ftwAny of the first 6 are fine by me but Katy Lied will always be my favorite. Scam not far behind. And yes I have added to the collection, this is an old pic lol
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ftwAny of the first 6 are fine by me but Katy Lied will always be my favorite. Scam not far behind. And yes I have added to the collection, this is an old pic lol
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Dias and Baxter didn't write any of the music. Becker and Fagen did.Official members or not, Skunk Baxter and Denny Diaz were, in my opinion, a hell of a lot more important to the sound of early Steely Dan than Becker, may he rest in peace, ever was on any of their albums.
This is somewhat true but starting with Ray Brown on bass on "Razor Boy" (CTE), SD began using more and more session players, starting them on the path that would culminate in Becker and Fagen and a cast of thousands on Aja.Until 1975 (Katy Lied) Steely Dan was a real band. The first 3 albums were made by the band for the most part. Starting with Katy Lied they started implementing studio musicians, but Denny Dias was still around and Michael McDonald was a touring musician with them.
Who's he?Hey where’s thread tools?
:tapsfootandwaitsimpatiantlyWho's he?
You better tell me because I don't think I'll ever get there on my own.:tapsfootandwaitsimpatiantly
You better tell me because I don't think I'll ever get there on my own.
The other one I tend to listen to is Gold as it has the non LP tracks FM and King Of The World.
Picked Gaucho as it is the one I listen to the most. Must be because it's the first of their albums I owned.
Ray Brown was brought in as no one else in band was played string bass. That was more of an added instrument, rather than a move towards using studio musicians over the band at that point.This is somewhat true but starting with Ray Brown on bass on "Razor Boy" (CTE), SD began using more and more session players, starting them on the path that would culminate in Becker and Fagen and a cast of thousands on Aja.
Ray Brown was brought in as no one else in band was played string bass. That was more of an added instrument, rather than a move towards using studio musicians over the band at that point.
"King of the World" actually closes out Countdown to Ecstasy. Absolutely killer end track to a fantastic album.
"FM" is a great track as I remember viewing the movie on Qube, an early Columbus, Ohio cable delivery system. My preference is for the concise single version and not the one with the meandering sax solo. To each their own.