If I may, let me offer a few things to ponder during your summer break:
1. The 19 kHz signal is an extremely important component of the total FM MPX Stereo composite signal broadcast by a stereo station -- necessary for much more than just to provide a trigger for indicating reception of a stereo station. That it can be used to perform that function falls in the same category as the fact that horse manure also makes for a good fertilizer. It's a nice byproduct which can be used for that purpose, but hardly reason for its existence! The singular primary purpose of the 19 kHz pilot signal is to either: (1) provide a signal that can be doubled in the decoder to 38 kHz or (2) provide for the proper triggering of an onboard free running 38 kHz oscillator in the decoder. Either way, the generation of a 38 kHz signal
of the proper phase is required for the detection of the 38 kHz double side-band suppressed carrier "stereo information" channel, which is also part of the total composite signal broadcast by the station. Now any 38 kHz signal could detect the stereo information channel. But because the L-R signal it contains must be perfectly aligned time wise with the L+R signal broadcast in the main channel of the total composite signal, the timing (or phase) of the 38 kHz signal is crucially important in achieving maximum separation -- which under ideal conditions can approach 40 db at 1 kHz. 30 db of separation (L to R and R to L) is routinely possible, while the Fisher specification of 35 db is also quite possible when all is operating properly. These figures are for the condition of a FM MPX Stereo composite test signal broadcast into any Fisher component with built in MPX adapter. If the timing of the regenerated 38 kHz carrier is off by just a few degrees, then separation suffers quite significantly. The Fisher design employs a free running onboard 38 kHz oscillator (part of V101), with the 19 kHz pilot signal providing the proper timing of the oscillator to achieve optimum separation. It is also used to trigger the stereo indicator on those models employing such an indicator.
2. While your scope surely showing notable separation between your L and R signals, overall it is still considered quite poor compared to proper operation of the decoder. Based on the difference in amplitude of the two signals (assuming both scope channels are set for the same sensitivity), I would suggest that the separation displayed is on the order of 14-17 db, or about half of what it should be based on db measurements.
3. I'm not sure what you mean by the Fisher instructions requiring modulation the 19 kHz pilot signal. The pilot signal is the pilot signal, and is never modulated by anything. It's used for the functions as discussed in #1 above. Now, the main channel and 38 kHz sub-channel elements of the composite signal are certainly modulated by the material being broadcast, but the pilot signal is a constant, with its value required by the FCC to be specifically within the limits of 8-10% of the total composite signal modulation.
4. I've included a pic of the FM MPX Stereo 1 kHz L only test signal broadcast into my Fisher 202-T tuner/preamp after it was modified and had a Fisher type WX MPX decoder sub-chassis installed for your reference. The sine wave is of course the left channel, while the line through it is the right. A R only test signal looks identical, so I only provided the one pic. The actual separation produced when this pic was taken was measured to be 38 db. The R to L separation was slightly better at a measured 39 db. You can use this as an optimum example to shoot for in your work.
My comments are hardly meant to be critical of your work. I know this effort is as much of a learning exercise for you as anything which is great, because you learn the most by doing -- and you're making very good progress in doing just that. I just wanted to establish where the goal post is so you'll know where you currently are, and what it looks like when you reach it!
I hope this helps when you return to your project!
Dave
