Only by a pianist in the cocktail bar.Is The Free Trade Hall still having shows?
All three of the shows were at the same venue, an auditorium that seats between 2000 and 2500. I sat in different areas for each show: close to the front and to the side for one, in the middle about 12 rows back for another and in the middle about 30 rows back for another. It could well be an issue with the space. I don't know. To give one example, the Sonics (great old screamers from the Northwest) opened for Robert Plant. They have a sax player and I couldn't hear his playing because of the bass levels.It's very venue dependent. In the end you are at the mercy of the FOH engineer.
What venues is the OP talking about?
FWIW I saw Steely Dan and Robert Plant at Ravinia Festival (an outdoor venue) and from our seats in the pavilion the sound was excellent both times. On the other hand the sound of the Death Cab for Cutie concert at the UIC pavilion was a loud, blurry mess, just awful.
Oddest music lover statement ever? LolNever got the "live" show thing. Unless it's in my family room with no amplification, it's just someone else's gear tuned how they want it to sound. It usually sounds like crap.
Rob
You could not even hear Joe Elliot's vocals on 2/3's of the songs
I think its got a lot to do with the budget the band are working with, if they are huge and have the money to spend on carting their own gear or whether they solely rely on the house PA system...I went to see IRON MAIDEN this month in Melbourne...the last time i saw them was in 93 in small venue, an old boxing hall...was one of the best gigs Ive ever been to...I was so happy to see them again this time and they still have it all...But, no Marshall stacks on stage, solely reliant on the house PA system, and the sound was fecking awful, spoiled the gig for me, I was on the floor near the front but the sound was that bad I found a couple of times I almost wanted to walk out to get away from it...found it hard to recognize some songs starting the bass drone was that bad..
So maybe it has a lot to do with the age of the band youre going to see...or maybe I am just old and fussy
I was just about to say, "Horton Heat wrote blog posts about this!"
Check it:
http://www.reverendhortonheat.com/r...rummers-and-the-modern-public-address-system/
Horton is a goofball but man what a player. Saw him at the Metro in Chicago a few years ago and smiled at me during every guitar solo. I was baby faced with a big pompadourHe says what I want to say, and explains the entire concept so much better than I can. The modern PA has ruined drummers, and their contributions to the overall sound picture and dynamics of an ensemble. Too much loudness and no dynamic contract or sense of ensemble and of interplay between performers. Too artificial as a result.
In some cases it isn't the bass but the persons hearing frequency range. My older brother is almost deaf in most of the mid and upper frequencies so he is always complaining about too much bass because that is all he has no deafness in. Poor guy!
Another down-vote for Iron Maiden's arena sound. I saw them in February at the BOK Center, a 20,000(?) seat arena in Tulsa Oklahoma. The bass was terrible. Not muddy, or overwhelming necessarily, just a constant crashing boom. I think the real problem might be a ceiling or limit to the loudness performances are held to, due to local regulations or maybe safety/best practices for hearing conservation.So glad I'm not the only one! I'm a big fan of Maiden (1st saw them in '81 on the Killers tour) but have given up going to see them live; it's always been a sonic mess. Bass (and Harris' ego) way too high and one guitarist too many. I love the records though, especially Bruce's solo work that he did with Adrian Smith.