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Left & Right Subs for Hi-Fi?

If I have the room and money, I think a sub for each side is a good idea for several reasons: First, I think the way we tend to set up subs brings them into the audio realm where we CAN hear where it's coming from and, second, some music does have more bass in one channel than the other from time to time.

An odd issue I also found with my "cheap" subwoofer amp: When I connected both RCA channels to the amp it actually reduced stereo separation in the signal to my other speakers. The solution was to connect only one channel to it. That seems to work fine, but keep in mind that I'm old, use hearing aids for group conversation, and no longer pursue "perfection" in my system. So, YMMV. :)
 
i am currently using both methods, line level IS BETTER, so you see someone using both, and have so for more than 4 decades is commenting.

Again, you would be hard pressed to hear a difference, but line level IS the superior method, it's not debatable. One method sends exactly the same signal through shielded cables to both amps.

The other method sends the signal to one amp through shielded cables, amplifies the signal hopefully as accurately as possible, then through unsheilded speaker wire into the mains, branches off into circuitry to lower the output, then sums the two signals, through a low pass filter, etc, then amplifies THAT signal for the sub driver, makes a lot of sense to me, NOT.

This is why it's not recommended in the high end by every other manufacturer othet than REL's marketing gimic, and even they offer line level inputs. I wonder why if they truly believe their own hype as any amp will work with high level inputs?

So let's see Rel put their money where their hype is and eliminate line level inputs from all their designs.
 
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i am currently using both methods, line level IS BETTER, so you see someone using both, and have so for more than 4 decades is commenting.

Again, you would be hard pressed to hear a difference, but line level IS the superior method, it's not debatable. One method sends exactly the same signal through shielded cables to both amps.

The other method sends the signal to one amp through shielded cables, amplifies the signal hopefully as accurately as possible, then through unsheilded speaker wire into the mains, branches off into circuitry to lower the output, then sums the two signals, through a low pass filter, etc, then amplifies THAT signal for the sub driver, makes a lot of sense to me, NOT.

This is why it's not recommended in the high end by every other manufacturer othet than REL's marketing gimic, and even they offer line level inputs. I wonder why if they truly believe their own hype as any amp will work with high level inputs.

So let's see Rel put their money where their hype is and eliminate line level inputs from all their designs.

I don't know how many times I can say it, but you are presenting only one side of the argument. Pretty much any time you represent anything in audio as an absolute, you are not correct.

The tradeoffs are exactly this:

+ Line level is potentially cleaner because you bypass one element in the audio chain (the stereo amp)
- With line level, the sub is seeing a different signal than the main speakers, because the sub is being fed by the "preamp only" and the mains are being driven by the preamp and the stereo amp

The only way that the stereo amp being in or out of the signal could be totally relevant (as you are trying to say it is by completely ignoring that element) is if every stereo amp in the world sounded exactly the same and was perfectly neutral. I seriously doubt you believe that is the case with all amps.

I've already given you examples of a SS preamp and a tube stereo amp -- with line level, the sub would only see the solid state preamp output -- the sub output would not have any characteristics of the tube amp (which is obviously different than the main speakers that ARE driven by the tube amp and preamp). You cannot argue they are same because they clearly are not at all.

The other example is that any "interaction" effects between individual stereo amps and speakers would be automatically be reflected in the sub when using high-level inputs, but interaction effects would be completely lost with line level. Here are some more: If the stereo amp was at all non-linear anywhere in its gain curve, or if its curve flattened sightly at very high volume levels, the sub would always remain perfectly balanced with the mains with speaker-level connections because the non-linear gain would be reflected in both the mains and sub in lockstep (while the sub level would not remain balanced with non-linear gain using line-level because the amp is not in the loop). Your own statement that the stereo amp "amplifies the signal hopefully as accurately as possible" is another example, to the extent that a given amp isn't accurate or neutral, the sub will remain in lockstep with the main speakers when using speaker level (and will not be uniform with line-level).

The goal of the sub in 2-channel audio is to be a seamless extension of the mains, so having the signal to the sub always be in exact lockstep with the signal sent to the main speakers is a good thing -- but that is also subject to the potential downside of having an extra element (amp) in the signal chain to the sub. Neither approach is guaranteed to be better or worse.

The rest of the stuff about noise and summing signals is inaccurate and a wash (in other words, either connection could be better or worse depending on circumstances). All of the stuff about summing of signals and the low pass filter for speaker level are exactly identical for both connection types. Both line level preamp left/right output and speaker-level left/right output are full-range stereo signals, both need to be summed for a single sub and both have the exact same low-pass filtering. If the preamp being used has a mono sub output, the summing is done within the preamp (which is a wash with the sub summing left/right). If you are running two subs -- left goes to left and right goes to right -- there is no summing for either line level or speaker level (though the sub will still sum the signal with the empty RCA or empty speaker wire).

As far as noise differences between the connection types, it is far from absolute which one is best. Like everything else, it's situational. The signals in line-level are very low-level signals which are much more prone to interference than the much, much higher electrical signals in speaker wires. That is exactly why line level uses shielded cables and is exactly why shielded cables are not required for speaker cable. Whether line level or speaker level connections are affected more in a given system will depend on equipment and on what specific noise sources exist in that environment. Because the signal levels are so low, line-level is probably more likely to be affected by interference than speaker-level -- but either could happen, and which connection type has more noise would depend entirely upon the owner's individual environment (equipment used, cables used, cable routing, power cable routing, local noise sources, etc).
 
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be careful, soon you'll get those decrying your SQ is being ruined from the vibration of the subs with your speakers sitting on top lol.
Well that’s just temporary until I build some stands for the mains to place them at the proper height and then the subs can sit on the floor.
 
An odd issue I also found with my "cheap" subwoofer amp: When I connected both RCA channels to the amp it actually reduced stereo separation in the signal to my other speakers. The solution was to connect only one channel to it. That seems to work fine, but keep in mind that I'm old, use hearing aids for group conversation, and no longer pursue "perfection" in my system. So, YMMV. :)

My guess is that your sub has only a mono sub input rather than left/right -- that's common for lower end subs and it's kind of the only thing that could explain what you heard. If your sub actually has 2 RCA's that you connected preamp left/right to, maybe one sub RCA was the mono sub input, and maybe the other was something else (like a sub output to daisy chain another sub).

Alternatively, if you used a Y-cable to connect the preamp left/right outputs to the single sub input, then you were essentially shorting the left and right preamp channels together -- so the sound from the main speakers would go to mono and have other negative impacts. That's actually not healthy for the preamp either (though it probably wouldn't have caused any damage).

Any RCA "output" can be split with a Y cable to go to multiple sources, but you cannot use a Y cable to combine multiple sources (in this case, left and right channels) into a single RCA "input".

If it was indeed stereo left/right preamp outputs connected to sub left/right RCA inputs, then the only thing I can think of that would kill bass would be if one of the RCA inputs was "out of phase" so that the left and right channel bass frequencies cancel each other out -- this is easy to mistakenly do with speaker wires if not careful with polarity, but it's almost impossible with RCA cables since the polarity is fixed internal to the device.
 
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Here you go, ask them how their theory works with passive subs lol. Do they magically somehow feed the output of the main power amplifier into the input of the passive subs power amplifier?

Yes, it works fantastically, thanks for asking.
 
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I have installed and owned 2.1 and 2.2 systems and much prefer the 2.2. The entire bottom end seems to shrink using one sub. Notice I did say get softer or louder. Two channels don't compromise the ambient information of a truly good stereo recording where a single sub does. Also the woofers should be placed to the arrival times are exactly the same. I don't care how steep the filters ae unless you can align all the speakers to the neares inch using a precision time delay device get out the tape measure and do it correctly. Altec and others say line up the voice coils others say the emission centers at the crossover frequency. Which ever works best. I prefer lining them up for the best summation thru the crossover band.
 
For those who know... What do you all think about left & right subs for strictly hi-fi audio sake? Not watching movies here. Is there really any point? I am only talking for an average decent size living room here with 9 ft ceilings. If I were to run left and right subs, what is the preferred setup? See below...
Source will answer your question. Analog (vinyl & tape) will only require (1) sub, digital source will require (2) subs. RCA connects would be best, but might not be feasible. If the sub accepts speaker wire inputs, then it's easier to daisy chain off a set of speakers already in place (which is my case, 2 wires into one banana jack).
 
For those who know... What do you all think about left & right subs for strictly hi-fi audio sake? Not watching movies here. Is there really any point? I am only talking for an average decent size living room here with 9 ft ceilings. If I were to run left and right subs, what is the preferred setup? See below...
yes. IMO, you need subs in stereo with a pure 2 channel system.
Tangerine Dream for example, has multiple songs where there's stereo bass, and with only one sub, the sound is skewed when the bass is extremely right or extremely left.

It also helps smooth out room nodes.

My subs are fed balanced low level signals from my bryston pre.
 
Honestly, I can see why two subs can practical in a given room but to me a single sub, in my room works fine. I have mine in between the speakers but off centered.
 
Honestly, I can see why two subs can practical in a given room but to me a single sub, in my room works fine. I have mine in between the speakers but off centered.

My media rm has two complete systems, one a dedicated 2-channel the other dedicated for multi-channel, their optimal speaker location requirements are not the same.

The multi-channel setup has twin 12" subs, the 2-channel only one between the speakers and slightly off center to the left. The single subwoofer crushes the twin Daytons, they REQUIRE two just to compete, ya if the lone wolf is great enough then two are not necessary.

There's never a hint of it's location, the bass appears to be part of the whole it's integration is so complete.

So you're good to go having only one, I wouldn't sweat the petty stuff, just pet the sweaty stuff.
 
Two subs are better than one because:
1. Cleaner bass. Having twice the cone area means the voicecoils don’t have to move as far from their nominal position in order to produce the same SPL as a single sub. That means less distortion and cooler voicecoils and less chance of compression.
2. Smoother frequency response. Having a left and right subwoofer helps smooth out the bass response and makes it sound even throughout the room.
 
OMG people that go "on and on" about using high level signals for a POWERED sub.........

Bad idea for many ways, and yet some keep trying to justify something that has no actual merit.

Doing this is simply using redundant and unnecessary amplification for no real benefit.
The idea that you are getting the "Same sound" as your main speakers, is a pointless argument, as you are not anyways. You are getting only deep bass and that has no comparison to the rest of the spectrum.

Amps DO sound so similar, that saying every amp has a certain sonic signature, ignores the fact that you are then sending it to ANOTHER sub amp on top of the first amp. So even if every amp did have some unique special sonic signature, it would be lost by compiling that signature onto another.........SMH.
 
OMG people that go "on and on" about using high level signals for a POWERED sub.........

Bad idea for many ways, and yet some keep trying to justify something that has no actual merit.

Doing this is simply using redundant and unnecessary amplification for no real benefit.
The idea that you are getting the "Same sound" as your main speakers, is a pointless argument, as you are not anyways. You are getting only deep bass and that has no comparison to the rest of the spectrum.

Amps DO sound so similar, that saying every amp has a certain sonic signature, ignores the fact that you are then sending it to ANOTHER sub amp on top of the first amp. So even if every amp did have some unique special sonic signature, it would be lost by compiling that signature onto another.........SMH.

^^^^^QFT ^^^^^

but apparently this is their argument, the main amp has a signature they want, but miraculously the sub amp has no signature so the signal is unmolested when passed through, now that's funny eh lol. So their plate amp is somehow transparent but their main amp is not:dunno: me thinks they need a better main amp if their sub's PLATE AMP is superior eh.
 
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I have two subwoofers, connected like the first example shown. My subs are out of sight, behind the listening area, connected out of phase with the front speakers.

And yes, there is a point to having multiple subwoofers. Search for 'distributed subwoofers' and all will be revealed
 
^^^^^QFT ^^^^^

but apparently this is their argument, the main amp has a signature they want, but miraculously the sub amp has no signature so the signal is unmolested when passed through, now that's funny eh lol. So their plate amp is somehow transparent but their main amp is not:dunno: me thinks they need a better main amp if their sub's PLATE AMP is superior eh.


Let alone the fact that the "Main" amp, may actually roll off or not present a pristine signal at all really low frequencies. There if far more chance of signal loss on the low end, once amplified, as compared to a direct pre-out signal.

In reality, I doubt it is a HUGE difference, but multiple amps cascaded together, will always mildly degrade the original signal to "Some" extent.

Kinda like back in the 80s running your car head unit, into a Kraco booster amp.......
 
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