• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

Today's Contemporary Jazz Playlist

TWBaBQv.png
 
Paquito D'Rivera & Chucho Valdez - Reunion
Dafnis Prieto & Luciana Souza - Cantar
Snarky Puppy - Empire Central
Arc Trio (Kinsey, Haslip, Borlai) & The John Daversa Big Band plays MSM Schmidt
Robben Ford & Bill Evans - Common Ground
 
Lizz-Wright-Holding-Space-800x794.png


Lizz Wright’s seventh album, Holding Space, is a glorious declaration of independence. It’s the first release on her artist-centric new label Blues & Greens Records, a platform that allows musicians to retain the masters and rights to their music. Artistically, the project presents Wright at her most elemental, backed by a working combo with guitarist Chris Bruce, bassist Ben Zwerin, keyboardist Bobby Ray Sparks II, and drummer Ivan Edwards.

Recorded in Berlin in the summer of 2018 at the conclusion of a European tour, the album captures Wright in full flight, focusing on music from 2017’s Grace while also drawing from her previous Concord release, 2015’s Freedom & Surrender, and her project with the WDR Big Band. Since the release of her star-making 2003 debut Salt, Wright has tried on several instrumental settings. Her producers tended to gussy up her songs with an array of keyboards and string instruments; the results didn’t always serve her well. Holding Space is Wright unadulterated, from Allison Russell’s carved-oak “Barley” to a lusciously slow version of k.d. lang’s “Wash Me Clean.” - JazzTimes
 
Back
Top Bottom