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Shouldn't every DAC by design sound pretty much identical?

The digital filters in sigma-delta are very complicated, and it is easy to create filters with ringing, ripple, or errors. Many readily become unstable. The amount of simulation and expertise required is considerable, and I would trust the experts at Analog Devices or TI over an ad hoc FPGA implementation.
Ed Meitner's "ad hoc" designs have always sounded particularly good to me.

Recording labels like Telarc used his ADCs. :)
 
Ed Meitner's "ad hoc" designs have always sounded particularly good to me.

The FPGA DAC being discussed is a sigma delta converter design implementated using a DSP built in an FPGA.

Does Meitner use that exact technology? If not, then the discussion is irrelevant.

Recording labels like Telarc used his ADCs. :)

That's irrelevant. That is an Analog-to-Digital Converter, a totally different technology than an FPGA DAC being discussed. Simply because a designer can make an ADC doesn't mean that a DAC from the same designer is the best design ever.
 
What Meitner did was not use something off the shelf from the "experts" at AD or TI.

So what? The issue was filter stability in FPGA DSP designs, a well-known issue. Again, you have supplied no details about the TOP SEKRET design. I'm not going to debate the merits of unknown proprietary designs with magickal claims and dubious properties. I instead refer you to the many papers and discussions on the subject of the difficulty in creating accurate and stable implementations for sigma-delta conversion in DSPs, and the bandwidth required for such implementation.

It has been my experience, dating back to the late 1970s,. that the signal-processing products from Analog Devices, Burr-Brown, and National Semiconductor, were among the finest in the world, and the engineering expertise was nothing short of amazing. Those products worked exactly as advertised, as did their Philbrick predecessors. I have many of the signal processing and operational amplifier books (scholarly works, not databooks) from Analog Devices and Burr-Brown on my bookshelf, having purchased them in the late 1970s and early 1980s, and the electrical engineering and technical writing remain among the finest in the world.

I will say that your snide remark about 'the "experts" at AD or TI" is at odds with the multi-decade reputation Analog Devices has for stellar quality in its signal processing products. It is common for audiophiles to push expensive, boutique products which have claims not rooted in reality, but this is generally nothing more than snobbery and pretension lacking roots in objective, measurable reality.
 
So what? The issue was filter stability in FPGA DSP designs, a well-known issue.
To you perhaps since you prefer to stay down in the weeds. I take a broader view of this topic.

Again, you have supplied no details about the TOP SEKRET design.
I really don't understand why you're so argumentative. I haven't made any claims.

I will say that your snide remark about 'the "experts" at AD or TI"
I made no snide remarks. I quoted your text. And observed that Meitner chose to go elsewhere with excellent results.

I've heard the CDSA in a superlative two channel system and a CDSD/DAC6SE in a multi-channel system. Pretty close to you on Long Island. :)
 
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To you perhaps since you prefer to stay down in the weeds. I take a broader view of this topic.

This is the problem. You continually snipe and make snide remarks.

The OP's issue was why do different DACs have different sounds. I've explained that.
 
If I'm not mistaken dCS uses FPGA in their DAC's. I don't think I would call the Vivaldi an "ad hoc" design.
You are absolutely correct.

And their stated reason is exactly what has been discussed before:

"The dCS ‘soft’ approach to programmable logic makes it extremely easy for users to update Vivaldi DAC software, whether adding new features, installing performance upgrades or adapting to changes in digital formats."
 
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Interesting. I am not well-versed at all on digital audio. I don't have much of an educational background in science or math (I got like a 65 in first-year linear algebra). My cheap-o Harmon/Kardon HD200 circa 1989 doesn't sound deficient at all to me when playing CDs. The drawer mechanism is kind of going (I will need to get a new CD player someday) so I tried using a cheap Sony DVD player for a bit and it worked fine as well. I expected some difference given that they are two consumer-level devices produced many years apart, but CDs still sounded like CDs. It wasn't as pronounced a difference as say changing the cartridge on my turntable. I don't have kit to do level-matched A/B-ing between devices, so I can only really speculate as to the differences.

I am not really up on how these things work exactly. I am aware that DACs fall into one of two broad categories: multi-bit and delta-sigma. From what I've gathered multi-bit DACs would seem more prone to errors because they employ banks of resistors and the tolerances for resistors are only so good.


Based on this review plus the measurements: https://audiosciencereview.com/foru...iew-and-measurements-of-topping-d50-dac.2403/ this Topping D50 DAC would appear to be the bees knees. Do you have any thoughts on it?

I'll look into those paper when I get the chance.

Before you give up on that HD200 try replacing the belt first and put a drop of 3-in-1 oil on the rails that the drawer slides on. Had this problem with the drawer sticking and not opening and this fixed the problem with my 30 year old Sony CDP-605ESD and it still sounds a lot better than many new DC players I have listened to. They are usually pretty easy to change; on my Sony, I just had to remove the bottom cover and a small protective metal shield that was covering the belts; it was a piece of cake.

You can buy belt for about $10 on Ebay.

https://www.ebay.com/itm/Harman-Kar...541154?hash=item1a1fbba622:g:Ht8AAOSwal5YH-x-
 
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Interesting. I am not well-versed at all on digital audio. I don't have much of an educational background in science or math (I got like a 65 in first-year linear algebra). My cheap-o Harmon/Kardon HD200 circa 1989 doesn't sound deficient at all to me when playing CDs. The drawer mechanism is kind of going (I will need to get a new CD player someday) so I tried using a cheap Sony DVD player for a bit and it worked fine as well. I expected some difference given that they are two consumer-level devices produced many years apart, but CDs still sounded like CDs. It wasn't as pronounced a difference as say changing the cartridge on my turntable. I don't have kit to do level-matched A/B-ing between devices, so I can only really speculate as to the differences.

I am not really up on how these things work exactly. I am aware that DACs fall into one of two broad categories: multi-bit and delta-sigma. From what I've gathered multi-bit DACs would seem more prone to errors because they employ banks of resistors and the tolerances for resistors are only so good.


Based on this review plus the measurements: Review and Measurements of Topping D50 DAC this Topping D50 DAC would appear to be the bees knees. Do you have any thoughts on it?

I'll look into those paper when I get the chance.
Yes a CD should sound like a CD and not like a Vinyl . Thanks a million for that and digital. If my CD player sounded like a record I would throw it in a garbage. We could go on for hours on the Analog VS Digital debate but unless you don't understand SOUND and you are old and maybe drank the cool-aid you know SACD or High def. files are miles better than $30.000 groove grinder. Or Pitiful Portable Picnic Player as it should be called. Not to mention that your Vinyl started ac digital 24/96 or 24/192 recording. Now if it sounds great to someone that's fine. There are plenty of people that believe we never went to the moon and CRT television was better on the eyes.
 
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