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What is a Control Amplifier?

Claudio0

New Member
I've seen a couple of these on Ebay. What's their use? Are they just preamps, or a specific kind of?
Cheers!
 
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I associate "Control Amplifiers" with late 50's early 60's tube gear

For example

1962 Fisher

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1958/59 Ampex "Control Center"

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Welcome to AK.

In the 70's many Japanese companies referred to preamps as control amps, and power amps as main amps. This is reflected in product numbers for lines like

Yamaha:

M-80 is a main amp
C-80 is the matching control amp
CA-810 is an integrated amp referred to as a control amp

Kenwood

700M is the main amp
700C is the control amp

Pioneer

Exclusive C-3 is the control amp
Exclusive M-3 is the main amp

Did not hold true for every company and dropped off at different times for different companies.
 
Welcome to AK.

In the 70's many Japanese companies referred to preamps as control amps, and power amps as main amps. This is reflected in product numbers for lines like

Yamaha:

M-80 is a main amp
C-80 is the matching control amp
CA-810 is an integrated amp referred to as a control amp

Kenwood

700M is the main amp
700C is the control amp

Pioneer

Exclusive C-3 is the control amp
Exclusive M-3 is the main amp

Did not hold true for every company and dropped off at different times for different companies.
Accuphase

C200 pre
P300 power
 
In my opinion, a control amp generally has more features than a basic preamp, possibly an above average phono stage, more sophisticated tone controls/EQ, more/better recording accommodations, etc.
 
A "control amplifier" is a pre-amp described by people who have no idea what they are talking about. Sony (I believe) was the first to brand their pre-amps "control amplifiers" for marketing reasons. :D
 
We sold a few of those 400 pre-amps and they had a lot of great features. Like the Blend control. I detested their push button ,mode switches that became intermittent almost over night in our dry polluted climate. But they would drive a line level load where Mcintosh and Marantz pre-amps would not for many years. So if you want tube pre-amp that is all tube and not a hybrid to drive todays SS amps with a a medium input impedance the 400 is the one to choose.
 
Marantz did this also calling there preamps "Control Consoles".
It does make sense since they're not just preamps, with gain potentiometers and maybe a balance control and tone controls, they had input selector controls, filter controls, sometimes speaker selectors, stereo/mono/reverse stereo controls, etc.
 
I've always thought there is a sort of hierachy.

1) Linestage, line level only (so no phono section) and no tone controls.
2) Preamp, basicly a linestage with a phono section but still no tone controls.
3) Control amp, linestage, phono and tone controls and sometimes filters etc. (as Lavane has noted).
 
I've always considered a "control amp" to be a power amp with controls - ie, an integrated amplifier which includes volume, balance, tone. source switching - perhaps a phono stage but maybe not. A power amp is just an amp, no controls. A preamp is just the controls without the power, maybe a line stage, maybe not. Maybe a phono stage, maybe not.

As always, just my opinion, YMMV.
 
I have a Jolida tube hybrid line-stage preamp, listed as Control Unit JD5T on the front panel. It has a source selector, and a volume knob. I also have a Kenwood SS unit, listed on the front panel as Stereo Control Amplifier C2. It has filters, defeatable tone controls, mono switch, a highly-regarded MM/MC phono-stage, headphone output, etc. It was intended to be the control center for a much larger system than mine, hence the name. Doesn't mean it wasn't a marketing thing, but it doesn't matter. I call them both preamps.
 
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