• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

Today's AMERICANA playlist.

p2142986.jpg


FOR NO GOOD REASON AT ALL
Hesperus

Golden Apple
 
5ea4319f8da07d2a6d087110.L.jpg

Blood On The Tracks -- Remastered CD

Bob Dylan

1975/2004 Columbia Records

Amazon.com

Inevitably, when critics praise a new Dylan album, they label it the "best since Blood on the Tracks," and with good reason. Inspired by a crumbled marriage, and recorded after a tour with the Band had apparently re-ignited his creativity, Blood is among Dylan's masterpieces. The album's epic songs are well known, but its real high points are the shorter numbers--"You're a Big Girl Now," the flawless blues "Meet Me in the Morning," and the sweetly devastating "Buckets of Rain." These are songs of "images and distorted facts," each expressed through tangled points of view, and all of them blue. --David Cantwell

Side one

"Tangled Up in Blue" – 5:42 (Sound 80 Studio - Minneapolis, MN - 12/30/74)
"Simple Twist of Fate" – 4:19 (A & R Studios - New York, NY - 9/19/74)
"You're a Big Girl Now" – 4:36 (Sound 80 Studio - Minneapolis, MN - 12/27/74)
"Idiot Wind" – 7:48 (Sound 80 Studio - Minneapolis, MN - 12/27/74)
"You're Gonna Make Me Lonesome When You Go" – 2:55 (A & R Studios - New York, NY - 9/17/74)

Side two

"Meet Me in the Morning" – 4:22 (A & R Studios - New York, NY - 9/16/74)
"Lily, Rosemary and the Jack of Hearts" – 8:51 (Sound 80 Studio - Minneapolis,MN - 12/30/74)
"If You See Her, Say Hello" – 4:49 (Sound 80 Studio - Minneapolis, MN - 12/30/74)
"Shelter from the Storm" – 5:02 (A & R Studios - New York, NY - 9/17/74)
"Buckets of Rain" – 3:22 (A & R Studios - New York, NY - 9/19/74)
 
David Bromberg Quartet. Live 1 hour ago. Here they came back for an encore, walked past the microphones and played a wonderful version of the traditional 'Come All You Fair and Tender Maidens' From Sideman Serenade, Rounder 3110.

Bromberg_zps268be93b.jpg
 
Last edited:
Impressions?

I think it is wonderful. I love the stripped down Pancho and Lefty on the studio session disc.

Disc Two (demos) is crazy good. Simple, raw very emotional. Timing and voice pitch defects are everywhere, but like 'Live at the Old Quarter' it is Townes at his best.

The two CD package is wonderfully designed with excellent liner notes by Colin Escott.

As a bonus for us audio junkies, the booklet includes is a photo of Townes sitting on a couch smoking and drinking (natch), behind him what looks like Harman Kardon tube separates on a sagging bookcase shelf and an AR-XA turntable on a folding table. I have never seen this photo before. I am sure the experts here could ID the gear better than I.
 
My first spin....


Carolina2BChocolate2BDrops2B-Leavin_zps2bdb7064.jpg

Leaving Eden -- CD

Carolina Chocolate Drops

2012 Nonesuch Records

Leaving Eden, CCD's second full-length Nonesuch disc, was produced by Nashville stalwart Buddy Miller, the go-to guy for artists ranging from Solomon Burke to Robert Plant to Emmylou Harris. On this 15-song collection, recorded live in the studio with all the players in a single room, the Carolina Chocolate Drops illustrate their own adaptability to grow and change. Following the amicable departure of founding member Justin Robinson, band mates Rhiannon Giddens and Dom Flemons recruited three exceptional new players for the recording and expanded their repertoire to incorporate more overt blues and jazz elements and straight-up folk balladry alongside brilliantly rendered string-band tunes. Robinson's replacement is Hubby Jenkins, a Brooklyn-bred guitarist, banjo player, and singer who had previously busked his way around the country. Joining the revamped trio in Miller's studio were beat-boxer Adam Matta, introduced to them by the NYC gypsy punk band Luminescent Orchestrii, with whom CCD released a live EP on Nonesuch, and New Orleans-based cellist Leyla McCalla.

Track Listing
1. Riro's House
2. Kerr's Negro Jig
3. Ruby, Are You Mad at Your Man?
4. Boodle-De-Bum-Bum
5. Country Girl
6. Run Mountain
7. Leaving Eden
8. Read 'Em John
9. Mahalla
10. West End Blues
11. Po' Black Sheep
12. I Truly Understand That You Love Another Man
13. No Man's Mama
14. Briggs' Corn Shucking Jig/Camptown Hornpipe
15. Pretty Bird
 
e08b81b0c8a069540f11d110.L.jpg

Time (The Revelator) -- CD

Gillian Welch

2001 Acony Records

Amazon.com's Best of 2001

The considerable promise carried forth on Gillian Welch's first two albums is thoroughly fulfilled on Time (The Revelator). Welch has traded the guidance of her previous producer, T Bone Burnett, for the sympathetic studio skills of her longtime guitarist-harmony singer David Rawlings, who loosens the reins just enough to allow moments of spontaneity to sparkle within the duo's spare, eloquent playing. "Revelator" is an instant classic, perhaps the first great folk song of the 21st century. "I Want to Sing That Rock and Roll" is three minutes of Louvins/Everlys-style bliss. "April the 14th, Part 1" haunts its historical context with an achingly melancholy melody. It all leads up to the epic 14-minute "I Dream a Highway," one of the finest closing tracks ever put on record. --Peter Blackstock


All songs written by Gillian Welch and David Rawlings.

"Revelator" – 6:22
"My First Lover" – 3:47
"Dear Someone" – 3:14
"Red Clay Halo" – 3:14
"April the 14th Part I" – 5:10
"I Want to Sing That Rock and Roll" – 2:51
"Elvis Presley Blues" – 4:53
"Ruination Day Part II" – 2:36
"Everything Is Free" – 4:48
"I Dream a Highway" – 14:39
 
Back
Top Bottom