Chad Michael
Dissonant Rhino
Like your system, froggy friend!!!!
The Audio Control C101 - I will never forget seeing one, for the first time way back when. The spectrum analyzer was mesmerizing.
The Audio Control C101 - I will never forget seeing one, for the first time way back when. The spectrum analyzer was mesmerizing.
thanks. it's a fun system.
it's hard to decide which to look at...the c101 or the 3bx.
Sounds like a very nice set up you put together!
I don't have any Kenwoods in my collection but would gladly add some if the chance happened.
Here's a system I put together that meets some of your criteria.
It's all of the totl HH Scott stuff from the late 70's and it all sounds just as good as any products from the more desirable brand names like Pioneer,Sansui,Sony and many others.
It have plenty of knobs with all the popular features.
390 R receiver , 830 Z analyzer , 825 Z EQ , PS 97 XV turntable , Pro 100 B speakers.
The reason I wanted all that HH Scott gear is I bought this HH Scott 355 R new back in 1980 and always loved the sound,still have it and it works great. Also have the Technics SL 210 TT I bought with it used for $20. Unfortunately my Technics speakers are long gone.
HH Scott has been around a long time,long enough that they helped bring stereo broadcasting to FM radio. Over the years depending on who owned the company they built their stuff in quite a few places.
The gear shown was built in Japan but I think the speakers were still built in the US.
Just realized I can fit most everything in my 2 main setups into one picture. 60s/70s vinyl rig on the left, 80s/90s everything else on the right.
Ignore the lab 390, it's just passing thru...
Ignore the lab 390, it's just passing thru...
Pics should be required for this thread! 
1972 Rotel RX-400 with late 70's Allison Model Six speakers (tiny 10" cubes with upfacing 8" woofer & front-facing tweeter) in my garage.
The Rotel is totally original and unrestored. I actually bought caps for it, but it sounds so good I can't convince myself to touch it (other than tuner cleaning). The Allisons are unrestored also, except for refoaming (a requirement for Allisons).
Out of about 10 audio systems in my house, this is the only one that doesn't have (and doesn't need) a subwoofer, despite the tiny size of the Allisons.
1972 Rotel RX-400 with late 70's Allison Model Six speakers (tiny 10" cubes with upfacing 8" woofer & front-facing tweeter) in my garage.
The Rotel is totally original and unrestored. I actually bought caps for it, but it sounds so good I can't convince myself to touch it (other than tuner cleaning). The Allisons are unrestored also, except for refoaming (a requirement for Allisons).
Out of about 10 audio systems in my house, this is the only one that doesn't have (and doesn't need) a subwoofer, despite the tiny size of the Allisons.
Bruno Primas
Super Member
Sansui 5000X Receiver
Radio Shack Nova 8B Speakers
Akai 4000DS Reel-To-Reel
Akai GX-F44R Cassette Deck
Dual 1019 Turntable
The tube amp and tuner are a Olson AM-253 and RA-580.
Blue Shadow
Waiting for Vintage Gear from this century
Had a gig today. Mark and Terry dropped by to listen to the next pair of Dahlquist DQ-10s and some cartridges. We have been moving coil snobs but Mark (@Aerobat you know him, picture of his three tonearm DDX-1000 signature) had a Pickering XSV-3000 retipped by Steve at VAS and was loving it. I think it is his inner rock and roll self that likes more snap in his cartridge. He has written about this recently. He brought it over with some salsa, Terry brought the beer. Sam left his Shure V-15V here for me to try. I have a Pickering XV-15/1200e the one right below the 3000 in the brochure. I’ll talk more on results in a different thread as you wanted pictures, so I took one.
Difficult with the window but Mark is playing the next record, you see the important things on the table, beer, nachos on the baking sheet, switching box on the floor just showing the wood cabinet, Crown OC-150a, check it out online. Not plugged in just wanted speaker switching.
That stack is the main rig, the cabinet to the left is extras. Folks come over, bring a chunk of gear to hear and it is easier to use the side rig to make changes so that is the way my soundroom is set up. Not shown in the main rig to the right, two turntables, reel to reel. Not shown to the left are the other two Dahlquist speakers and the left sub.
Even with the compromised speaker positions and overloaded room the rig sounded very good today. Easy to tell the difference in the speakers and cartridges and all enjoyable. Third time in a couple months folks have said best they have ever heard. Makes me wonder what could be if I cleaned up the room and worked to get only one set of system components positioned properly. I do sacrifice for proper speaker position, but load the room with extra pieces. Just look at all the wires bottom left of the picture, open amp on the coffee table and more.
Lots of TTs, tonearms and cartridges from the era, but you were looking for receivers and speakers. So that’s another story.
As to hook up. We were using the TT or CD to the preamp (under the top mounted TT) going to the crossover, next unit down a shelf, sitting on the CD changer. Low out to the powered subs, one on the floor behind the chair with a speaker on it. Rest of the signal to the amp on the bottom shelf in front of Mark which went to the switcher out to the two sets of speakers. Other gear hooked up but we didn’t need to use them today.
That is about as lit up as the rig gets. Add the tuner and a couple of lights and done. I like that I can have only a few on lights lit and cruise to tunes in the dark.
Difficult with the window but Mark is playing the next record, you see the important things on the table, beer, nachos on the baking sheet, switching box on the floor just showing the wood cabinet, Crown OC-150a, check it out online. Not plugged in just wanted speaker switching.
That stack is the main rig, the cabinet to the left is extras. Folks come over, bring a chunk of gear to hear and it is easier to use the side rig to make changes so that is the way my soundroom is set up. Not shown in the main rig to the right, two turntables, reel to reel. Not shown to the left are the other two Dahlquist speakers and the left sub.
Even with the compromised speaker positions and overloaded room the rig sounded very good today. Easy to tell the difference in the speakers and cartridges and all enjoyable. Third time in a couple months folks have said best they have ever heard. Makes me wonder what could be if I cleaned up the room and worked to get only one set of system components positioned properly. I do sacrifice for proper speaker position, but load the room with extra pieces. Just look at all the wires bottom left of the picture, open amp on the coffee table and more.
Lots of TTs, tonearms and cartridges from the era, but you were looking for receivers and speakers. So that’s another story.
As to hook up. We were using the TT or CD to the preamp (under the top mounted TT) going to the crossover, next unit down a shelf, sitting on the CD changer. Low out to the powered subs, one on the floor behind the chair with a speaker on it. Rest of the signal to the amp on the bottom shelf in front of Mark which went to the switcher out to the two sets of speakers. Other gear hooked up but we didn’t need to use them today.
That is about as lit up as the rig gets. Add the tuner and a couple of lights and done. I like that I can have only a few on lights lit and cruise to tunes in the dark.
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Limiting it just to receivers, I've lots of Sansui. Kind of ordered from newest to oldest:
9900Z (1981)
G9000
9090DB
990DB
890DB
690
QRX-9001
QRX-999
5000X
5000A
2000X
1000X
210
TAC-505 (Japan only model, imported, and my most recent addition). (1971)
Non Sansui units include:
MCS 3285
MCS 3246
Pioneer SX-60
Pioneer SX-828
Pioneer SX-990
Allied 498 (Allied models were made by Pioneer for Allied/Radio Shack)
Allied 490
That covers the bulk of the receivers, probably a few stragglers I missed.
For speakers, I have a lot of different Sansui, and some Cerwin Vega 211R from circa 1971.
9900Z (1981)
G9000
9090DB
990DB
890DB
690
QRX-9001
QRX-999
5000X
5000A
2000X
1000X
210
TAC-505 (Japan only model, imported, and my most recent addition). (1971)
Non Sansui units include:
MCS 3285
MCS 3246
Pioneer SX-60
Pioneer SX-828
Pioneer SX-990
Allied 498 (Allied models were made by Pioneer for Allied/Radio Shack)
Allied 490
That covers the bulk of the receivers, probably a few stragglers I missed.
For speakers, I have a lot of different Sansui, and some Cerwin Vega 211R from circa 1971.
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Danathepill
Well-Known Member
Did all these Stella dead solders have anything to do with the rig sounding great?!
Blue Shadow
Waiting for Vintage Gear from this century
well that is a Yuengling bottle with its back to you. And what’s showing is only 2 each and the boys drove home so I don’t think it was a major influence. Some maybe, we played music of an artist one really likes. He played his copy and then I mentioned I had the MFSL record which was next up. That helped, he noticed the differences immediately.
They hear this rig regularly, that and the fact I probably have the cables to hook it up, as Mark has said, is why they bring gear to audition and let others hear. Listening to all sorts of different gear allows using the best sounding combinations making small steps toward better sound as much as we can.
Truesnell
New Member
Wow an amazing setup in both rooms. I love that your significant other or roomies let you get away with all that.
Truesnell
New Member
hey do you have the tube amp setup as a preamp for you sansui or do you run it seperate.
Empty nester and the cats don't really get much say in the matter.
The gfs tend to enjoy the music.Thankfully I have some level of self control. Could be very bad otherwise.
Bruno Primas
Super Member
I run them separately. I have a selector box so I'm able to run my components through the 'aux' input.
Agree -- the HK 330 series sound amazing. My 1972 Rotel RX-400 is an internal twin of the HK 330's (maybe the "A" version -- not sure which). I think the 330 pre-C versions had cap-coupled outputs, and the C did not, but all versions are known for great sound quality (while also being inexpensive to buy).