mr_petit
High on Vinyl
With the bodeplot feature on my oscilloscope.Just curious: How did you measure that, btw?
With the bodeplot feature on my oscilloscope.Just curious: How did you measure that, btw?
It's still an interesting test to perform.
I also don't expect any measurable results, also considering loading it down to extremely low resistance load is not something that is done in practice, so going below 10 ohms just causes other problems. And I also expect the efficiency of a cartridge to be extremely low. Well below 1% (looking at how low efficiency of most speakers are with in comparison huge magnets (in case of mm) and coils (in case of lomc)
But the proof of the pudding is in the eating![]()
With the bodeplot feature on my oscilloscope.
With the bodeplot feature on my oscilloscope.
Yes, R and C in parallel to the cartridge coil.It’s funny, I discovered that the thread where you did your first work on that in 2020 was the likely information source for some rather convoluted notions on square waves I tried to address a few months ago. The info in that thread was correct though - not sure how it became so misconstrued today.
Anyway, did you have the added C and R in parallel or in series to the coil?



It depends on the setup you have.Yes, but how exatly does that work?
Got no experience with such a measurement, though - hence my question.
Ya, I think they confused response of a generator injected square wave with a test record square wave, and made up some causal linkages.I do remember using square waves to proove a concept.
Yes using an audio interface with specific software is also an obtainable way. Not that the ADI-2 pro R is exactly obtainable, it's top of the line, but most modern cheap audio interfaces already have a 192khz DAC/ADC so you can bode plot up to ~90kHz.and I can use MultInstrument with my ADI-2 Pro R.
It depends on the setup you have. (...)
What is the current setup that you have?Seems like I've already been on the right track, then...
This was noted back in the mid '70s in TAS, albeit for comparing amps and preamps. IIRC the point was regarding level difference of 0.5 dB or less. The point was basically ignored. Now I'll go and try my ear at the test.I think the most obvious thing that people miss is that levels have to be matched as small differences are perceived as tonal.
What is the current setup that you have?
I googled and indeed it's exactly how I pictured 70's eastern europeIn fact you'd probably laugh your a** off, if you'd see my old Voltcraft 1010 o'scope - which actually is an RFT EO 211

This was noted back in the mid '70s in TAS, albeit for comparing amps and preamps. IIRC the point was regarding level difference of 0.5 dB or less. The point was basically ignored. Now I'll go and try my ear at the test.
(...) I googled and indeed it's exactly how I pictured 70's eastern europe(...)
For this, when I make listening fragments for tests, I use the loudness normalisation option in audacity and then normalize it to a certan amount of LUFS on percieved loudness.Goal today is 0.1dB to ensure no impact.
For this, when I make listening fragments for tests, I use the loudness normalisation option in audacity and then normalize it to a certan amount of LUFS on percieved loudness.
Do you think this method is sufficient?
these are usually listening fragments with slightly different sections of a piece of music (slightly different lengths etc)
I've casually listened to it and for my ear it sounds sufficient but I never made a good study on it though.
My unit has a variable resistor for impedance load. I dialed in the sound.Did you level match at each load for comparison?