Hi Ken,
Yes, Julian Dunn. A sad story. I didn't buy into all of his theories about the impact of jitters, but I respected him and am sad that he's not around. I agree that the Prism's didn't have that great interactive feel of the AP's.
Yup, still in the Bay Area. Hayward. It gives my wife and I about an equal commute. She works in the city, I work in the south bay.
I was going to drop by your place in Berkeley when I dropped by Meyer Sound a few months ago, but I had a rented truck and blew it off. You still have a lab there?
At the D, we looked at a lot of soundcards. Lynx, Creative, M-Audio, RME, etc. Many were not bit perfect in the digital domain. Lynx and RME were, but were sometimes finicky with their software and/or clock settings. There was a card that was cheaper than either, bit perfect and had great analog sections, CardDeluxe. I don't know what's available now, but a CardDeluxe with a good (software controlled?) attenuator in front of it would be a great core to a card based test instrument.
Do you remember a guy named Brian Elliott? I used to do some part time work for him. He's a buddy of Seigfried Linkwitz, both doing the open baffle designs. Brian was buying some NHT 12" for a sub. He really liked'm.