per channel | ▪1975 ▪$339 new ▪Four-channel clean with ability to link channels for higher power ▪"15W" per channel quad, "32W" per channel stereomax |
| Baxandall compensation | ||
| Crossover point tweaking | ||
| Temperature compensation | ||
| Common-mode rejection | ||
| Soft-clipping/overload |
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