• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

Which mat to lessen static?

Fuzzbuster

Addicted Member
Hi everyone...Fuzz here. Which mat works better for static: felt or cork? Also, has anyone tried putting a dryer sheet under the mat? I read somewhere that it can help too?
 
Register to hide this ad
What's your static brush of choice? The new $20 Audioquest with the gold metal contacts on the sides is awesome.
 
I use KAB's poly-glass mat with a 1/8" Technics mat on top. I also use the Hunt EDA Mark 6 brush.

I live in North Carolina, so my house is either air conditioned or heated. Both lower the humidity and raise the static.

If you have a dust cover, remove it. If you are not using a carbon fiber brush, use one.

My mat combo is the best I've used. I have used a handful of others. The combination of rotational inertia and album contact are the things I've found best in platter mats.

If static is your issue, maybe try a Zerostat gun. I would look to your platter mat to provide the best sound and not be a "band-aid" to fix static issues (though static can impact sound).



As an edit, and Fuzzbusters number of posts, I still stand by my thought that dryer sheets mainly just smell nice.
 
I tried the dryer sheet under the mat trick with no results whatsoever. My carbon-fiber brush just made things worse, so I switched to an old-style Discwasher with the directional bristles, just barely moistened with this:

It works like a charm.

As for a mat, I'm using the KAB poly-metal mat, too. On a less problematic table, I have an old grey felt mat, fairly stiff, and impregnated with carbon fibers, to conduct through to the heavy aluminum platter. It also works very well. I don't recall who made them - does anyone remember?
 
I don't know if a dryer sheet under the mat will reduce static but it might make the turntable smell a bit better. LOL
 
DSCF2524.JPG Last year I splurged on the deer hide mat that an amazon seller custom makes. It is soft and very attractive and does cut static very well! I think it was like $40...
Before that, I did do the dryer sheet trick, and honestly I couldn't tell if it worked or not.
 
Last edited:
Cork.....

Got totally rid of the rubber mat.....and presto, no more static !!!!

But, it’s your thang, do what you wanna do....
 
I used the KAB Poly-Metal mat topped by a rigid acrylic mat when I had a Technics SL-1200 mk2, my last table with a removable mat. I tried the stock rubber mat, cork and deerhide before landing on the metal/acrylic combo. Cork was worst for static, the acrylic the best.
 
To discharge static you need something conductive. It doesn't have to have particularly low resistance but it mustn't be a good insulator. Damp/humid air is enough to discharge static. Maybe something as simple as a small container placed next to the platter and containing a damp sponge would be enough to make a difference.
Carbon fibre is conductive enough to discharge static but the brush should be earthed to be effective.
A sheet of aluminium foil under the record might work, but not if it was insulated from the platter by a rubber mat.
 
On my Rega P3 with the glass platter an acrylic mat works best for static control. Both the felt and a cork mat that I tried would occasionally come up with the record much to my dismay. I use a carbon fiber brush before playing every record - no help in static control
 
On my Rega P3 with the glass platter an acrylic mat works best for static control. Both the felt and a cork mat that I tried would occasionally come up with the record...
Were the felt and cork much lighter than the acrylic? If so, that might explain it. Acrylic is a very good insulator and therefore very poor for discharging static.
 
Were the felt and cork much lighter than the acrylic? If so, that might explain it. Acrylic is a very good insulator and therefore very poor for discharging static.
I'm sure the acrylic is heavier but it solved the problem of the mat coming up with the record. A couple of times I came dam close to snagging the stylus particularly with the original felt mat.
 
REALLY OLD SCHOOL............but When I bought my FONS TT, the sales guy 'threw in' 2 more carbon impregnated felt mats. Also, in the late fall when the humidity in the house goes way down I use a can or 2 of Office Depot's anti-static spray around my preamp and turntable area.
 
In our cold, dry winters, I've become accustomed to using acrylic platter mats, which for me kill static and cling dead. I recently bought a Pioneer PLX-1000 with a thick rubber mat, so we'll see how it works when things dry out. If need be, I'll lay an acrylic mat on top of it, adjust VTA and that'll be the set up for the winter months. If I'm lucky, the thick rubber mat will do the trick all year round.
 
I prefer a rubber mat. I made a 1/4" thick cork mat for one of my tables that came with a crappy damaged felt/foam mat, and the cork did not do well with static. Sometimes it held so much static that when I lifted the record off the platter, the cork mat stuck to the record and came off with it.:rolleyes: The cork mat sure looked cool, though.
 
Deer skin cured my static issues. Won't look back... unless something more exotic comes along.
 
Last edited:
I wish I could second the leather mat recommendations, but I tried a leather mat last winter and it was neat but did nothing for my static cling problems. I've tried so many different mats and the only mats that absolutely killed the static/cling problem in my applications have been acrylic ones.
 
Back
Top Bottom