PR Audio
Super Member
1. DMM - I have heard many records that are better than some DMM. As with everything it has to do with your production/sound engineering team. I don't think DMM merits the extra production cost.
2. 45 RPM - It is nice to get a 45 RPM album, even if split in two. I don't mind the split, as when I hear records is to enjoy the music, the sound quality. For other purposes there is CD and MP3/AAC. It does make for a more expensive album, which is not a good thing. Remember, when you split you use double the raw material (vinyl), therefore it is more expensive to produce; either you cut your profit and absorb the extra cost, or you pass it on to the buyer (as almost everyone does), so more difficult to make it available to a wider audience.
About 6 months ago I had the opportunity to get Miles Davis Sketches of Spain 45RPM/180 Gram/Box Set new for $49.99 from an online retailer, I wasn't ready to spend that much at that time, now you are lucky if you can find it for less than $175.00.
C. 180 Gram - I buy most of my vinyl in 33RPM/180 Gram, find it to be much more quiet, better tracking, and brings out the best from your TT/cartridge. Again, I buy my vinyl to enjoy the SQ. I have been lucky as all the 180's I have are great, especially the MoFi and Prestige pressings. I usually pay between $16.00 - $25.00 for them. On the other hand, I have some regular vinyl that are as good as 180 Gr. Again, sound engineering comes into play.
IMO, if you can assemble a very good sound engineering team and use a recognized recording studio I don't see why a regular vinyl shouldn't be great. Most labels offer a 180 Gr. release in standard weight vinyl also. The 180 will sell for around $20.00, while the standard will sell at around $12.00; if it is a good record, at around $15.00.
You could make 75% std/25% 180, and if it is a really good recording the 180 could be a collector's edition.
2. 45 RPM - It is nice to get a 45 RPM album, even if split in two. I don't mind the split, as when I hear records is to enjoy the music, the sound quality. For other purposes there is CD and MP3/AAC. It does make for a more expensive album, which is not a good thing. Remember, when you split you use double the raw material (vinyl), therefore it is more expensive to produce; either you cut your profit and absorb the extra cost, or you pass it on to the buyer (as almost everyone does), so more difficult to make it available to a wider audience.
About 6 months ago I had the opportunity to get Miles Davis Sketches of Spain 45RPM/180 Gram/Box Set new for $49.99 from an online retailer, I wasn't ready to spend that much at that time, now you are lucky if you can find it for less than $175.00.
C. 180 Gram - I buy most of my vinyl in 33RPM/180 Gram, find it to be much more quiet, better tracking, and brings out the best from your TT/cartridge. Again, I buy my vinyl to enjoy the SQ. I have been lucky as all the 180's I have are great, especially the MoFi and Prestige pressings. I usually pay between $16.00 - $25.00 for them. On the other hand, I have some regular vinyl that are as good as 180 Gr. Again, sound engineering comes into play.
IMO, if you can assemble a very good sound engineering team and use a recognized recording studio I don't see why a regular vinyl shouldn't be great. Most labels offer a 180 Gr. release in standard weight vinyl also. The 180 will sell for around $20.00, while the standard will sell at around $12.00; if it is a good record, at around $15.00.
You could make 75% std/25% 180, and if it is a really good recording the 180 could be a collector's edition.
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