• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

Double Stacked Quads - Decca Ribbons - Milwaukee!!!

Register to hide this ad
I have never seen a structure to house them like that. Must be incredible, though a quad of Quads will still not please the JBL/Altec guys...
 
The Decca Ribbons must be the treat as well!!! :yes:

I hear tell that's the trick to getting the panels to "meld" together.
 
I'd pay that much for them, after I listened to them and convinced myself that they're worth it. Of course my wife would not be on board with it.

But 2 pair of quad ESL's fully functional and stacked in a beautiful custom cabinet. I'd say they have them priced correctly.
 
Last edited:
That's about right, price wise. Assuming they are fully functional. But, unless they have been properly gone through by someone recently, they will need at least $2k more invested, to do the inevitable service they will need soon.

FWIW, I had a stacked pair of Quads (similar, though not as nice looking of stand, as those in this add, and minus the Decca tweeters) when the '63s came out, and I sold them immediately to buy the '63s. IMO, and that of Peter Walker, a single '63 is a superior speaker to even a stacked pair of '57s. Stock '63s play louder, and go deeper than a pair of '57s, while taking less space, imaging better, and being much less room sensitive... all that, while running off a single amp! As far as durability, it's not even worth talking about. Walker said it all, when asked in an interview some years later "knowing what you do now, what would you have done differently on the original Quad loudspeaker (esl57)", his reply was "I'd have made the ESL-63". :D

I do think the original Quad MIGHT have had a slight advantage in mid range clarity, but it's very slight, and that advantage fades even more if you change the grills, and add Arcici stands. I was VERY proud of my stacked '57s at the time, and never though I would trade up from them, but it didn't take a long audition of the '63s to open my eyes. I've never looked back with regret on that change. :thmbsp:
 
Good vintage speakers hold their value and then some. These guys that pay dearly for the latest and greatest will be shocked when they try and sell their pretty cabinets and only get disappointed. Once you hear a good stat, the others don't add up. Yes, that was a bose commercial :)
 
Much better looking stacking harness? than I have seen with a DQ-10 stacked sets.

Dang those would take up some space, blocking out much of what is behind them. Some folks could use that kind of coverup. They could make some very large rooms seem small.
 
I heard the real HQD demoed by ML himself, and was so impressed I built something similar, but with only one pair of Quads. If these work properly that is indeed a bargain.
 
It's interesting, they are stacked top to bottom... when I did mine, I stacked them bottom to bottom to keep the electronics together. I actually bolted the basses together with a wood spacer between them... it was a very ridged arrangement. I even made custom power cords that "jumped" the two together with one cord. I guess it doesn't matter, but on such a nicely designed set up, it seems a little odd to do it the way they did. I can't remember how the ML set was done.

They were very dominating in my little (14x22 IIRC) room at the time! I never saw a need for the Deccas, and even then (about 1980-84) they were very expensive, and had a poor reputation for reliability. ...didn't need a sub in my room either.
 
It's interesting, they are stacked top to bottom... when I did mine, I stacked them bottom to bottom to keep the electronics together. I actually bolted the basses together with a wood spacer between them... it was a very ridged arrangement. I even made custom power cords that "jumped" the two together with one cord. I guess it doesn't matter, but on such a nicely designed set up, it seems a little odd to do it the way they did. I can't remember how the ML set was done.

They were very dominating in my little (14x22 IIRC) room at the time! I never saw a need for the Deccas, and even then (about 1980-84) they were very expensive, and had a poor reputation for reliability. ...didn't need a sub in my room either.

The HQD set up looked like two old fashioned chalk boards hinged in the middle with the Deccas in between. I thought the de-horned Deccas sounded amazing, and that's when I could hear 20K (almost 40 years ago)! I remember using Vaseline to damp the ribbons at strategic points.
 
I have the 57's (not stacked) and the Decca ribbons with double Janis subs.

A friend had the stacked 57's with same Deccas and double Janis subs, it did
improve the Dynamics.

I do agree that the 57's had a better midrange than the 63, the first year 63's
were better than the "improved" versions that made them more bulletproof
imho.
 
the picture of them looks cool, but to see them in person, that will make you want to load them up.

oh yeah, then getting the chance to hear them sing...... really really impressed

an absolute winner
 
I like the custom take on the stands. Mine are the chalkboard version with stove bolts like the original HQD stands but substantially stouter. Mine are also mounted bottom to bottom with an oak panel in between them which has the opening for the Decca. Behind the opening is a little shelf the Decca sits on so you can manually slide the Decca slightly forward or backwards to manipulate phasing for a seamless blend. I still don't have the Hartleys either though damnit! Don't have those setup, just another pair of singles for now with a sub. I am thinking of integrating 4 Janszen tweeters with each single Quad ESL57. Kind of like the ESS SuperQuads.
 
Last edited:
Mine are also mounted bottom to bottom with an oak panel in between them which has the opening for the Decca. Behind the opening is a little shelf the Decca sits on so you can manually slide the Decca slightly forward or backwards to manipulate phasing for a seamless blend...

Wow, what an awesome idea there Hatter!!! :yes: Oh and....

:worthless:

....show us some pictures!!!
 
Back
Top Bottom