With the right tube complement, the R8 can sound fantastic. I have a ton of tubes, old and new... Right now, I think the Ken-Rad VT229/VT231 front-end tubes sound awesome with either the Matsushita 6CA7, Mullard XF2 EL34. Groove Tubes EL34M or the Psvane EL34PH. The Ken-Rad front tubes presents a more 3D image than any other front tubes I have, beating the Sylvania 6SN7W/6SL7W, the MELZ 6N9S/6N8S, Tung-Sol 6SN7/6SL7 or the RCA 6SN7/6SL7 gray glass tubes (or any combination there of).
The Psvane EL34PH is a puzzler though, on some tubes they sound flat with no bass. With the Ken-Rads they sound excellent and with others very good. I also have some old and new KT88s. TBH, I prefer the warmth of the EL34 over the dynamics of the KT88.
The R8 has two modes, ultralinear or triode. With in the ultralinear mode, the mid-range is more pronounced and upfront with a more dynamic presentation (this excels in pop, vocals and rock music). In triode mode, the center focus is more laid back which sounmds better for classical and instrumentals.
But like I mentioned earlier, the R8 is very sensitive to noisy pre-amp tubes. With noisy tubes, the volume control exhibits a scratchy sound when adjusted. And the control is too sensitive, a tap on the remote will jump the volume by a three-four dB. At the 9:00 position, the volume is quite loud on my 87dB sensitive Polk R700s.