birchoak
Hi-Fi Nut
I've been approaching audio repair the wrong way. Rather than an efficient workman, I need to be a curator. More of a restorer than a fixer. A mindful, cautious surgeon, vs. the Dr. Frankenstein my younger self has presented.
Here is my new approach, and I will use a 50 year old Sherwood S-7100A as an example. The Sherwood came to me in very good condition and fully functioning. Here is where age and experience pay off. I now know this: Do not let the magic smoke out. Do not do anything to this unless you are 100% sure it will NOT injure the patient. Do not let the magic smoke out; something in damned good working condition is better than irreparably broken because you were chasing perfection. I realize I am preaching to the converted, and that most of you know far more than I ever will, but I think this is a good approach for other amateurs such as myself and it will save many an amplifier and receiver.
Before I even plugged it in, I examined it carefully inside and out, noting that absolutely everything appeared to be original and in good shape, except for a dead tuning meter bulb and new blue LEDs for the dial lighting. I cautiously turned it on via a dim bulb tester, with speakers hooked up, then switched to regular power. FM strong in both channels; CD piped in via AUX sounded strong and clean without a touch of static.
After a few hours of listening, the right channel dropped out in STEREO, so I flooded the controls with CRC, then Deoxit D5,* working them thoroughly during the process. Younger me would have waited a total of five minutes before powering up the receiver to check my work; older me brought the unit upstairs to my heated office, where I let it dry out for 24 hours. Indeed, it was closer to three days before I plugged it in again and that kind of patience is what's needed with these fragile electronic masterpieces of yesteryear. I've always had difficulty reigning in my eagerness to "get going and fix it" and I've paid the price for it.
*I've since learned that these particular Sherwoods employ a fragile plastic tab that does the actual ON/OFF and that what I did should have destroyed said switch! Lucky for me it seems to be just fine, but, whew!
The Sherwood continues to work remarkably, delivering strong, punchy music that no 50 year old amp with original parts should be capable of, but I know it should get at least new filter caps to stay healthy. Here is my thought process:
Younger me: "Let's order every cap in this receiver and replace them all, preferably tonight."
Older me: "We will do the filter caps and stop there for now. This isn't a race. Also, we will listen to the Sherwood with its new filter caps and evaluate the sound and success of the repair. Also, we are taking photographs, drawing detailed diagrams of the pertinent wiring, and consider doing a narrated video prior to any tricky work to be on the safe side."
Younger me: "Huh. Wish I'd done that before I took apart that Scott 420A."
Older me: "Yeah, me, too. I thought we weren't going to mention the 420A ever again."
Younger me: "Sorry!"
Older me: "We will triple check polarity before removing any cap, and we will employ that wonderful dim bulb tester before we even think of plugging this in to raw power. We will solder carefully and mindfully, looking for solder drips, wire clippings, solder whiskers, dropped screws in between components, etc."
Younger me: [knows not to say anything].
Older me:
"And no, we will NOT be replacing all the caps, not tonight and probably not ever. We will work at a pace appropriate for a museum piece, and a complex electronic piece at that. If we think like an art restorer, doing as little damage as possible, working as calmly and gently as possible, we just might keep this work of art intact."
Younger me: "Where have you been all my life?"
Older me: "Right here, grasshopper. You were not ready before."
Younger me: "How will I know when I am ready?"
Older me: "When you can snatch this 2200uF 50V Nichicon Gold Tune from my hand." [begins levitating]
Younger me: "Holy sh--!"
Here is my new approach, and I will use a 50 year old Sherwood S-7100A as an example. The Sherwood came to me in very good condition and fully functioning. Here is where age and experience pay off. I now know this: Do not let the magic smoke out. Do not do anything to this unless you are 100% sure it will NOT injure the patient. Do not let the magic smoke out; something in damned good working condition is better than irreparably broken because you were chasing perfection. I realize I am preaching to the converted, and that most of you know far more than I ever will, but I think this is a good approach for other amateurs such as myself and it will save many an amplifier and receiver.
Before I even plugged it in, I examined it carefully inside and out, noting that absolutely everything appeared to be original and in good shape, except for a dead tuning meter bulb and new blue LEDs for the dial lighting. I cautiously turned it on via a dim bulb tester, with speakers hooked up, then switched to regular power. FM strong in both channels; CD piped in via AUX sounded strong and clean without a touch of static.
After a few hours of listening, the right channel dropped out in STEREO, so I flooded the controls with CRC, then Deoxit D5,* working them thoroughly during the process. Younger me would have waited a total of five minutes before powering up the receiver to check my work; older me brought the unit upstairs to my heated office, where I let it dry out for 24 hours. Indeed, it was closer to three days before I plugged it in again and that kind of patience is what's needed with these fragile electronic masterpieces of yesteryear. I've always had difficulty reigning in my eagerness to "get going and fix it" and I've paid the price for it.
*I've since learned that these particular Sherwoods employ a fragile plastic tab that does the actual ON/OFF and that what I did should have destroyed said switch! Lucky for me it seems to be just fine, but, whew!
The Sherwood continues to work remarkably, delivering strong, punchy music that no 50 year old amp with original parts should be capable of, but I know it should get at least new filter caps to stay healthy. Here is my thought process:
Younger me: "Let's order every cap in this receiver and replace them all, preferably tonight."
Older me: "We will do the filter caps and stop there for now. This isn't a race. Also, we will listen to the Sherwood with its new filter caps and evaluate the sound and success of the repair. Also, we are taking photographs, drawing detailed diagrams of the pertinent wiring, and consider doing a narrated video prior to any tricky work to be on the safe side."
Younger me: "Huh. Wish I'd done that before I took apart that Scott 420A."
Older me: "Yeah, me, too. I thought we weren't going to mention the 420A ever again."
Younger me: "Sorry!"
Older me: "We will triple check polarity before removing any cap, and we will employ that wonderful dim bulb tester before we even think of plugging this in to raw power. We will solder carefully and mindfully, looking for solder drips, wire clippings, solder whiskers, dropped screws in between components, etc."
Younger me: [knows not to say anything].
Older me:
"And no, we will NOT be replacing all the caps, not tonight and probably not ever. We will work at a pace appropriate for a museum piece, and a complex electronic piece at that. If we think like an art restorer, doing as little damage as possible, working as calmly and gently as possible, we just might keep this work of art intact."
Younger me: "Where have you been all my life?"
Older me: "Right here, grasshopper. You were not ready before."
Younger me: "How will I know when I am ready?"
Older me: "When you can snatch this 2200uF 50V Nichicon Gold Tune from my hand." [begins levitating]
Younger me: "Holy sh--!"
