Depends on which post you choose to believe, so I just bought the cheapest available at the time..I have been wanting one of those for quite a while after hearing all about how good the CD portion is - any idea what's the specific model number to look for within the PS1 line?
Sony gets plenty of respect. Some of the stuff was really high end, see TA-NR1 amp. They invented the CD player and were innovators, see CDP-XA7ES. Sony wasn't great at speakers but some are classics such as the SS-M9. Silver era Sony were not so splashy but some pieces are innovative such as the use of VFET's in TA-5650 and TA-8650. Of course, Sony Trinitron was simply the best CRT TV on the market. Betamax was a failure but the picture quality of some of the pro models is astounding, see CGS-50 and SL-HF1000.
Sony Esprit, ‘R’ and ‘1’ series sit at the top of the Sony audio gear hierarchy. WEGA was nice too, but not available here at all. We did get one ‘R’ component.I always thought the "ES" series was Sonys TOTL gear and was pretty good.
I was aware of the SuperScope/Marantz connection, did not know of the SuperScope/Sony connection until now.
I've learned something today.![]()
I hear you all about Sony being hard to find to buy in the 1960s. I bought the Sony Stereocorder 464-SL tube RTR Tape Deck, 1962 by mail from one of those NY city Hi Fi and camera stores like 47th Street store. I lived in the out back of south Texas and we bought lots of things by mail like a Kenwood 6160 receiver also. I would read about them in magazines and buy site unseen but Sony was not pushed as much by reviews as Pioneer, Kenwood, Marantz and Sansui. We bought most electronics from Allied Radio or Radio shack by mail and hobby stuff like balsa wood and model air plane kits and motors by mail. Sears catalog stores were used for other stuff. Shopping by mail was like eBay and Amazon today.
Charlie
I miss those beautiful green backlighted analog dials. There was something magic about them.I have a Sony STR 5800SD that sounds awesome with 55 wpc and a STR V5 incoming with 85 wpc.
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I have been wanting one of those for quite a while after hearing all about how good the CD portion is - any idea what's the specific model number to look for within the PS1 line?

Kent - quite a bit of history there. Thanks for relaying it. I for one had no idea.Sony made huge mistakes in their USA marketing, which effectively made them a non starter. Big issue. In the USA, there were 2 Sonys. There was tape recorders (Imported to the USA by SuperScope, with a superb dealer network, and superb parts and service networks and representation). SuperScope was everywhere. When Sony began making audiophile equipment in 1965 beginning with the classic TA series transistor integrated amplifier, their tuners, and turntables, Sony HiFi in the USA was handled by the USA branch of Sony Corporation. This organization had very limited distribution, had very few dealers for many years, and overall made Sony really not much of a factor until the early 1980's.
In Tennessee, in 1969 only Memphis had a dealer. There was no dealers in Georgia, and one dealer in Birmingham, Alabama. This was when Sony built their finest equipment. By comparison in Tennessee, there was McIntosh dealers in every major Tennessee city (Memphis, Nashville, Chattanooga, Knoxville, Oak Ridge, Johnson City). Marantz was almost as well represented likewise. (Oak Ridge the exception).
Sony tape recorders were in every one of those cities too (often the same dealers too). So in short, for many years, Sony audio was hard to find, had such limited distribution, had so few dealers, and while it got good press in the HiFi magazines, it was lesser known in the USA due to very inept marketing and limited dealer networks (unless it was a tape deck). And this affects how much respect and coverage it got. In areas like New York, California, and Florida. Sony had a somewhat normal dealer network then. But there were sometimes entire states with none or 1 dealer. You had to really know it existed, and were willing to drive in many cases several hundred miles to even audition it. No wonder, Sony then was such a little known company in audio. And their best gear was as fine as anyone's then.