Here's the only other Chunky-chart I've been able to find. If any of you still have the owner's manuals for your OPs or RMs or LTDs or what have you, puh-leeze scan and post 'em. This is an ongoing investigative project.
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The good news is we have specs for the earliest metal-blob Empires and for the series before that, the one headed by the 1000ZE/X, but, as with the Chunkies, we don't have brochures showing all the countless spinoffs and clones and their styli, so we have to extrapolate and cross our fingers.
Have a look at this earlier answer to your question from our own dean man jim: http://www.audioasylum.com/audio/vinyl/messages/92/923052.htmli have a 1001 ZE/X with no stylus, but searches have yielded only results that seem shaky to me; i'd love to get it up and running. if anyone can tell me definitively which stylus to get, i'd appreciate it

For coming up with and sharing one of the fundamental and thus most-useful charts (as you can see, the OP "Optimum Performance" series cites the same styli), you deserve a six-pack.I think I deserve a beer!![]()
Thanks very much for that. It goes a long way to confirming my gut feeling that the Studio Series is an early one and that many other series simply radiate out from it, all using the same styli.chart!
Yes, it is. That's one of the things that tipped me off early on. Notice the funny ambiguity when you get to the 4/40/400 series. Yet my NOS TC 40 body measures the same as your 100S. So I'm going to say S44E (Pfanstiehl index 242-DET) or S400TC (241-DTC) IF we're talking increasingly-rare NOS. And of course don't forget the EQ option.As I mentioned earlier my 'chunky' 100s is sounding very good using a 200s JICO stylus. The body is ~700mH/1500 ohms DCR. What is the best stylus I can get for this? Is the recommended capacitance a hint??
Any chance you have one of those cheap'n'dirty inductance meters? Or an ohmmeter?
Oh, and tell Marantz 2270 what it is about the old 1000ZE/X that charms you so. NOS styli are still affordable, about $45 shipped, but he should decide soon.
So why should I put a stylus on my 1000ze/x?DMJ, you've got much more Empire time logged than I have, and to date I've not been able to get my hands on a LTD 750 anything. Assuming you have an OEM 600LAC stylus, I suspect another failure of my rule-of-thumb. Based on the styli recommended for it (including a LAC), I've always assumed the LTD 750 is a 350mH body. But maybe it isn't. Stranger things have happened. That would explain why you prefer using an S400TC stylus in it, which I'd expect to be too bright. Any chance you have one of those cheap'n'dirty inductance meters? Or an ohmmeter?
Oh, and tell Marantz 2270 what it is about the old 1000ZE/X that charms you so. NOS styli are still affordable, about $45 shipped, but he should decide soon.
You bring up an interesting point. Your 485LT and my Sonus PME 0.5LC were both made by the same Japanese OEM, probably Nagaoka, judging by the magnet layout. They take the same styli. So is it a "true" Empire? Is mine a "real" Sonus, blessed by Peter Pritchard on its way out the loading dock door?Wellllll.....
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Thanks! Considering....Hi Waulta, I don't have one of those meters but I have a theory that's nothing but supposition...previously I had a 900GT that apparently had the same cantilever and stylus as the 600LAC (boron-vapored cantilever, LAC stylus) and being interchangable with the 'chunky' body 600LAC I assumed it would also sound the same. Nope it was great in the 900GT but not great in the 600LAC. So my supposition based the three carts is that perhaps the tie wires, damping materials, and/or magnets are slightly different. The 900GT unfortunately suffered a premature death during an experiment but I still have the virtually-NOS stylus and am on the lookout for a replacement body.
I have a small stash of styli for my 1000ZE/X but would love another one or two if I can find them. If you'd be able to share the source of the styli you mentioned I'd be most grateful :yes:
Marantz2270 if you're still afoot in the thread I'll just say that I think of the 1000ZE/X as the anti-Audio Technica cartridge in some ways. If a person loves the AT line (new or old), s/he likely won't like the ZE/X. Where the ZE/X really shines for me is in recorded music of unamplified acoustic instruments (orchestral music, chamber music, some jazz, some opera). It imparts a tactile sense that I just don't get from other cartridges. On the other hand it isn't as transparent as cartridges such as the Stanton 881S or the Acutex LPM 315 STR. So for some folks its strengths may have no attraction but since I mostly listen to unamplified acoustic music....
So Marantz2270 if you decide to not seek a stylus for your 1000ZE/X body please PM me through the forum. I'd be very interested in acquiring another body (my spare body recently went bye-bye to the cartridge cemetary :tears.
Jim
I think you can rightfully consider congestion during loud passages a legitimate form of distortion, and, like you, I'm leaning toward suspension hardening and/or collapse. Further evidence to support this: I ran my S44E successfully at 1.5g because I didn't have my chart handy...
...Hardening can be partially reversed with rubber restorers, but they all use solvents that can harm styrene, which is what the Chunky styli are made of. Outright collapse? I'm thinking that might be the end of that stylus. Consider a replacement that uses a tie-wire to help take the VTF force.
dean man jim said:I had a 900GT that apparently had the same cantilever and stylus as the 600LAC and being interchangable with the 'chunky' body 600LAC I assumed it would also sound the same. Nope it was great in the 900GT but not great in the 600LAC.
I think of the 1000ZE/X as the anti-Audio Technica cartridge in some ways.
Multiplex, I don't think the silicone-oil products have solvents, just propellants, so if you have nothing to lose, give it a try. I'll understand if you'd rather not!
If you like cantilever-Frankensteining, you'll love ADC cartridges. Yank 'em out, pop 'em in.
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The only info I have on the unChunky 1000/900GT is Michael-Otto's Archiv site. The specs are certainly different from the 600LAC's, so I'd expect to hear differences. What exactly was the "great/not-great" difference you heard when you swapped the respective styli?
I wish you still had that 900GT body so we could slap an ohmmeter on it.
I'll PM you with a source I found for 1000ZE/X styli.
"The anti-Audio-Technica" must mean the top end doesn't have a bulge in it, right? Or does it mean further mellowing beyond flat response?
If that's the case, I can get away with using a 999TE/X body with my 1000ZE/X stylus. The slight impedance difference will unmellow the top end and it will sound just spiffing. Then Marantz2270 can deed you his 1000ZE/X body and everyone will be happeh.
i have a 1001 ZE/X with no stylus, but searches have yielded only results that seem shaky to me; i'd love to get it up and running. if anyone can tell me definitively which stylus to get, i'd appreciate it