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Why are CDs the current hot topic?

I made plenty of mix tapes in the era when I was dealing with cassettes. I thought that once recordable CDs came along that I would be doing the same with them, but that never happened. I have so much stuff on vinyl that ultimately I would have wanted some kind of system where I could record from another CD or digital file as well as from LP and I never got that together. A number of various artist comps I own (an underrated thing, I feel!) as well as what I hear on the radio (there are some very good stations in my area) kind of serve some of the same need as mix tapes.

I will say though that a mix-CD beats one on a cassette for one big reason, and that's the fact that you can easily cue any of the songs. I always hated that with cassette, that you had to FF and RR to get to the spot you wanted to hear and that was often more trouble than it was worth for me...
The fast forward/rewind speed on a car deck was one of my primary things to look at when I was shopping. Almost every single CD I made for my car stereos were "mix CDs", I almost always have at least one or two, "Oh hell no!" cuts on every album, and getting rid of the stinkers was one of the best things about mix tapes. Besides, prerecorded cassettes sounded, for the most part, really awful. Any cassette deck I have ever owned could make a tape, even with a Type 1 cassette, that was light years better in sound, and they generally lasted longer, as the cassettes the record companies used were pretty junky.
 
The fast forward/rewind speed on a car deck was one of my primary things to look at when I was shopping. Almost every single CD I made for my car stereos were "mix CDs", I almost always have at least one or two, "Oh hell no!" cuts on every album, and getting rid of the stinkers was one of the best things about mix tapes. Besides, prerecorded cassettes sounded, for the most part, really awful. Any cassette deck I have ever owned could make a tape, even with a Type 1 cassette, that was light years better in sound, and they generally lasted longer, as the cassettes the record companies used were pretty junky.
I'm with you on that. I used to record on Maxell 90-minute tapes, and they sounded so much better than those cassettes they sold pre-recorded. I have some Santana albums on Maxell's, and they still sound pretty good. Not great, but not that degraded. And I do like getting rid of the stinker songs, which almost every album has.
 
I dumped vinyl in 1985 for CD's, and I'm stickin' to them. I have listened to vinyl since before I got into kindergarten (~1960 or so), and the quality of vinyl went so far downhill that I threw in the towel. I'm never going back.
I was a late adopter to CDs and had very much bought into the vinyl habit, so I wasn't giving that up and continue to collect that stuff. Still, with the iffy nature of vinyl and the improvement with CDs, both in the quality of the media and the tech for playback, I would say that in practical terms, it really is by far the best physical format.
 
I have never bought a CD player. Just never went there. The first digital disc machine I bought was DVD. I do have a universal player and a small collection of SACDs.
 
The fast forward/rewind speed on a car deck was one of my primary things to look at when I was shopping. Almost every single CD I made for my car stereos were "mix CDs", I almost always have at least one or two, "Oh hell no!" cuts on every album, and getting rid of the stinkers was one of the best things about mix tapes. Besides, prerecorded cassettes sounded, for the most part, really awful. Any cassette deck I have ever owned could make a tape, even with a Type 1 cassette, that was light years better in sound, and they generally lasted longer, as the cassettes the record companies used were pretty junky.
I remember the quality of pre-recorded tapes was hit or miss at best, though there I recall having a few higher quality ones in my collection, but that was much more the exception than the rule. Blank tapes were pretty expensive though, particularly considering how cheap recordable CDs ended up being. As much of a music hoarder I am, I wasn't really too attached to the cassette format, and ended up giving nearly all of mine away. I don't have a working deck either...
 
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I was a little reluctant to pick up on CDs; I remained dedicated to vinyl, given the choice. Familiarity, I suppose.

But since then, I have completely embraced the compact disc format. My large collection certainly attests to this.

I like CDs so much, I even bought the shirt below. My son also liked the shirt so much, he asked if I would buy him one as well.

Long live the CD! The reports of its death are greatly exaggerated.


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Helpful video regarding CD accessories, a video topic that seemingly hasn’t been often addressed:
 
I wonder how many broken "jewel boxes" I've had over the years? I used to buy a stack of them really cheap at big lots every so often and it seemed like I never had enough to get all my broken ones fixed or replaced at once. I never had a CD that worked well after it was scratched, regardless of the attempts at using a repair kit. My dog Gus came along about the time CDs did, and he wrecked a few of them when I got lazy and left them sitting in the jewel box with it opened up, and he decided to either chew them up(not good on the roof of the mouth, but even he wasn't dopey enough to swallow any of the pieces), or more often, just step on them and scratch the label side badly. Those claws were like chisels, and trashed a lot of stuff just by stepping on them. He walked like he was trying to wake people up on the floor below, and didn't avoid anything, he just stepped on it. He's on the left.
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I have a bunch of the holders stacked together, I bought the black ones, some are so old, they don't lock together any more, so they got crazy glued together. Never have owned an external DAC, almost all my CD players of recent vintage have been BD burners installed in my PCs when I was building them, and I had sound cards in most of them back then. I had one that must have been made on a good day, it burned discs of all kinds with almost always zero errors. I usually put two of them(Lite-Ons, usually back then) at a time into my PCs and the twin to that one(The "Read" one) wasn't near as good, but it was OK. The really good one died when a CD-R disc flew apart when it was spinning at 20X or whatever it was, there was shapnel everywhere and even after a half dozen attempts to get them out, it seemed like there was an endless supply of tiny slivers, so the drive went into the scrap heap. After I bought a stack of Verbatim discs that must have been slammed during shipping and I had a couple of discs fly apart, I started looking them over before I put them into the burners. I had a green LED light that showed any cracks on the hub really well, and those bad ones got tossed. I used to buy a lot of blanks online and the packaging was sometimes as bad as it could be. I remember one beehive in a giant box, with about a 3 foot piece of kraft paper wadded up for "cushioning". Somehow, all the blanks survived, but the "hive" was cracked. My all time favorite packing was when New Egg sent me a USB stick in a box over 20" long, about 12" deep, and about 12" wide. The drive was taped to the underside of the top flaps and I looked through the endless lengths of air bags and kraft paper a half dozen times trying to find it.
 
I remember the quality of pre-recorded tapes was hit or miss at best, though there I recall having a few higher quality ones in my collection, but that was much more the exception than the rule. Blank tapes were pretty expensive though, particularly considering how cheap recordable CDs ended up being. As much of a music hoarder I am, I wasn't really too attached to the cassette format, and ended up giving nearly all of mine away. I don't have a working deck either...
I still have a few cassettes of some oddball stuff that I should convert, or see if I can find someplace online. I have 3 working decks, Technics RS276US, M45, and an Onkyo...can't remember the model. A tin can compared to the Technics decks, and even with Dolby C, doesn't sound as good as the other ones. I love the thunk the 276 makes when you put it into "Record", and it's just impressive looking. I'm a sucker for big meters. My 276 is in much better shape than this one, it's pretty much like new.
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I wonder how many broken "jewel boxes" I've had over the years? I used to buy a stack of them really cheap at big lots every so often and it seemed like I never had enough to get all my broken ones fixed or replaced at once. I never had a CD that worked well after it was scratched, regardless of the attempts at using a repair kit. My dog Gus came along about the time CDs did, and he wrecked a few of them when I got lazy and left them sitting in the jewel box with it opened up, and he decided to either chew them up(not good on the roof of the mouth, but even he wasn't dopey enough to swallow any of the pieces), or more often, just step on them and scratch the label side badly. Those claws were like chisels, and trashed a lot of stuff just by stepping on them. He walked like he was trying to wake people up on the floor below, and didn't avoid anything, he just stepped on it. He's on the left.
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I bought a box of replacement jewel cases and fixed all the ones I had that were broken.

I don't have a dog to trample them so it wasn't that many. They are the worst thing about CD. What gets me is the bloke who designed them is proud of what he did. Although in fairness the quality of them does vary massively. Early CDs usually have noticeably heavier cases.

The replacement case are flimsy but they are cheap.

Not had many damaged discs and only one that had the PDO 'disc rot.' It was 'Exile On Main Street.' I bought another copy, it was £2.50 so not a big deal. Original release too. That's the great thing about CD now, the price for anything that's not really rare is negligible. Try replacing a damaged vinyl copy of that album with another original pressing, I bet it's about £300.
 
Yeah, the jewel cases I bought online someplace years ago seemed to be a different plastic than the later ones. I have one cat now, and the worst thing she does at this point to a disc is vomit on it from eating too fast. When she was young, she tried to kill me about a dozen times. This was her last, and worst, by far results. The bathroom looked like a murder scene. My crime was dumping cat litter into the litter box. Death! I guess she's aged out of it at about 14.
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I "repair" CD's all the time. I also do DVD's, although they seem to be a lot pickier about "repairs". I'm guessing that's about the amount of data that has to be stored on the silver layer and the need for finer laser precision when reading.

I don't use anything that's specific for that "repair" task that's "audio". All those products are just repackaged into smaller formats and charged up the hoop because it's labeled "audio" anyways.

Pretty much the only CD I can't "repair" is the ones where the silver layer is damaged/missing. The scratches are just in acrylic and that can be polished.

For just general dirt/fingerprints/etc, I just use eyeglass cleaning cloths and the solution that comes with them. Most eyeglass shops hand them out free. I currently use cloths and solution used for cleaning camera lenses. Wife is a photographer, so it's hanging around the house already.

Anything more than "dirt" that effects playback gets the "polish" treatment.

It's important to note the scratch doesn't have to be completely eradicated. It's the rough edges and scrapped acrylic (looks white-ish) that's the problem. It scatters the laser and it then can't read the data. What you need to do is make the scratch more "transparent" to the laser, not flatten the entire surface to an absolute level. It's a similar principle used in vehicle "paint correction": You don't make the scratch go away absolutely, you make it "invisible" to the eye. In this case, the "eye" is the laser.

If it's light scratching, I'll use a fine microfibre cloth and Meguier's polish. Then I'll follow up with Meguier's Gold class" caranuba wax. I have that already because I use it on my cars, so no added cost there either.

It's important to polish center to edge. Never circular.

The polish procedure recovers something like 95-98% of most discs that won't read (or skip) for me.

If it still has issues after the polish, I get more aggressive and use Meguier's compound, then polish and then caranuba. It's still a hand process, but if the disc is really bad (IE: nothing to loose) I'll get my 3" detail orbital polisher and go at the acrylic. Then polish, wax.

That's recovered about 99% of the used discs I've bought that has playback issues. The other 1% were just "un-saveable". Anything that requires something more aggressive (sanding, etc) than the Meguier's compound just isn't worth bothering with to me and gets tossed.

But they only cost me around 1-2 bucks a piece, so having to toss one that can't be recovered isn't a big stress.

My process for buying use it:

1. Do I like/want the music, and
2. Can I see through the data layer when held up to the light?

Other than that, I'll take a chance on any CD I'd like to have, regardless of scratching.

But again: I'm only risking a buck or two so no worries either way.

The "unrecoverable" ones will donate their jewel cases to ones that have been broken. Only real breakage I see in jewel cases is the hinge "tabs" get broken off. Of course, if they get sat on or otherwise "crushed", that's also cause for a new case.

I keep mine in stacks on either side of my "curio case" in the office:

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Thats actually one "tower" cut into two to fit the space:

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Those show up in thrift stores here all the time for a couple bucks.

All my CD's are kept in the Kenwood CD-425M, which holds 200 CD's (I have ight around 150 CD's total). So those are all just empty cases. I keep a printed excel sheet with what number each disc is in the Kenwood and the Jewel cases are arranged in the same order.

I look at the excel sheet, decide which disc I want, then can go over to the jewel case towers and pull out the case and read the info in the insert booklets if I want to.

Works for me.

My dogs are 120-ish pounders:

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No interest in messing with any of my audio gear/media at all. It's not food, play or "walkies", so they don't care about it one way or another. If they break a Cd or LP, it' completely by accident and honestly, my own fault for leaving it lying around.

I also don't use a "laser lens cleaning disc". More mumbo jumbo IMHO. I simply remove the outer case on teh player to expose the laser lends assembly and then use more camera lens cleaning products to clean the lens. Hoextly, all that should be neede dto "clean" the laser lens is to remove any dist particles that have landed on it over time. I use a lens cleaning pen to brush it clean:

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One end is a small glass cleaning cloth, the other is fine soft bristles. Works great. Never needed anything else. I even use them on my 10" dob telescope optics. Works perfectly.

My Kenwood CD-425m player also has it's laser assembly in a vertical orientation, so it has far fewer "dirt" issues that a player that has the laser assembly in a horizontal position.

I don't buy CD's because it's inexpensive, I buy them because I want the music. I have to be interested in the disc, which is why I only have about 150 of them. It's not wort it to me to buy a box to sift through and maybe find one or two i want to keep and toss the rest. I'd rather just buy the particular disc I want. More power to those who want to buy bulk and find that one or two little treasures in the pile though. If it makes you happy, that's good enough......:)

If they go the way records go (ie: upward spiraling costs) I'll probably still buy the occasional CD, but those will be new or a band I have been wanting to buy for a good long while and never got it. There's fewer and fewer of those in my wish list as time goes on....

;)
 
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I have about 300 CDs that are sitting in storage boxes under my house. For the popular music it just isn't worth bringing them out, because a certain member of the family likes to take a disc out of the player and stack it, unboxed, on top of the player even if the case is right there! After a few weeks you have the task of sorting and re-casing 10 CDs and of course the high blood pressure that results... this had better never happen with my vinyl! Education on how to use streaming was a far better idea.
I have about 50 classical CDs that stay out. Classical really benefits from the low noise floor and that bad person doesn't really have much of an interest so all of the discs and all of the cases are pristine.
 
Thought to wade in on this topic this morning.


The cost factor is sometimes less than vinyl, as some sellers found this to be the case. Also, the "CD format" doesn't take up a lot of space for storage.

Personally, I like to rip into mp3 files using FLAC, which gives decent fidelity if using a hi/res player, or to a memory card for the cell phone.

CD's also don't seem to take the care in cleaning, and longevity as records, or the need to keep up on TT maintenance/function.

Finally, if I can't that one fav album, and the cost factor is way too high...I'll try to find the same in CD.

Q
 
Meanders a bit, but not much with which I would disagree.

I am surprised that someone who reviews music and owns approximately 10,000 CDs doesn’t have a dedicated system for which he can listen to them.

 
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I remember thinking how great it would be to have a laser pickup on my turntable to play records without touching them. When CDs came out there it was. Didn't know anything about digital processing at the time. Hard to beat CD sound quality on good equipment.
 
Regarding the cleaning of CD's, I found this yesterday:

10 Must Have Accessories for CD Collectors (Some are Free!)

As for the jewel cases, I'm really picky about scratches on the covers. I order cases of them, brand new, from a company called Uline. They're a wonderful company, and sends everything well-packaged.
 
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