I know the thread is old, but I have some interesting information I would like to add.
Just for some background, I've owned my fair of share of Sansui:
5050, G4700, G7000, G8000, G9000, G9000db, G22000, AU9500/TU9500, AU999, AU111, TU717, TU9900, B2301, SR838...have I forgot one?
-->hopefully it gives some contrast to the next comments...
"I love Sansui..." and <yup> I sold them all a while ago. I went to a darker place...I bought a Luxman L503s (new generation) and I found that my love affair just could not match the new Luxman sound...it was elegant, smooth, easy to listen to at any volume with tone flat...Best of all, it was engaging and life-like. Shortly, the great Limited Edition Lux would be bested.
The other month I came across a B2105 Vintage Mos on ebay at 3:30am (don't ask). I did my quick research, I was right, this was the FINAL Mosfet Amplifer for Sansui in 1999 and a rare beast indeed. So, a empty wallet later and the 90 pound masterpiece arrives.
Floored was the best way to describe it. Copper chassis, matched mos-fets, every screw COPPER...buss-bars-->COPPER...the feet, you guessed it --COPPER, but--white leather on the bottom! High end connections, balanced (& fixed inputs), massive MASSIVE transformer, high end caps, Swiss volume control. This amplifier was (most certainly) it would seem what you would have expected for the $5,000 price tag it once owned.
Now for the fun part.
I had no pre-amplifiers left--all sold. What to do? What to do? --(embarrassed but true) I used my headphone jack on my IPAD to run it and I nearly fell off my couch. The sound was stunning, and all through a ?IPAD?
Now it's connect to the pre-out on a new Denon 100 Anniversary Integrated (PA-A100) and running in direct mode to by-pass all the controls and it sounds even better. Did I mention that Denon sounds pretty damm good itself?
The sound is like fine wine and diamonds. I mean, you feel like getting dressed up to put your favorite cd in. It is accurate, but not sterile. It is engaging-quick-but delicate. It is smooth and very easy to listen to. I can say it takes the best of what I found in Sansui before and raised it about 10 notches. To me, it is the ultimate in Sansui...AND, I've owned some of the very best.
The soundstage is big, but not overdone--the little things seem to be bigger & sweeter. The reverb of a guitar, the plinking of the piano's keys, the gentle breath before Dianna Krall starts her next notes. All of this, but NOT too analytical.
It's a, in my opinion, a near perfect blend of everything I've heard--and, I've owned alot of stuff from MAC, Bryston, Parasound...tubes galore, and so on.
I think they did something really well. They made one last attempt to prove that Sansui was a Audio Legacy.
It runs class A, it gets hot. That's the only downside...so, I use a fan to keep it's precious Mos-fets in check.
If you ever find one, buy it! The final mos-fet amps are something else. The power sections on them are the same as the very rare Vintage Integrated (AUX111) from what I understand. Now, the next most difficult thing to do will be to find (one day) it's matching pre-amplifer, the C-2105...good luck with that I say!
Sansui made some great stuff, too bad they are now a thing of the past.
JGP