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Cedia Is Here: Any new Mc Products Announced?

  • Thread starter Thread starter ericbee
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Victor said:
I'm more of a music guy but from what I saw of the new McIntosh projector and processor at CEDIA it was the best I have seen as far as handling motion, there was ZERO break up even on complex sceenes. It really made me understand what you guys with the big HT systems get so excited about. As far as clarity on the picture it was very good but Ron was just playing regular DVDs threw a MVP861 so it would not be fair to say that the Meridian/Faroudja system with a full 1080p source had a clearer picture (which it did). The McIntosh did look better than the Meridian/Faroudja as far as motion goes though.

Victor
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I'm way in, very exciting times!
 
I see the AP-1000 can accept a new TM-2 tuner module for AM/FM with HD Radio support. I take it this means a replacement for the MR-85 tuner is on the way soon? I wonder if it will also have support for satellite radio as well?
 
Ron C.........

masterlu said:
If it can throw a 16' quality picture, I'm all over it. :music:
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I would settle for a 12' pic. Ron C, what would be lost in terms of features and benefits if the AP1000 and The VP1000 were paired with a 3-Chip Projector that has the new dark-star chip?

Compairing the MDLP-1 to the Sim2 HT5000e Link.
 
The MDLP-1 should have better convergence (one chip) and outside focusing of the picture (optics). Brightness is a function of bulb power and age as well as the optics.
Yes, 12' in a darkened room is very doable.

Thanks,
Ron-C
 
ron-c said:
The MDLP-1 should have better convergence (one chip) and outside focusing of the picture (optics). Brightness is a function of bulb power and age as well as the optics.
Yes, 12' in a darkened room is very doable.
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I will say this about the MDLP-1.....(from what I have read) it is certainly a feature laden Projector. Coupled with the VP1000, it might be hard to come up with anything else this unit might need. Inter-changeable Lens, maybe? I notice Ron keeps saying the pic on the Projector is clean and sharp. Say that once and I will think about it, lol, say it twice and damn, I think you're really tellin' the truth lol. Seriously though, your being able to convey what you really feel about this Projector sounds mighty convincing.

I have seen the Sony VLP-VW100 on two occassions and honestly, both showings left something to be desired, and this is inspite of the fact the sales guy said it had been tweeked already.

How long before we get additional Specs on the MDLP-1?
 
We are working on the spec sheets now. Optics are the big issue in ceiling projectors, then the stability of the chassis- how much do the various parts move around as the temperature changes. The actual image from the display be it DLP, LCOS, SXRD, LED..or whatever is the limiting factor when everything downstream is right. The latest TI 1080P chip with millions of little mirrors flipping away is a true 1080P pixel for pixel source with tremendous optical dynamic range.
On most projectors the picture is much better in the middle than the borders. In the MDLP1 the sides are the same as the center as long as it is installed properly. This along with very good light output and true black levels is not common in other models.
I am not saying you can not be happy with a $5000 projector on an 80 inch screen. The entry level projectors are very good for the money. If you want that broadcast, film mastering picture though the MDLP1 will deliver.

thanks again,
Ron-C
 
ron-c said:
We are working on the spec sheets now. Optics are the big issue in ceiling projectors, then the stability of the chassis- how much do the various parts move around as the temperature changes. The actual image from the display be it DLP, LCOS, SXRD, LED..or whatever is the limiting factor when everything downstream is right. The latest TI 1080P chip with millions of little mirrors flipping away is a true 1080P pixel for pixel source with tremendous optical dynamic range.
On most projectors the picture is much better in the middle than the borders. In the MDLP1 the sides are the same as the center as long as it is installed properly. This along with very good light output and true black levels is not common in other models.
I am not saying you can not be happy with a $5000 projector on an 80 inch screen. The entry level projectors are very good for the money. If you want that broadcast, film mastering picture though the MDLP1 will deliver.

thanks again,
Ron-C
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I'm already in! My McIllness Becons :yes:
 
ron-c said:
We are working on the spec sheets now. Optics are the big issue in ceiling projectors, then the stability of the chassis---------------- If you want that broadcast, film mastering picture though the MDLP1 will deliver.Thanks again,
Ron-C
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So Ron, a few more questions if it is ok:

1> At this point can you roughly say how many lumens I would get coming off a 12' screen (light controlled) with the MDLP-1?

2> Is there an optional interchangeable lens (to anamorphic) for this projector?

3> Since this Projector has good brightness to it, will it work well with one of The New DNP Reference Supernova Screens?
 
Jay,

The MDLP1 is setup for the Stewart 130 production screen. This is the most popular screen used for film mastering. You can calibrate it to any screen of course and the lumens depend on the screen used as well as the size. I have not used the screen you mentioned but there are many fine brands out there.
The projector outputs 600/700 lumens at F6.0 / F3.0.
Anamorphic lenses fit in front of the stock lens so yes this could be added.

Thanks again,
Ron-C
 
ron-c said:
Jay,

The MDLP1 is setup for the Stewart 130 production screen. This is the most popular screen used for film mastering. You can calibrate it to any screen of course and the lumens depend on the screen used as well as the size. I have not used the screen you mentioned but there are many fine brands out there.
The projector outputs 600/700 lumens at F6.0 / F3.0.
Anamorphic lenses fit in front of the stock lens so yes this could be added.

Thanks again,
Ron-C
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Ron..it's been awhile since my last inquiry about The MDLP1. A couple of years has passed and also few more Electronic shows.....I'm wondering has there been any solid indication the market for Home Theater will shift to anamorphic screens? I will admit I am still a fan of the 16:9 aspect ratio with 4 way masking, but just how strong is the demand for the 'Morphics? Will they become a dominant factor anytime soon?
 
We offer the LK1 anamorphic lens option which can be added to any MDLP-1. In high end home theaters they are all going toward the anamorphic approach.
If you watch a movie in native aspect ratio of 2:35 to 1, using a 1080 line HD display, you will be limited to 750 lines. All of the flat screens, plasma, lcd, etc. are incapable of delivering the full film resolution.
By vertically stretching the 2:35 to 1 image so it fills the 1080 line, 16 x 9 projector's picture generating device, you can then add the anamorphic lens to have full resolution scope aspect ratio movies.
All of the displays that have black bars on the top or bottom are just loosing 33% of the display's potential resolution.

thanks again,
Ron-C
 
ron-c said:
All of the displays that have black bars on the top or bottom are just loosing 33% of the display's potential resolution.
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The resolution is loss and a large part of the bulb's light output too. I think that you are 100% right about using the lenses.
 
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