The first major difference between the old and new Quad speakers is the dipolar radiation pattern chosen for FRED. The ESL-57 was designed to radiate only from the front, and this makes it quite easy to set up in confined quarters. A true dipole has sonic advantages and will sound more spacious and airy, particularly in the lowest octave, but it needs more room to breathe. Many people think that ESL-63s are bass shy. The speakers are in fact, capable of prodigious bass. They must be positioned five feet or more from the back wall so that the rear wave does not have a canceling effect on the front wave at low frequencies.
Sounds like you're painting yourself into the inevitable corner with only one option...Do it!
heh, busted!
According to this article in Stereophile, they were introduced in 1983 after a roughly 18 year development cycle. So that makes them 30 years old or so, plenty old to be considered vintage, even if rebuilt. And the next article on patents clearly shows it the concepts to be built on the work of Kellogg from 1929 and Donovan D.E.L. Shorter of the BBC in 1941. (Shorter was also instrumental in the fundamental acoustical research which led to the LS series of loudspeaker development at the BBC from the 60's through the 70's). Truly a vintage idea, later developed and harnessed through solid engineering and physics by true innovators.
http://www.stereophile.com/floorloudspeakers/416
http://www.quadesl.org/Hard_Core/ESL63History/esl63history.html
Well...... if you're serious about the quad's and you liked that article, you're probably gonna really like this one -Thanks for posting that Stereophile review link. When I bought my first pair, within a month of first hearing them at my local dealer, I wasn't subscribing to Stereophile yet, so I never read that before! I had been using Quads for about 5 years before the '63s came out. I didn't think they could be improved upon for their volume levels, and I'd bought AR9s for "big" sound. When I heard the '63s, I immediately traded in the (latter to be called) '57s, and I've never regretted it. I had tried doubled '57s, but I really think two '63s not only image better, but were more dynamic sounding that even four '57s.
Aha! Just discovered a place within a two-hour drive that can redo these.
http://tsound.com/services.html
Well...... if you're serious about the quad's and you liked that article, you're probably gonna really like this one -
http://audiophilereview.com/audiophile/the-25-ultimate-audiophile-speakers-of-all-time.html
I would say somewhat subjective but they're in pretty fine company there
Frommer, you never stop amazing me... Quads uhhh? :scratch2:
I guess the Quest never does end!![]()
J. Gordon HoltWarning to purists: Despite certain qualities about Quad's ESL-63 loudspeakers that you will probably like, Quad equipment is not designed primarily for audiophiles, but for serious-music (call that "classical") listeners who play records more for musical enjoyment than for the sound.
Mine were totally rebuilt by a place called Electrostatic Solutions, prior to my purchase of them.
They also sell parts, and I think some other places do the work as well.
http://www.estatsolution.com/index.php?bod=6
A mint pair that has been completely rebuilt is about what is quoted in the ad, I think. I paid around that for mine because they were essentially brand-new, and actual new Quads that are equivalent but modified designs (Quad 2805), are around $10,000.