"le mieux est l'ennemi du bien"
If you're like me, the enjoyment depends upon the content. Sometimes, I suffer through boring stuff to hear a piece I really enjoy. You'll find Brahms and Beethoven in my library, but they don't get as much airplay as Prokofiev, Mussorgsky, Copland, Holst, Ravel, Satie, Debussey, et. al. We have season tickets to a symphony in the "big city" near us which recently got a vastly improved hall. Last weekend was a special program of music from the many Star Wars movies. We were in row H and the sound was spectacular. One of my favorites from a recent movie is Rey's Theme that spans the dynamic expression and ends in a whisper. Wonderful. One of the violinists dressed as Rey!And is it JoeESP9 who often speaks of spending time at the Kimmel Center? If I were constantly experiencing live classical concerts, would I feel impelled to go further? Probably.

Now that you've explained it, I feel I may have misused the expression in my OP. Oh, well, hope it's the worst mistake I make this year.
Appalachian American in NE TN? Where I'm from they'd say, "You know - that high-toned hillbilly, You can't understand half what he says."
I can speak Hillbilly with the best, but I think quoting Voltaire works best in the original French.

I'm sure you put this system together for her.I am picky if whatever I am listening to is not reaching its potential (in my little pea brain) recording, equipment in the space it occupies. At that point I am non stop messing with it. But I am very easily satisfied. Currently at my daughters working on a “daddy do list”. Sitting in front of her Sansui 350a, KLH 17s with my Kindle jacked into the aux jack as I type this, sounds prefectly great. The system in my sig is probably at its limit, next move is probably trying some Hersey’s.
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Tough question to answer. In some respects, I'm not demanding at all. I've always been able to be fully satisfied with small, low-cost speakers with somewhat limited frequency extension and sound pressure levels, but that is when driven by a reasonably good amplifier--the original Naim Nait, Linn LK1/LK2, and my current Audio by Van Alstine electronics have all sounded wonderful; Pioneer, Tandberg, and NAD equipment fell somewhat short. I have also been very happy with low-cost phono cartridges, using mostly sub $100 moving magnet designs. Again, though, that is when they have been partnered with a reasonably good turntable. I've enjoyed models from Linn, Well Tempered, and Rega, while models from Denon, Philips, and Thorens just didn't provide the same level of engaging musicality. I'm not at all into soundstage/imaging type things, being just as happy with monophonic sound as stereo; the things that hold my attention are attributes such as rhythm, tempo, melody, and dynamic shadings (that is, being able to distinguish those sometimes quite subtle differences note-to-note, even in background instruments). My experience so far is that these things are affected more by the quality of the turntable and amplifier than by the cartridge or speakers (though complex speaker designs with a multitude of drivers more often than not confuse the time-related attributes of the music, while a cheap 2-way speaker seems to get out of the way of the music and lets the performance draw me in).How Demanding A Listener Are You?
First, let's agree that there is no such thing as the perfect system. Trying to attain that is a fool's errand unless, of course, you enjoy the endless fiddling with equipment and room correction. And there's nothing wrong with that, but let's at least be frank and admit that at that point it's not about listening to music as much as it is a hobby about equipment.
