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ALTEC 846B Trouble/week sound?

Zilch said:
I don't know who I'd be more pissed at -- the marketeers playin' fast and loose with the specs, or the "Ignore the numbers, trust your EARS, it's the MUSIC, stupid" subjectivists perpetuating the myth:

http://www.harman.com/wp/pdf/AudioScience.pdf

After 40 years of listening to Valencias. and trusting the marketing pitch of how great they are, I am pissed at myself for falling for all the BS. Now after some research and measuring, we know that they aren't really all that great. But they were designed to follow the X curve, which doesn't cut it for home stereo, but is useful in large theaters. I have had friends over who listened to my Vals, and thought they were really great. So maybe the "trust your ears" thing can be good. But knowing how much better they can be is simply amazing. Either by adding decent tweeters and some crossover/compensation to add the missing HF, or by replacing the HF drivers with ones which have the HF capabilities simply opens new horizons when listening to them. They almost become "MONITORS". That is, they don't miss any big pieces of the audio spectrum. They can be eye opening, especially for one used to Altec Voice of the Theater performance. And Zilch has done a magnificent job for any Altec owner who wants to improve the performance of his Valencias, or any of the related series of speakers using the same components. I am now a happy camper with the pair with added Emminence APT-80 tweeters, and the pair with replacement BMS drivers. They are both so far superior to stock Valencias that I cannot imagine how I listened to them in stock condition for 40 years. Shame on me. My third pair of Valencias will be fixed with BMS drivers as soon as the comparison of 5 pairs of "tweeked" Vals is completed this weekend. They truly are that good.

Jack Gifford
 
Bringing my Altecs to Jacks on Saturday and will let you guys know the results...

I can't wait..

Maybe Jack can give a little help to my x-overs or something.

;)

-Storm
 
I ended up selling the Valencias I had. I know I was doing them an unjustice in the small room I had them in and I didn't want to put them in the living room which is 23 X 20. I know the new owner is enjoying them, though. For me and the area that I do my listening, I like my other speakers better of which I'll make no mention of since I'm not here to bust up a thread. But I do agree with everything said in these posts about the response being almost non-existent about 14kHz. I went so far as to borrow an Audio Control SA-3050a 31 band analyzer and it showed the same results. It was a steep roll off from about 12kHz on up.

Great speakers for lots of people...just wasn't my cup 'o tea.
 
Audio is Science...nice article

I found this article to be very similar to the Infinity white papers that I have read in the past few years. I think there are several good points addressed here. It seems they should be designed by measuring, and then listened to and compared. I like the point made about trained listeners. I guess speakers aren't designed for every listener. Some people have pre-conceived requirements, some are happy with anything, and some are not happy with anything - always searching!

I especially liked the point made about the "dead" recording studios using forward facing (usually horn loaded) monitors to base their recordings on.

I won't run out and buy new "Harmon" speakers, but I do see how speakers have evolved thru the years to be more "accurate". Yes, even accurate enough for Rock-n-Roll! As if "any" junk speaker can reproduce Rock music.

Richard C.
 
I had to read the "Good enough for Rock and Roll" part several times, and I'm still not sure I have it right. It seems the more complex the music, the greater the smoothness required. I'd think it'd mask the anomalies, but no, it apparently renders them more and more audible as the content approaches wideband noise.

That's what we routinely use for test and measurement, and I can certainly hear small differences....
 
A wall of Altec!

I am almost ready for the Valencia comparison tomorrow, and have moved all my Vals into the living room. Ocupatto is bringing his Vals, and S1A is bringing the tweeters he hooked to a friends Vals. We should be able to compare five iterations of Vals, going from stock through Klipsh tweets, Emminence tweets, EV T-35 tweets, and BMS drivers. Which one is best? Stay tuned!!
 

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40 Years is a Long Time...

jackgiff said:
After 40 years of listening to Valencias. and trusting the marketing pitch of how great they are, I am pissed at myself for falling for all the BS. Now after some research and measuring, we know that they aren't really all that great. But they were designed to follow the X curve, which doesn't cut it for home stereo, but is useful in large theaters. I have had friends over who listened to my Vals, and thought they were really great. So maybe the "trust your ears" thing can be good. But knowing how much better they can be is simply amazing...

snip...

Jack Gifford

Don't you think you’re being a little hard on yourself when you say you're pissed for falling for all the BS. You ended up with what you had by listening and isn't that what's really important? The situation couldn't have been too bad if it took 40 yrs to realize something better might have come along. Speaker sound is such a personal thing I sometimes wonder how there can be any consensus as to what sounds good and what doesn't.

I've been following this thread (and lurking on the LH board) because I've got a pair of Valencias and a pair of Carmels and both exhibit the “flaws” being discussed (shouty, colored midrange and no real VHF). OTOH they have some characteristics I find really attractive such as high efficiency and a dynamic sound. I also like the basic concept of a two-way design. IOW, I really want to like these speakers but it hasn’t been easy.

Over the years I've coped with the worst part of the flaws by pairing the speakers with vintage equipment that have "loudness" controls or thru judicious use of tone controls but I consider this really a band-aid. Ideally, I’d like to see the speakers perform more neutrally on their own so I could have more latitude in the paired electronics. I had never considered changing HF drivers or making xover mods as a viable solution but now I see that this could indeed be the best solution. Also, I never realized how haphazard Altec was when it came to xovers. It really bothers me that the N800-F came in at least two undifferentiated versions AND that Altec specified the N800-F for use with systems containing 16 ohm LF and HF drivers AND for use with systems containing 8 ohm LF and 16 ohm HF drivers. Sloppy or cavalier and certainly not a means of showcasing high quality drivers. Same goes for Altec cabinets to a lesser extent (one box, many drivers spec’d for it w/o sig change)

Zilch has done a good job diagnosing the root causes of the flaws and has provided some interesting suggestions for fixing them. However, I think this journey is still a ways from being completed.

As I allude to above, I find the two-way concept much more attractive than the three-way, add-on tweeter approach. So… As a direct of Zilch’s work, I decided to acquire a pair of 8 ohm BMS 4550s that I plan to use with the Carmels. Due to lack of free time, I haven’t had much of a chance to play with the BMS drivers yet but I can offer these preliminary listening observations based on a 511 horn and compared to Altec 808-8B also on a 511:
1. The 4550 driver is definitely more efficient than the 808-8B. No meas yet but I’d guestimate 6-8dB mid band.
2. The 4550 goes higher than the 808 but the difference is not as pronounced as I was expecting.
3. The 4550 does not go as low as the 808. The specs state that the low end of the 4550 is 500Hz with rec xover of 800Hz. Based on my listening, I believe the 4550 would do a lot better @ >=1KHz.
4. Driven full range at low power (~50mW) the 808 sounds much fuller, relaxed and effortless than the 4550. The 4550 sounds “pinched” and maybe strained. I realize that full range operation is not a designed-for condition for either driver but I find it revealing. I wonder if the unstrained full-range sound is somehow related to the tendency of devotees to the Altec sound aesthetic to overlook the obvious measured flaws.

The next step will be to make the driver comparison using more-or-less optimized xovers. For reasons I note above, the stock N800-F won’t cut it, even with compensation network(s). Since the Carmel LF section is nominally 8 ohms, a starting point might be Zilch’s “N800-8K Modified”. However, since I’m going to be going for 1KHz, modifications will be required. First thought would be to simply scale Zilch’s design from 800Hz to 1KHz. As I think about it, that may be too simplistic an approach. The HF cutoff will be getting awfully close to the midrange notch filter and I expect to see non-intuitive interaction betw the two filters to occur. I would also like to use a 2nd order L-R network which the N800-8K really isn’t. Lastly, I assume Zilch’s design is optimized for the non-conventional Altec practice of making the HP cap 1/2 the value of the LP cap even though inductors are equal. I think my personal journey is just beginning. Guess I’m going to have to start making my own acoustic measurements. Or maybe I’m thinking about this too much.

As a closing comment, It sure would be cool if we all were physically closer to each other. I know my learning curve would be steeper. I’d also like to have been able to participate in the “Valencia auditions” about 12 hours from now but physical distance prevents it. The internet may have eliminated the distance between us in some respects but when it come to things like speakers, I guess you’ve just gotta be there. Good luck on Saturday. Looking forward to listening session results.
 
Thank you, Steve, for joining the effort at this new and higher level. Your participation has already been helpful in our getting as far along as we have, and speaking for everyone involved, we welcome you to this open source "collaboration."

I've completed four iterations thus far, and each time I get a bit better at it. In all of those cases, I worked with and around an existing crossover, without the option of optimizing the basic filters. Fortunately, the BMS drivers require little compensation and I was able to accomplish it with simple low-Q parallel notches. You are already well familiar with my series notch approach to the 19 kHz spike. In the latest 8-Ohm version, I zeroed in on it more precisely.

I developed these designs empirically with the assistance of Spice. If you don't have some version of that, PM me and I'll get you set up with it. The combination of Spice telling me what to try versus actual measurement results allowed me hone in on a working design within a couple of hours in each case.

The last 8-Ohm version came together easily once I discovered that 20 Ohms across the driver tamed its inductive reactance and made everything behave more predictably. I don't know if that's the optimum value, or if a Zobel might be a better choice. Impedance measurements will define the situation, and I'll try to get those posted for the 4550 and 4552 drivers on both 811 and 511 horns this weekend.

I certainly agree that two-way is the better approach, particularly since finding that these Altec horns support VHF reasonably well. While there remains a time-alignment issue, I consider that to be second or third order behind getting good frequency response coherently implemented in these various sytems.

Working with the 811B horn, I was not at all dismayed to discover that the stock Altec crossovers were actually doing the highpass at 1200 Hz or above, as I did not much like the onset of horn coloration I hear using the BMS 4550 down at 800 Hz. 511B seems fine down there, and the version I did for Redboy sounds reasonably good to me, though I can't certify that I have a particularly discering ear. I may go back and tweak that one a bit once I know better what's going on with the driver impedance. The priority in all of these cases has been to get the systems up and running reasonably well with potential fine-tuning later.

Jack developed the 1200 Hz crossovers he's using independent of the Altec designs, and simply added on the compensation filter I designed for the 16-Ohm N-800-F. I'll be discussing how we might optimize that with him as he moves toward completing his third system pair, which I believe will incorporate the premium neodymium 4552. I'll get that documented here, as well.

You are correct that I paid little attention to interaction between the highpass and the low end of the parallel notch. If you run the numbers, you may find the notches actually start lower than the highpass in some of these instances. I didn't see anything anomalous in either the sims or the measurements that I felt was necessary to correct.

I hope some of this accelerates your learning curve; we're ourselves anxious to learn how you approach the problem and what results you may achieve. We certainly all agree these vintage Altec systems are worth the effort.... :thmbsp:
 
There are probably thousands of drivers out there,which posess a flatter frequency response than the 806a,but don't sound as good.:no:

Can we please stop equating flat frequency response in a driver with the concept of overall quality.There is not a direct correlation between the two concepts.
I've no problem with the attempt to attain flat frequency response,but there's any number of drivers which could be tacked onto a 806,to lift the HF,which wouldn't be better for the execise.

I just had to say that.:smoke:
 
theophile said:
Can we please stop equating flat frequency response in a driver with the concept of overall quality.There is not a direct correlation between the two concepts.
In my view there is, thus clearly highlighting where we fundamentally differ in design philosophy and objectives. Without uniform full-spectrum frequency response, the system has an inherent coloration undesireable to many, and it's best to mitigate that with minimal intervention. As Steve just stated, "Ideally, I’d like to see the speakers perform more neutrally on their own...."

True, the BMS driver may not be the optimum choice, and ultimately, some may not find its sonic character to their liking by comparison. I have begged for someone to send me an available Altec driver/diaphragm combination I could demonstrate is up to the task, or to provide credible documentation that such a combination exists. It certainly hasn't happened with any of the five driver pairs I have measured to date.

I also recognize that to some, what we're doing here is an adulteration of perfectly fine vintage Altec systems, and offensive. I'm sorry, but the consensus among many knowledgeable owners at this point is that they simply do not perform up to contemporary standards, alas, and thus arises a motivation to update them.

By the same token, however, nothing we're doing here should in any way be seen as mandating or even suggesting that anyone must themselves be dissatisfied with the performance or pleasure of the stock vintage systems....
 
Like I asked Zilch,can you add any flat frequency response driver and improve on the 806?
 
theophile said:
Like I asked Zilch,can you add any flat frequency response driver and improve on the 806?
Jury's still out on our first attempts; check back tomorrow.

There is no "flat frequency response driver," of course, unless you're talking about adding a tweeter, which has its own set of difficulties and compromises.

For driver substitutions, by virtue of the inherent nature of compression drivers, some compensation will necessarily be required. I chose the BMS driver presently under evaluation because the requisite amount of compensation is minimal, which, in combination with that driver's higher sensitivity, allows it balance with the stock woofer and crossover while playing "flat."

The "improve on the 806" portion of your question is obviously loaded. I have previously provided extensive documentation of the "problem." Here's 806A on 811B run by SS vs. vintage tube amp, alone, and using Valencia crossover, as I posted in another thread here earlier today. Without EQ, an active system would be characterized by the upper curves, run full range. Overlay highpass as appropriate:

attachment.php
 
Yes, and determined by reason.
What makes you determine that flat frequency response determines better.
On a qualitative/quantitative level what "data versus wank",do you have to prove that the BMS IS BETTER than the 806?
 
theophile said:
What makes you determine that flat frequency response determines better?

I can't get you to read it, apparently, but I will cite again here for your convenience:

http://www.harman.com/wp/pdf/AudioScience.pdf

theophile said:
On a qualitative/quantitative level what "data versus wank",do you have to prove that the BMS IS BETTER than the 806?
That's the loaded part, of course, restated, and there is nothing to prove, rather, I am merely assisting some friends in apparently achieving more satisfying performance from their Valencias. You are certainly welcome to similarly take advantage of the information and experience we are sharing here.

[Or not, as you please....]
 
Indeed Zilch,
You have made many assertions implicitly on this thread which imply that we need to be informed about the falling frequency response of the 806a.Thank you for informing us of the fact.
This fact has been known for 40 years.

The frequency responce measurement is a measurement of relationship of one part of the audible band to the whole of the audible band
the "loaded part".The reference being 1kHz,Correct?
OK, then would you care to divulge by the(By your own admission)criteria," data less wank",just how you've EMPIRICALLY determined that the frequency response measurement proves superior fidelity?
Proves superior fidelity.
"Data less wank"
Show us all how the relationship between a 1KHz signal to another within the audible spectrum in a random configuration in any combination of room/system interaction relates to what the heck you are talking about as some kind of absolute.
You'd be more honest if you admitted that there is more to this than driver addition or substitution,crossover configuration,or box design.But having viewed the current biased propaganda on this thread,I will challenge you,have you tried many other drivers? And if not,why put forward one particular brand without (let's say)any number of other "flat frequency reponse"dirvers and fuel therefore a listening panel comparison?
I hereby challenge you to empirically (not anecdotally)prove your assertions that flat frequency response=QUALITY.
 
theophile said:
I hereby challenge you to empirically (not anecdotally)prove your assertions that flat frequency response=QUALITY.
Done, by others.

Read the paper.
theophile said:
I know that the 811b/806a isn't comparable but I find the defintion,dynamic nuance and veracity of the Altec horn top-end responce [sic.] to be very able and satisfying.
Others don't, apparently, is all, and we're making some attempts beyond vacuous rhetoric to correct that.

No one has suggested you should not enjoy your system for what it is....:thmbsp:
 
Zilch said:
No one has suggested you should not enjoy your system for what it is....:thmbsp:

I heard the HF rolloff immediately when I fired up my Valencia's for the first time. Still, they're the most enjoyable and 'life like' speakers I have - and I enjoy them quite a bit!
 
geaugafletcher said:
I heard the HF rolloff immediately when I fired up my Valencia's for the first time. Still, they're the most enjoyable and 'life like' speakers I have - and I enjoy them quite a bit!
The obvious question, then, is if you mightn't enjoy them even more if they played full range flat, other factors being equal?

We should be seeing reports from the initial listening tests here in a couple of hours, maybe.... :yes:
 
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