so right as usual!:dand on the thread subject. All really depends on the purpose of getting a deck. If you make a list of 10 greatest decks that could be gems in a collection it will be one list, if you need a workhorse deck that will be serviceable for years to come and with a good sound quality to boot it may be a completely different list. And you need to take into account that there is almost zero chance to find a deck out of either of these two potential lists in a fully working condition if is not from a reputable service technician. Any deck of this level would need quite a lot of work done on it before it can be anything more than a collection item. And many could only be collection items now.
A simple example - the pioneer ct-f1250. One of the better looking decks - sure. But if you expect it to work well - not many chances, really, without a full service and a new head. And where exactly can you get a new head for it? And if something breaks in that deck you are more or less stuck - many bits only can be cannibalised from a donor unit.
Another example - top nakamichi decks. Some of these are great, but on many now the heads are worn up to a large degree and when the pb head is gone you are stuck again - the only way to restore the deck is to find another with the same heads in a better condition.
Imho, we need a different kind of list of best 10 decks for people who want to use them daily and not just admire the looks.
Cheers
alex
I remember that! It was a Tascam 122MarkIIICan you spot something related to this thread on the photo?
It is from the National Audio Show 2012 in the UK. We were using a cassette deck as the second source in that system. No one coming to the room did realise that it was a cassette deck playing when we had it on. No noise reduction, 3.75 ips, about 70dBA dynamic range.
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Cheers
Alex
Yamaha is easy to keep going? I've had a KX-W602 & a KX-W952, both of them had/have bad motors in the "B" deck, and No One (technicians/repair shops) wants to deal with them. One tech told me they were junk, not worth fixing, can't get parts & to toss 'em... I liked them & they sounded great, but it seems like they're problematic & becoming unrepairable...
Yamaha is easy to keep going? I've had a KX-W602 & a KX-W952, both of them had/have bad motors in the "B" deck, and No One (technicians/repair shops) wants to deal with them. One tech told me they were junk, not worth fixing, can't get parts & to toss 'em... I liked them & they sounded great, but it seems like they're problematic & becoming unrepairable...
What about a personal top ten? Ofcourse you'd crack that idea down with your "golden ears" and absolute garbage attitude, but you're known for that!It's amazing what decks people tend to think belongs in the top ten.
They should know that there's not room for 500 decks in top ten.
What about a personal top ten? Ofcourse you'd crack that idea down with your "golden ears" and absolute garbage attitude, but you're known for that!![]()

Again, it's people voicing their opinions, something you seem to have a huge problem with. But face it, the world is full of opinions you might not agree with. It's best not to crack down on them, it's a waste of time either way!![]()
I have better things to do then mess with you audiophool trolls! Have a nice day :thmbsp:You are the cracking one here.
I just mention that there's only room for ten decks in a "top ten".
And then you start yelling (and maybe cry - seems a little like that).
I have better things to do then mess with you audiophool trolls! Have a nice day :thmbsp: