Wasn't there, in the late 1970s or early 1980s, some adaptation using the 1/2" VHS video cassettes strictly for sound recordings? I remember reading something about that in an old magazine I think.
In my opinion, the best quality sounds I get are from a modern mp3 player through a vintage tube stereo. It's crisp, yet warm, and perfectly quiet.
I can't comment on the sounds of vintage tube amps - you may well be right. But you will not get the best sound from a compressed and lossy MP3 source.
You can certainly get great quality from a PC with a decent sound card - but the source files need to be lossless (WAV, FLAC) and 16/44.1 upwards to 24/192.
If, like me, you like hardware player/recorders rather than a PC - although I use both - you could think about (in ascending order of quality)
16/48 DAT - all models
24/48 DAT - Tascam DA-45HR
24/96 DTRS - Tascam DA-98HR (aggregating two tracks per channel)
24/192 DTRS - Tascam DA-98HR (aggregating four tracks per channel)
I have both the DA-45HR and the DA-98HR. They are not as interesting to watch as R2R but it could be argued these are the ultimate tape recorders.
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The DA-98HR was redundant before it was launched around 2000 as studios were alreading going 24/96 and 24/192 on DAWs. I got one with just 45 hours use for less than £300 delivered.
Regards,
Peter

:nono: If I would ever come up with one of those setups, my husband, who I am virtually certain would never lay a hand on me no matter how much I annoy him at time, would simply freak and revert to a Neanderthal state. He would run the house around yelling wildly, some gibberish.. then drifting into various drinking songs, while flailing his arms like a windmill....
Uhh, I know the words to a WHOLE BUNCH of very ribald English Rugby drinkings songs that I would be more than happy to share w/you....A small Example : "A" is for Asshole all tattered & torn, Hey-Ho!, Said Rolley...."B" is the Bastard who's Never Been Born, with a Roly-Poly, up 'em & stuff 'em, Heigh Ho ! Says Antony Rolley...
Oh, another use: archiving BBC Pink Floyd programming before it disappears from their website
The 34B's gettin a workout.
Cool, I'll have to check that out!
I recently subscribed to Dr Demento's online site where you can listen to the original streamed archive shows (complete with commercials for Pacific Stereo, University Stereo, Akai products etc). At 4 hours per show, RTR is the perfect medium to record them with. No need to do more than 3-3/4 ips since the stream is only 128k. I'm planning to set up to record MET opera broadcasts this winter as well. It's fun.
I am completely ignorant about tape mediums, and I don't mean to sound rude, but what's the modern purpose of Reel-To-Reel?
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I think that the purpose is to upset the missus and confuse the kids, especially after more than one deck enters the house. But they sure are cool and sound good to boot.
I always dreamed about having a reel to reel when I was a kid. Now, I have some of the best made. A lot of it is nostalgia, I suppose. I also have a collection of 8-tracks and decks.![]()
My purpose of having a reel-to-reel:
To have a recorder capable of living up to any of my playback sources.
To record some of my newer LP purchases (180-gram vinyl) onto tape.
To start thinking about doing mixtapes of some of my late stepfather's 2000+ Verve/Riverside/Blue Note jazz albums.
To record myself playing guitar and piano before putting the tape into my DAW for multitracking.
The occasional classical radio recording.
The enjoyment of wide-frequency, no-noise reduction, rock-stable sound reproduction.
The fact that, with tape falling out of favor, I could finally afford top-shelf after years of lusting after consumer decks.
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C.
You need a half-track, 15 ips deck to play them. IEC play EQ (35 usec) is needed as well. If you only have an NAB EQ deck, you could just back off the treble by about 3 db and it will be close.