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Toshiba SA7150 and Advent Loudspeakers Stacked

Bernardz

Member
I recently purchased 4-each vintage Advent Loudspeakers . I believe these are the vinyl wrapped models .

I have a question regarding how to configure these units stacked on my current receiver .

The receiver is the Toshiba SA7150.

Please forgive my ignorance in asking , but I don’t know enough about what’s safe or how to configure speakers to my unit in a safe manner that will not damage my receiver or speakers .

What I’ve read online is that you can wire 2-each 8 ohm Advent Loudspeakers cabinets in parallel to achieve a 4 ohm impedance load as long as the receiver can handle the 4 ohm configuration.

My receiver shows the following speaker configurations,
Speaker A- 4-16 ohms
Speaker B- 4-16 ohms
Speaker C- 4-16 ohms
Speakers A&B 8-16 ohms
Speakers B&C 8-16 ohms
Speakers C&A 8-16 ohms

My question is (or what would be less strain on receiver) should I configure stacked Advents in a parallel configuration only using Speaker A( left and right channel ), or
Should I configure 2-each Advent speakers on Speaker A,
And 2-each Advent speakers on Speaker B,

What are the pros and cons using 4 ohm or 8 ohm configurations?

I’ve heard that older vintage receivers (like the one I have ) are sensitive to low impedance loads and can damage internal components , this may be a myth , but I’m asking the techs on this forum because i value your knowledge and opinions .

Attached are some pics and details of my project.
Thanks for all the support and advice ,
Bernard
 

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Wiring all four speakers in parallel from A is the same, from an impedance standpoint, as running one pair from A and one from B, because A and B are wired internally in parallel anyway on that amplifier..

Those speakers would more correctly be rated at 6 ohms, so in parallel will present a nominal load of 3 ohms or even lower. Based on its recommendation to limit simultaneous speaker usage to 4 ohms, your amp may not be built to deliver the current demanded by a 3 ohm load on a sustained basis, especially at louder volumes.

You could wire them in series to maintain a "safe" load. This will, however, reduce the amp's maximum output by 50% (3dB).

That said, given the significant difference in the Toshiba's rated output into 4 vs 8 ohms (an indicator of power supply "stiffness"), I would probably not be overly concerned with running your two sets of Advents in parallel. Just keep an eye on how hot the amp is running.
 
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Thank you for a quick reply ,
That’s very good info and I appreciate it.

I’ve taken some pics of the details of the Advent Loudspeaker.
I’ve attached them to this thread ..

The label states 8ohm , but that’s what the label reads , it could be lower or higher , could I measure the resistance on all four cabinets and if it’s 8 ohms or higher would the parallel configuration still be an option, or are there other factors to consider (age of drivers and crossover components, etc..)

I’m ok with series configuration because I don’t like it loud , just nice sounding music .
I wanted to keep my vintage receiver aligned with vintage speakers .

So if I choose the series configuration , I would connect (1st stack) + from cabinet 1 to - on cabinet 2 , and - from cabinet 1 to + on cabinet 2, then take + and - from 1st stack to Speaker A Left Channel, and visa versa from 2nd stack to Speaker A Right Channel ?

I could also wire the 1st stack in series and measure the impedance across the stack making sure it’s at least 16 ohm or less .
 

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Impedance is difficult to measure. Not the same as DC resistance. Impedance varies with frequency.

Regardless of being labeled as 8 ohm speakers, some of the resident Advent experts have determined that 6 ohms is much closer to their actual nominal impedance. This thread may be of interest:


As I noted, at moderate to lower volumes, probably not too much of a concern to run them in parallel with that amp. But if you want to assure no impedance issues, series will do the trick.

You understand that the lower the impedance, the higher the current demand, right?
 
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10-4
Can’t thank you enough for the education and advise . I’m picking the speakers up today from a person who is selling them to me , got them for a pretty good deal and in really good shape .
I’ll wire the stacks in series as you mentioned in your message to me and I’ll be happy with that wiring configuration, it protects my receiver, speakers , and my hearing .
Not to mention, hearing some good opera music come across my Advents.
Thanks again
Bernard
 
I wasn’t too sure about the current demand with lower impedance till you coached me on it .

With a high impedance, the current demand should me lower . If my units delivers 150 wpc @ 8 ohms , it should deliver 75 wpc @ 16 ohms right ?

But this is at max volume , I don’t plan to run at max volume because as I understand, at some point you begin to clip prior to max volume .
At what point percentage of volume knob or wattage should I stay clear from if I’m going at 16 ohm load , Speaker A Left and Right channel only across the Advents stacked ?

Thanks
Bernard
 
The problem with wiring speakers in series is the amp loses all the damping factor to control the woofers and midranges allowing the cones to move on their own. Each speaker generates its own back EMF which the adjacent speker has to absorb and vice versa, so the bass can get sloppy fast unless the speaker itself is of the acoustic suspension type. Ported and horn loaded speakers get soft and mushy real fast as can infinite baffle speakers. Remember to orient your speakers so the tweeter and midrange are as close together as possible. and are pointed in the same direction.
 
I wasn’t too sure about the current demand with lower impedance till you coached me on it .

With a high impedance, the current demand should me lower . If my units delivers 150 wpc @ 8 ohms , it should deliver 75 wpc @ 16 ohms right ?

But this is at max volume , I don’t plan to run at max volume because as I understand, at some point you begin to clip prior to max volume .
At what point percentage of volume knob or wattage should I stay clear from if I’m going at 16 ohm load , Speaker A Left and Right channel only across the Advents stacked ?

Thanks
Bernard

Yes, at least theoretically.

An amplifier's power rating is not at max volume. Rather, it is the maximum continuous power the amp can deliver into a resistive load (vs a speaker) at the specified frequency (or frequency range) and the specified distortion level, without clipping. An amp can deliver more than its rated power, albeit at a higher level of distortion.

Note that what it can deliver into a speaker may vary significantly, depending upon the speaker's impedance curve and phase angle.

In any case, running an amp at it's maximum output would, by definition, result in a heavily clipped signal. I'll explain why below. Clipping, especially when more severe, can result in more power being delivered to the tweeters and mids than would normally be the case, which in turn can damage them if the power being delivered exceeds their capabilities. Clipping can also drive an amplifier into oscillation, which can damage the amp and speakers. And perhaps most important, clipping sounds bad (unless using a tube amp, as clipping is apparently pleasing in that case ),:)

The reason an amp running at max output will inherently be clipping is due to the nature of a music signal (as opposed to a sine wave). Music contains momentary (aka transient) peaks. These variations in loudness require brief surges of power (voltage) if they are to be fully amplified...otherwise, the signal is clipped. But if the amp is already running at its maximum output, there is no power in reserve available to amplify these peaks. Note that just a 3dB change in loudness requires a doubling of power. A 6dB peak requires 4x the power, a 9dB peak requires 8x the power, and so on. BTW, 3dB is generally defined as the smallest change in loudness as to be distinctly noticeable by a person with normal hearing.

Note also that a good recording may have peaks that are 12-15dB louder (or even more) than the averaged/continuous signal level. So, if your amp is running at 2 watts on a continuous basis, it would need 64 watts "in reserve" (unused) to fully amplify a 15dB peak.

The power required to achieve a given loudness is determined by:
  • The sensitivity of the speakers. The higher their sensitivity rating, the less power they need to achieve a given loudness. For example, to achieve the same loudness, a speaker with a sensitivity rating of 86dB would need 8x the power of a speaker rated at 94dB.
  • Distance from the speakers. In free air, loudness drops by 6dB for each doubling of distance from the speaker. In a normal home environment, the drop is more likely around 4dB, or a bit less.
  • Your tolerance for clipping.
Sensitivity is generally rated as the loudness the speaker will produce with a specified level of power or voltage Ideally, it is specified using voltage, as this will negate the sensitivity advantage a 4 ohm speaker would appear to have vs speakers with higher impedance ratings. The standard voltage for specifying speaker sensitivity is 2.83V. This voltage into an 8 ohm load = 1 watt. The same voltage into a 4 ohm load = 2 watts.

Here are a couple of links pertaining to speaker sensitivity that you might find interesting and/or useful:


You control power output with volume knob. More correctly, you control voltage. Current, and therefore power (voltage x current) is determined by the speaker and varies with impedance, which in turn varies (quite dramatically in some cases) with frequency of the signal. And of course it also goes up as voltage goes up (see Ohm's Law!),

The specific power level at a given point on the volume dial varies from amplifier to amplifier for several reasons, including:
  • The gain structure between various inputs and the output section of the power amp.
  • The "taper" of the volume control
  • The level of the signal at any given point in time
  • Variations in speaker sensitivity (a highly sensitive will become "overloaded" before a less sensitive speaker).
Simply put, there is no good way to advise you as to the loudest "safe" position of the volume knob on your amp. I believe that your Toshiba has power meters. They are fun, but unfortunately don't provide a very accurate indication of power output...especially as regards transient peaks and valleys.

In my opinion, by far the best way to assure that you are not over-powering your speakers or asking too much from your amp is to pay attention to how they sound as you increase the volume. If they start sounding distorted, raspy, or harsh, turn them down. If you hear any unusual sounds, turn them down. If they sound strained, turn them down.

While not of much practical use because of the difficulty in knowing what your continuous (aka RMS) output) is at a given position of the volume knob, you can easily calculate the power you need to keep "in reserve" to accommodate peaks of a given level. For example, if you want to assure the ability to handle 15dB peaks with no clipping, you would divide the amp's rated power by 32 (2 to the 5th power). So, if your amp is rated at 150 watts, you would not want to exceed 4.69 watts of continuous output. If 12dB of reserve (aka headroom) is your goal, it would be 150 divided by 16....or a bit more than 9 watts.

Hint: Remember that each 3dB requires a doubling of power. A 15dB peak = five doublings...or 2^5. And keep in mind that you should use the amp's rated power at the specified impedance of your speakers when doing these calculations. The math is fun, and can be insightful, but your ears are the best way to know when you are getting close to the limits of your speakers and/or your amp.

EDIT: A final thought that may be helpful; unless your speakers are of very low sensitivity, and/or your listening distance is beyond that of a normal home situation, and/or the speakers are exceptionally difficult to drive (low impedance, highly reactive), it us unlikely that you will ever push your Toshiba amp beyond its capabilities. It has the power and it has the ability to meet the current demands of most speakers in most listening situations. Your ears will be bleeding before your run out of power with all but the least sensitive speakers. I don't know the power-handling abilities of the Advents....but your ears will tell you if they are becoming over-driven and distorted.
 
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Thank you so much for all this very good information . It’s going to take me few times reading it till I can fully digest it and understand all its meaning . The Advent Loudspeakers I’m purchasing tomorrow are 1970’s . Haven’t seen an impedance curve sheet on these units , but from my guess , it’s probably going to be hard to find .
If I feel I can’t safely run a stacked configuration, then I’ll just stay with a single 8 ohm pair on the A Speaker channel and save the other pair for a future receiver.

Can’t thank you enough for sharing all your audio knowledge with me today . It’s been very educational for me and I know more today than yesterday about audio characteristics and its functions .
Kindest regards
Bernard
 
The problem with wiring speakers in series is the amp loses all the damping factor to control the woofers and midranges allowing the cones to move on their own. Each speaker generates its own back EMF which the adjacent speker has to absorb and vice versa, so the bass can get sloppy fast unless the speaker itself is of the acoustic suspension type. Ported and horn loaded speakers get soft and mushy real fast as can infinite baffle speakers. Remember to orient your speakers so the tweeter and midrange are as close together as possible. and are pointed in the same direction.
Although I purchased 4-each Advent Loudspeakers @ 8 ohms each, I’m not completely convinced of stacking them given all the info I have received on the forum. Probably safer and sound better to just stay with a single 8 ohm pair on Speaker A channel .
Thank you kindly for info
Bernard
 
Quite a few folks run stacked Advents, in both series and parallel configurations, with reportedly good results.
 
Tomorrow I’ll try both stacked and single pairs . You’ve given me enough knowledge and a good road map to configure my cabinets safely and more importantly, the knowledge of how all these pieces fit and work together in audio engineering.
Thanks again
I’ll let you know how it all sounds tomorrow, I’m sure I’ll have more questions to ask .
Regards
Bernard
 
By the way, I think the recommended arrangement for stacking them is turning the ones on top upside down (tweeter on bottom, woofer on top).
 
Yes , I remember you stated to have the tweeters next to each other and the woofers on the bottom and top
Thank you
Bernard
 
My four stacks in my quad system are stacked with all speakers right-side-up. It sounds better to me. I am totally aware this is against conventional "wisdom" but that's all based on theory, anyway.

Doug
 
Funny, I just picked up 4 NLAs as well. Before I stack ‘em, I have to do all the woofer surrounds.

OP, make sure yours are in good shape before hearing them sing!
 

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Thanks for update , I guess everyone has different listening preferences and what may sound very good to one person may not sound as well or as crisp to another.
I do appreciate the alternative option
Thanks
Bernard
My four stacks in my quad system are stacked with all speakers right-side-up. It sounds better to me. I am totally aware this is against conventional "wisdom" but that's all based on theory, anyway.
 
My four stacks in my quad system are stacked with all speakers right-side-up. It sounds better to me. I am totally aware this is against conventional "wisdom" but that's all based on theory, anyway.

Doug

I would assume that for at least some folks, it is based not on "conventional wisdom" but rather on that arrangement sounding better to them...in the same way that stacking your way sounds better to you.
 
I would assume that for at least some folks, it is based not on "conventional wisdom" but rather on that arrangement sounding better to them...in the same way that stacking your way sounds better to you.

For some folks, yes, but the conventional wisdom is the tweeters close together to avoid comb filtering and whatever. However, I have always found conventional wisdom seems to ignore room effects which make much more difference than comb filtering ever could. Yet, people just follow conventional wisdom just because...well...they should.

Doug
 
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