I do agree that the sliding volume controls are a PITA but they were popular with a lot of manufacturers at the time the 120B was made. The tuner section is excellent. It out performs receivers that cost twice as much. I also like the Bass-Midrange-Treble arrangement which is not all that common in receivers of that price range. The loudness contour circuit works very nicely in the 120B in that it's influence tapers off as the volume is increased so it does not over compensate as the volume is increased. That also keeps you from having to turn the loudness on or off and readjust the tone control settings as you increase or decrease the volume controls. All that assumes that you actually use the loudness function and you set your tone controls to anything other than flat. It does work great on rock music. I like the list of features that the 120B has and the way that it looks. It was also a very reliable receiver. It also just sounded great. As I have said previously, I worked in a large RS store that sold a lot of the Allied Radio inventory. We carried selected units from Sony, Scott, Fisher, Sansui, Ampex, Dual, Garrard, Warfedale, Pioneer, Kenwood, AR, Roberts/Akai, KLH, and no doubt many others that I no longer remember. When we did A-B-C comparisons with other receivers in the sound room (ya, with real switches!), the Realistic STA-120B almost always was the one selected by the customer when they compared it to units that cost 100 or so (1970s) dollars more. I sold a lot of them. No, it wasn't as good as the top of the line Pioneer or Kenwood but it didn't sell for nearly as much either. It did represent an excellent value in it's price range.