The system is pretty well balanced IMHO right where its at. But I don't think you will get an immediate and significant upgrade in sound within the context of the system, but rather you set the foundation for further improvements by having a higher quality source component.
Like Mr Pig, I like to take a step back and look holistically at the system before shouting out cartridge models from the mountain top. I'll defer to his comments regarding the phono pre.
If it were me in your shoes, the next thing I'd do is upgrade the caps in the crossover of your speakers. Even if it were a few hundred dollars for just new caps for tweeters and bypass for the mids. (Part of the "sound" of the B&W 800 series is the Mundorf Supreme SIO caps which in the right application are great, I use them as output caps in my tube phono pre bypassed with V-Cap CUTF. Actually prefer ClarityCap CMR in my speakers but I digress...) That would take a great pair of speakers up a notch in clarity and imaging depth. Your existing cartridges might suddenly sound "upgraded" with better clarity, cleaner mids and highs, improved texture, and a wider and deeper soundstage.
A free upgrade is to re-torque the screws on the cone driver in your speakers. B&W can tell you what it should be if you have a torque wrench, or you can just "snug" them by feel. Every "cones in a box" speaker I re-torque the drivers on sounds better and I've yet to find one more than a few years old where the tension was consistent and perfect.
I would make sure the spindle on your Technics is freshly lubricated with the proper Technics oil or equivalent. That (along with the condition of capacitors on the control board) affects the amount of wow and flutter which of course affects several aspects of sound quality including imaging.
I would spend $100 on ebay on a Tripp Lite IS500 isolation transformer and plug your preamp (only) into the isolated power. In my home, every low level device sounds cleaner, wider, deeper, and "blacker" plugged into isolated power. (My power amps have lots of added capacitance and dim the lights a bit when switched on, they show no meaningful change on isolated power. YMMV)
Next thing I'd get is a Herbie's Audio Labs tonearm damper, about $20. The ringy, zingy sound of metal tonearms is mitigated just a bit with that little device, and on something like the Technics arm I notice a more open midrange, more space around hi-hats (articulation and phrasing more obvious) and other sounds in the mid-high range, and slightly less lower midrange boom on male voices. Some call that "warmth" but its just resonance and anything that cleans up time domain noise to me always sounds better. Maybe a 5% change but it's audible on my systems. If you hate the effect then I apologize in advance but every metal tube arm I've put one on has sounded cleaner and better to me. It's $20, you decide if its worth trying. Being under pressure, (and I use the titanium ones) they are fiddly/excruciating to install, feel free to curse my name loudly if you decide to try it. I've also learned the easiest way to install, you're welcome to pm if interested.
In my home, on my modded Technics tables and arms, even basic cartridges (think Stanton 500E & Audio Technica VM95C) have great dynamics, huge separation and a deep soundstage. Part of what I was chasing with cartridges actually had nothing to do with cartridges at all, and the better cartridges are able to "strut their stuff" to great effect.
My opinion is simply my opinion, nothing more, I'm sure there will be plenty of responses here recommending cartridges for you to try.
Pat