I've got nearly the same dbx equipment- 14/10, 224X, 400X, 3BX-DS and 120X. First off, if all of the components work properly by themselves, I will say the 400X probably needs to have all of the switches cleaned as they can be a show stopper when they are dirty. Second, there is a specific order some of the equipment needs to be connected to the 400X in order to not interfere with each other and the 400X manual talks about that. Third, even for me, this amount of processors going through a 400X and then one of my pre-amp tape loops gets really complicated! I need to have a drawing of how everything is hooked up to have any chance of getting everything to work. To be quite honest, the 400X is just too damn complicated for me to use with every single I/O jack being used and the 400X being maxed out. Three tape machines are pretty straight forward but when you start getting into the 400X's Copy Master side and all of the buttons on the right side, things get out of control quickly! I actually took it out and got a 200X. Not as versatile but a whole lot easier to figure out! And honestly, the 3BX-DS is the only one that I actually use all the time. Love it! The 14/10 is on all of the time but its always set flat, not in the audio path and just acting as a cool light show. The 120X hasn't been connected to my Yamaha sub-woofer yet and the 224X has never been used since I have no dbx vinyl (yet) and with top of the line Nakamichi tape decks, Dolby B/C is plenty fine for me. It's situations like these when I struggle with the purist, minimalist approach of source > amp > speakers vs lots of gizmos and cool looking stuff that really isn't needed.