dgwojo said:
I'd love to tweak my systems with an analyzer some day just to see if there's much difference to my ears, thing is, I'm already happy with their sound.
All the more reason, of course. What's good? What's better? Why? How can you help others get there? The entry fee is $300 or less.... :yes:
bowtie427ss said:
For me, i've come to prefer the sound i get from my '60's technology born, HF subdued, jagged responding Altecs.
Well, here's where we part ways, of course.
Kinda looks to me like that Altec guy is actually holding a measurement microphone those many years ago; I ask myself what those four VOTTs were reproducing.

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As Tom points out, if you look at the ST350 data sheet, unless you're using the requisite compensation network, it's a midrange driver peaking at 3 kHz and down 10 dB at 10 kHz, i.e., not even a tweeter.
Properly applied with compensation, it looks to go out to ~14 kHz successfully, plenty good, perhaps, but not up to contemporary fidelity standards.
I don't much trust specs myself, especially old ones like those, compiled when the best available measurement technology wasn't even up to the capabilities of what we can do at home ourselves today. I'd certainly be measuring that driver/horn myself before using it in any system, and trying out the several compensation schemes suggested there for comparison.
Look, this is pretty simple, really: Unless a system is capable of accurately reproducing the full audio spectrum, it is adulterating the program material the pros have provided for all of us to enjoy. That coloration precludes our hearing the music as they intended. We make it worse misapplying speakers in our own spaces.
Is it possible to have a system that plays the full spectrum accurately and still sounds like poop? Sure. I've measured plenty of those, and built quite a few myself, in fact. The challenge is to figure out why, and fix it.
I've apparently got some AKers rethinking the subjectivism vs. objectivism issues, and if this results in more open discussion of them in public forum, that's good, in my view, and if it also results in more audio hobbyists making the effort to figure out what it's all about, so much the better, even.
Personally, I don't give a flying whit what other people listen to. But I DO care that those who might be interested (recognizing also that there are plenty who AREN'T,) have available to them the resources necessary to competently maximize potential enjoyment of their gear and the hobby itself.
If "The care is not there," as someone recently responded to me here, well, that's fine, too. Just put me on "Ignore." I am not offended, and I certainly do not intend that anyone else should be, either.... :thmbsp: