Nevertheless the TA-E900 is still a good investment at this price level. At least when the modules can be replaced some day by improved and serviceable ones,
The big problem with this is that the flat amp module want out in the mid 90's as even Sony coudln't get the semiconductors some of which were Hitatchi
After I'm using the TA-N901 only for low frequency (<100Hz), I can't say anything bad about it sound wise (bass reproduction is not very demanding indeed).
Actually I think the bass is the unique thing with the Esprit. One of the key raison daitre comments of the design team was that you could transcribe the bass line of a recording with ease. I had a TA-N901 and the pedeal line from Organ or low plucked double bass was stunning even through things like Quad ESL 63. Infact the Esprits are the only amps that can produce real bass out of the ESL63
And with impedance setting at 4 Ohms it even gets not very hot.
Err it should get hotter at 4 Ohms at it increases the rail voltage? Actually having just looked at the manual I realise, as I should have done that it drops the voltage fro 70 to 50V: my mistake!!
The really unlucky thing with the N901 is, that regarding it's internal structure, the basic circuitry topology and the overall build quality it could be easily a TA-N7B killer. The quality of the regulated power supply rails even matches the very best PSUs from Krell, TacT or the like, but unfortunately the SONY engineers insisted not to use feedback for the output stage, which leads into lots of audible and not necessary distortion.
I must admit that I never noticed much distortion on mine but I did notice a rather bright treble. If you are getting distortion I would check that the B+=B- you can easily do this with a multimeter
In the end with mine I built a box for it to sit on with a temp controlled PID fan to hold it at a stable temp as with the TA-N900
The big problem with this is that the flat amp module want out in the mid 90's as even Sony coudln't get the semiconductors some of which were Hitatchi
After I'm using the TA-N901 only for low frequency (<100Hz), I can't say anything bad about it sound wise (bass reproduction is not very demanding indeed).
Actually I think the bass is the unique thing with the Esprit. One of the key raison daitre comments of the design team was that you could transcribe the bass line of a recording with ease. I had a TA-N901 and the pedeal line from Organ or low plucked double bass was stunning even through things like Quad ESL 63. Infact the Esprits are the only amps that can produce real bass out of the ESL63
And with impedance setting at 4 Ohms it even gets not very hot.
Err it should get hotter at 4 Ohms at it increases the rail voltage? Actually having just looked at the manual I realise, as I should have done that it drops the voltage fro 70 to 50V: my mistake!!
The really unlucky thing with the N901 is, that regarding it's internal structure, the basic circuitry topology and the overall build quality it could be easily a TA-N7B killer. The quality of the regulated power supply rails even matches the very best PSUs from Krell, TacT or the like, but unfortunately the SONY engineers insisted not to use feedback for the output stage, which leads into lots of audible and not necessary distortion.
I must admit that I never noticed much distortion on mine but I did notice a rather bright treble. If you are getting distortion I would check that the B+=B- you can easily do this with a multimeter
In the end with mine I built a box for it to sit on with a temp controlled PID fan to hold it at a stable temp as with the TA-N900
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