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Here It Is: The All Singing All Dancing HTMCPS

Okay, Important post

How not to drive myself crazy, no need.

First, I love the way my system sounds. I will see which way I like better, 220ohm or 150ohm, but that's it.

I even started wondering why my volume has to be so high (normally) as posted above on all inputs. It has always been that way but I will throw out this question.

My pre-amp out is split. First Y split is one side feeds a switch box for power amps, second side to a powered sub. Cannot use SUB out when you use the pre-out function of the Marantz.

The side that goes to the power amps actually goes to a switch box that lets me select the Velleman K4040 or Yamaha M65 for power amp.

So the question is, do the splits create any king of impedance or signal loss ? If I HAD to I could go to just one split..PRE out to sub one side, single power amp on the other, no switch box. Thoughts?

Other than wondering about that, I love how my system sounds !!! I really do..but wondering if I am PUSHING harder than need be ?
 
First, the cart is 12ohms but the first resistor is 10ohms.

In your case 250 / 12 = 20.83 + 1 = 21.83 x Input (which is ?) So how did you arrive at 26.8 DB ? Simple division say it would be X 1.227

So case 2

150 / 12 = 12.5 + 1 = 13.5 x 1.227 = 16.56db ? So what did I calc wrong ?
...

dB is calculated by the formular:

dB=20 * log (Vout / Vin)​

So for a voltage gain of 21.83 we get:

20 * log (21.83)
or 20 * 1.34 = 26.8 dB​

For voltage gain of 13.5 we get:

dB = 20 * log (13.5)
or 20 * 1.13 = 22.6 dB​

I hope this helps

Shelly_D
 
Not yet

Did you ever get around to trying it straight into the Yamaha M65 in class 'A'?

But that may be a VERY cool idea..dedicate the TT to the Yamaha...but I could do the same with my tube amp (it too is Class A)

Hmmm...

Still dang curious about the volume on my Marantz...I think it is NOTHING like a dial which is linear and more like exponential. why ? Because at -40 it is nice low to medium low listening level ...at -30...pretty loud...at 26..I am rocking...but figure its pretty silent at below -50
 
The M65 'cuz it has level controls, class 'A ' on it 'cuz I think it sounds a bit better in that mode. The tube amp may also have level controls and will likely sound different if not better.
 
Good point on the level controls

The M65 'cuz it has level controls, class 'A ' on it 'cuz I think it sounds a bit better in that mode. The tube amp may also have level controls and will likely sound different if not better.

I forgot about that..DUHH...LOL

Did some more tests last night...seems I was wrong..I get sound all the way down to around -70...But still..-40 to -35 is where I get into listening levels (and I am not aggressive) so sort of makes me wonder...same with CD and doesn't matter which power amp I use...

Will post back more info this weekend...:yes:
 
I have one...

Get a long lo-cap AV cable and just try it.

And I will...this could be cool...except my reservations are as follows:

1) My pre has a remote so changing volume is a PIA
2) No bass / treble control - I am not BIG on flat

We'll see
 
And I will...this could be cool...except my reservations are as follows:

1) My pre has a remote so changing volume is a PIA
2) No bass / treble control - I am not BIG on flat

We'll see

Then there is a problem somewhere as 'flat' should be your base line for well-recorded/ well produced program material.
 
Not sure I agree

Then there is a problem somewhere as 'flat' should be your base line for well-recorded/ well produced program material.

First of course is room dynamics. Second is personal preference. What if I like more bass than most ? I understand some prefer the unaltered sound of reproduction however; unless you have the most sophisticated system and perfect sound room, it is just a preference , not necessarily the "right" way. There is no "right" way..only what we prefer. :D
 
First of course is room dynamics. Second is personal preference. What if I like more bass than most ? I understand some prefer the unaltered sound of reproduction however; unless you have the most sophisticated system and perfect sound room, it is just a preference , not necessarily the "right" way. There is no "right" way..only what we prefer. :D

My pref is usually to get pretty much what is on the recording into the room with the least intercession of gear, recordings that need a lot of 'help' to be listenable don't get a lot of ear-time. I do admit most good recordings are engineered to sound 'good' rather than 'real', Sheffield DTDs are my base line for 'real'.
 
I skimmed the thread so apologies if this has already been posted...

How does this phono stage go with LOMC carts like the Denon DL-S1?

Where can I find instructions and a parts list to build it?
 
I put this together this weekend and it all worked first time. 2 x 9V batteries. Very quiet, laid back and reminds me of my Phenomena 2 preamp.

Well done Phillip !!! and thank you to Sachin for pcb :)
 
For a $5 tweak I suggest folks get a pair of Jantzen Z-Standard 2.2uf cap to replace the stock 2.2uf caps. It warmed the top end off, added a bit of layering to the music and improved the space between instruments. Most of all, this improvement is immediate and does not require caps to burn in, although overtime it should sound better.
 
I pray that it outdoes the Einstein because then I can sell it and reinvest in other parts of the system.

I will just patiently wait...
I don't build components any more, so the otherwise-fascinating details in 400 posts didn't mean much to me.

But the promise to compare it to the Einstein was very intriguing.

I have "patiently waited". But it's been 10 years now...

I realize it's an old post but it was revived here: http://audiokarma.org/forums/index.php?threads/hagerman-piccolo-2-versus-budgie-cinemag-sut.656664/
 
Wow Thanks! Only 1,448 posts to read! Cutting to the chase, is it ever compared to the Einstein?

Spare the tigers, kill me!

Thanks for that Sachu. When they're all gone, half the people will say "Oh, I didn't know they were endangered" and half will say "What's a Tiger?" and half will say "We didn't need them anyway."

There must be a way to save them, and you too.
 
i have the HTMCPS currently configured for an AT33PTG/II, which is .4mV and 12R. what would a good resistor combo be for a Benz Micro Ace Medium (.8mV and 24R)?
 
i have the HTMCPS currently configured for an AT33PTG/II, which is .4mV and 12R. what would a good resistor combo be for a Benz Micro Ace Medium (.8mV and 24R)?

still looking for this info (or maybe i just need to look through all 20 pages of this thread?).
 
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