I bought and built my only Knight kit integrated 40 watt amp when I was late 13 or early 14. After about 9 months an output tube failed and the amp need significant repairs worth so I worked a deal and traded it in on a Scott 222 integrated and then up graded to 299Ds.
Then I went to A Mcintosh Amp clinic for the first time as my Scotts were sounding a little harsh. Even with all new tubes and 25 watt output the units didn't meet specs above 8 khz or below 50 Hz. So I bought a Mcintosh MA230 and haven't had to repair a Mac amp since.
You really don't need to read the rest unless you want to.
I have had quite a few Mac amps. One is currently 50 years old. The Crowns I had needed repairs every 8 to ten years, so I went back to Mac amps once they started building the direct coupled 7200 and 7100. Of all the Mac pre-amps I have had only the C-34 needed a tape monitor switch rebuilt. Of all the tuners the MR 80 went in for a full tune up after 30 years as did the MR-78. The MPI-4 needed a new tube after 40 years. Thats about the extent of repairs. The MR-80 and 78 are still going strong as is the C-34, MPI-4, MC 2505, two MC 207's, two MC 830's a MX 151, MR 7084, MP 100, MQ 107 XRT 28's.
The Thorens TD 125 has never been touched, neither has the Rabco tone arm that are over 50 years old. Yes, they need to cleaned and lubed and a new belt and new cartridges every 7 years or so, but no major repairs there either. The Bozak 313's needed re-soldering on the crossovers recently. The 4005 Symphonies are as new, but the Concert Grands have been up dated and one midrange failed in the first few months in 70 and was replaced under warranty. The retired Nakamichis didn't need repairs and neither did the Sony and JVC VCR's.
The Professional Ampexs always needed maintenance and new tubes and one feed back capacitor but considering the machines were all made in the early 60's and the SS models in middle 70's, It was never a reel bother. Just something you did maintaining R2R recorders for playback or to make live master tapes for LP's and later cassettes. I have never had to repair my Crown EQ2s. just cleaning, both pushing 50 years or my Urei crossovers or EQs, but the controls need cleaning. The SAE EQ has had many replacements of signal capacitors and of course the controls need servicing . Its been my most problem prone piece. The DBX stuff has had no issues, except for the model 400 and it was tossed after 10 years and its functions replaced by the C-34V. Only the Mcintosh MCD 7005 needed a factory recommended upgrade to the disc handler after a year under warranty. I always bought my Macs in the summer to get the 5 year extended warranties. . The other Mac players have been trouble free as have the DVD players. Pioneer CD and Sony CD recorders never failed, neither did the DVD recorders or the Laser disc players and the combi laser and dvd players
Over the years I would say the phono cartridges were always needing up grading. Some times yearly sometimes more often. Stanton 681 and 881 series were the easiest. Ortofon MC had to be totally replaced, So will be the current Dynavectors. The new Mark Levinson version of the VPI Prime is just one year old with the latest 20 X2 Dynavector and after I adjusted the speed, which you can't do with out buying the extra speed control from VPI it has been working perfectly. I also don't have to move belts to change speeds just push a button. Like the Thorens keeping it clean is the main concern.
I imagine today everyone is on the DAC merry go round trying to keep up with technology like we did back in the 60 and 70's with phono cartridges. I get on and off that carousel now and then myself. There must have been 8 or nine major break throughs in surround sound ending with Atmos. I skipped Quad and I'll skip Atmos. If you are going to have ceiling speakers, why not floor speakers? I have had three processors to date so that means I have skipped 6 or so. I don't do 4K either. I'll wait until my Elite plasma fails and buy an OLED. Oh OH, 8K is here, but I don't do games.