JP
7480 74111110101115
Ha. will find out.
What’s the “ha”? I own the second 10R to hit US soil.
Ha. will find out.
Where did you hear that? Coreless motors are low torque.
as well as the 6mm thick rubber mat from the original 1200 series. part number is RSG 0010 or some similar prefix.
also don't over look the tone arm resonance cap. One of the best 5 dollar upgrades out there in audioland.
I had thought about mentioning that JP owned both the SP-1000R and a SP10 MkIII as I saw some specs and plots that you had posted showing the differences of the two tables. It was right when they introduced the new SP-1000R, and I can remember which was the best but I think the new table was a slight bit better than MkIII, which is exceptional.
What is that integrated amp underneath the DP-2000?DP-2000 here. Not entirely sure how it compares to the DP-75/80 but specs seem fairly similar. It also has the tape head / magnetic strip. No issues with it whatsoever. Hard to imagine I'll ever "upgrade" from here. I have a Grace 707 arm on it. Restored the whole thing myself. Lovely, lovely.
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In my mind having good toque equates to better dynamics to overcome drag presented by the additional load placed on the motor from the stylus. I don't recall any white papers or any facts showing that a stylus tracking at 2 grams is any great load on a platter motor but in my head, I have this thought that it effects overall playback in some unmeasurable way. I don't have any way to prove it and most likely it is just a placebo effect, but as long as I think it helps it makes it better for me in some unmeasurable way.
They're all fine, and nominal running torque (available or applied) is a fraction of start-up torque. I still enjoy seeing a 22lb platter come to speed in a quarter of a second.
Well Tempered is an audiophile play toy. Not a professional, audiophile, reference, working Tool! Technics SP anything is Tool, workhorse, reference. Denon likewise but lesser standard. Kenwood L-07D also respected equally as workhorse, and as tool.
One of my turntables is a Well Tempered Classic and I would trade it towards an SP-10Mk2 in a heartbeat.
Works for you, so totally does not work for me, or for my needs. Enjoy yours. But please don't call it studio, reference, or workhorse standard. Ask anybody who cuts records for a living what they use even at home, you'd be surprised at what they use. And they hear master tapes all day long.
In my mind having good toque equates to better dynamics to overcome drag presented by the additional load placed on the motor from the stylus. I don't recall any white papers or any facts showing that a stylus tracking at 2 grams is any great load on a platter motor but in my head, I have this thought that it effects overall playback in some unmeasurable way. I don't have any way to prove it and most likely it is just a placebo effect, but as long as I think it helps it makes it better for me in some unmeasurable way.
I think you misunderstood me. I would never call the WT any of those things. It’s overrated. I’d much rather have a Technics. The comparison between the two is shop class vs precision.
How so? I had an XB for quite a while and it was a mighty fine deck.I would have nightmares owning an AR XA.