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Anyone here into old Carver stuff?

I just spent the weekend at my Uncle's house and he has been running an excellent system for quite some time. I was hoping some peeps here could give a couple units a bit of quality analysis and dish out some opinions:

Carver Pre-Amp C2
Carver Magnetic Field Power Amplifier

What the hell is a "Magnetic Field Power Amp?" Is Magnetic Field the NAME of the amp?

He uses JSE "Infinite Slope" speakers, but I am posting a question regarding that in the Speaker Forum.

Here is a picture I snagged from eBay of the C-2 pre-amp. Granted, my Unk's is in beautiful condition without any scratches or missing knobs.
 
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My only experience with Carver is the MXR 130, that later became a 150 from what I gather. Fixed one for a customer and liked it enough that I bought some basket cases and fixed them. I now have three good ones and an organ donor. As someone posted earlier that Assymetric detector circuit really works. Separation seems to be excellent as well. See picture in the 100 to 130 watt forum. Will part with them with the right persuasion.

Rob
 
merrylander said:
See picture in the 100 to 130 watt forum.

Could you post a link? My searches were coming up empty.

Here is a picture (off ePay) of the amp in question. The M500:
 
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they were my threads. do an advanced search for "list" and "receivers" by "bully". that should pull up the threads with the lists for receivers of 100 to 130 watts and the very large receivers of 150 + watts per channel.
 
Another very happy Carver owner here! The TX-11b is amazing for clear reception of distant stations. I enjoy a Charleston SC oldies station (105 miles away) that is plagued with adjacent channel interference on my other tuner but the TX-11b pulls it in cleanly. My TFM-45 was a great workhorse before taking a lightning hit last year. Continuing to enjoy the C-16 and TX-11b after 15 years! :)
 
I've owned several Carver products throughout the years, and I still do. I currently own a TFM-15 amp, TFM-25, and a TFM-55. These are very punchy and nice sounding amps - although they do have that typical "Solid State" sound quality to it. I've owned them since new and have never had 1 problem with them except for burned out bulbs. I currently have stored in my garage a Carver CT-29v pre/pro. It's nice - nothing more to it. I have owned all 3 incarnations of the Sunfire Theater Grand (I, II, III). This is a very nice pre/pro. It did everything well. It looked like a huge piece carved out of a solid piece of steel. I sold those for my current KRELL Showcase pre/pro. The jump in sound quality was immediate and clear as rain. The Krell outperformed the Sunfire in EVERYWAY possible. It seems the Sunfire, although you would'nt know it with out a direct A/B comparison) still held that "SS" sound quality. This isin't really such a bad thing, I mean for the time that I had all my pieces hooked up I thought they were just plain awesome. But to spend $3500.00 for the Sunfire T.G. compared to the $4000.00 for the Krell - Carver should really re-evaluate their pricing strategy. The T.G is NOT in the same leaque as Krell (but it's priced that way).
The only piece of Carver that I still use are the AL-III ribbon speakers. DAMN!!!!! Bob Carver did something right for the first time in his career! These speakers are every bit comparible to most ANY ribbon speaker on the market, and they will hold they're own quite easily. I freakin love these speakers. I will NEVER replace them. They are almost "perfect" in every way you care to describe a speaker. Incredible bass (but a subwoofer still helps), the mids and highs are.....well in a word....natural. I know words like these get thrown around alot, but really, I can't find ANYTHING to fault these speakers. They are the most realistic sounding speakers I have ever heard - and I've heard a lot. And they can take probably any kind of power you care to throw at them. They are very room and placement forgiving, and the low sensistivity is really not an issue. These speakers will be my last pair for stereo listening - ever (until they break).
I've owned several older pieces from Carver, but none really ever impressed me to keep them for too long (save the AL-III's). They were good products - just stay away from the Carver pieces when Bob himself was no longer with the Company - those were trash components. Anything that Bob had a hand in creating are certainly worth a look at.
 
I just picked up a Carver TX-11a. I've been lusting after one for over 15 years, so finally pulled the trigger on it. Other Carver gear I've owned are Amazing Silvers and Platinum loudspeakers, and M-500 amp. One of these days I'll find a 4.0t amp and C-4000 preamp as well. I still remember the receiver wars in the Main Exchange when I first came on active duty in 1978 and was assigned to Korea. Used to see a lot of great gear in the PX/BX over the years but now just mostly black boxes of crap with absolutely no character. I was at the Randolph AFB BX over the weekend (San Antonio area) and didn't see anything appealing (not that I need anymore gear). Maybe we are just all getting old and reminiscing. On second hand, I feel for those getting into audio today that didn't get to enjoy it....

Regards,

Dave
 
merrylander said:
My only experience with Carver is the MXR 130, that later became a 150 from what I gather. Fixed one for a customer and liked it enough that I bought some basket cases and fixed them. I now have three good ones and an organ donor. As someone posted earlier that Assymetric detector circuit really works. Separation seems to be excellent as well. See picture in the 100 to 130 watt forum. Will part with them with the right persuasion.

Rob

I've got two of those bad boys myself... except mine are still
on the "waiting to be fixed" pile (which seems to be growing
at an alarming rate recently!).

Scott
 
I have a TFM-75 that's unbeliavable with the AR 90L, I have never had a Carver before and this one was rescued from certain distruction. On a 1-10 scale, the cosmetics are 9.5, one small,really small, ding on the front panel showing a bit of the aluminum. Lately has been giving me some troubles, one side (right) is distorted and low, no clue to what it could be. I have been thinking of opening it and de-oxit, but the "thing" is intimidating... any suggestions or tips to where to start?. BTY I have a copy of the service manual.
 
Soundtravels !

Does pro gear count? I have a PM1.5, 2 PM1200's, and a PM 600 all see regular road use and have had no problems whatsoever.
 
I own a C-1 and TX-11a. Really like them. No problems whatsoever. I can't see myself without the Sonic Holography. Really adds a sweet touch and openess to the music.

I don't own a carver amp, but my brother has a M1.5t. I keep telling him "it's the amp that keeps giving". It never seems to run out of steam. Even with inefficient speakers like the Cambridge Soundworks Ensemble, You have to leave the room before you loose your hearing. Now he owns HPM-100's. I can't imagine how loud that would be. The amp itself sonically sounds excellent I say. It just never seems to clip or sound distorted. it. Even with bass demanding music like RAP. At low volumes, it sounds the same. Just love the sound, but I settle for my NAD 2200PE that I got at a really good price. Sounds much better than the Pioneer HT receiver I owned.

That's my 2 cents.

Paul
 
Tripqzon said:
I own a C-1 and TX-11a. Really like them. No problems whatsoever. I can't see myself without the Sonic Holography. Really adds a sweet touch and openess to the music.

Please explain! I am not a techie, so go easy on the jargon. :scratch2:
 
mg196 said:
Please explain! I am not a techie, so go easy on the jargon. :scratch2:

To explain as "low tech" as possible, sonic holography is somewhat like the "stereo wide" switch that we used to see on cheap gear. Except that holography takes it to the umpteenth level. You have to hear it to believe it. The holography on my C-1 is never switched off.
I love my M1.5t that I bought brand new 20 yrs ago along with the C-1.


POWERFUL MUSICAL ACCURATE
 
I love resurrecting old threads.

I bought a Carver TFM-25 at a pawn shop last spring: $50 plus tax. It worked fine except for one lamp which was burned out. In November I took it into a local stereo service shop and asked for a complete restoration. Two hundred dollars later I had myself a mint 225 wpc amp.

About one week ago I got a Carver CT-Seven preamp/tuner from audiogon. Slid it into the living room system, replacing a Pioneer SX-980, and now I'm hooked. I'm looking for a C-1 and TX-11 for my home office.

I think I'll save my pennies and get a TFM-45 for the living room and move the TFM-25 into the office. Eventually.
 
Snagged a C-1 last month at a local pawn shop, driving my PM350 and sounding Great!
As far as the QC, I stay away from anything Carver that was not made here in Washington, U.S.A. :thmbsp:
 
I am loving every watt of my TFM-75 and so do my AR90s... The TFM-75 does not even break a sweat, always pretty cool to the touch even after hours of being on.
 
I've been running the A-760x for years but just bought some Silver 7t amps to push my Martin Logan CLS. Here is some eye candy for you.
 

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Owned a TX-11B, C-11 and TFM-45 that I really loved the looks and features of (the TX-11B and TFM-45 in particular). Problem was the TFM-45 couldn't drive my Snell CII's without frying the midranges. I also felt the Carver amps "pulse" when driving at higher volume. I ended up selling it all after blowing my midranges the second time. :uzi: Still loved the stuff and have regreted selling it ever since. Probably worth more now than I sold it for then when a year old.
 
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