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Rare Beauty: Fairchild's 275 Amplifier

Bravo! As a novice reading this missive, I am struck by the generosity of your sharing, and more importantly EXPLAINING, your acquired wisdom and understanding of these hallowed circuits and transformer pairs. Some might show what was done, or talk about what is needed or why the original design was lacking, but you took us deep into your "little grey cells" as Hercule Poirot might say, to the very essence of your diagnostic process. For an instant, I almost felt like I too understood and could diagnose, but the moment passed. Thank you for an amazing lesson. Unfortunately it is in the doctoral level course curriculum and I'm still on my prerequisites... So if you ever want to play with a pair of Fisher 200a's or Altec/Peerless A-100-A's I'd be thrilled to donate them for the task.

By the way, that shipping suitcase looks amazing.
 
Hey ya’ll.

I felt like this Sunday afternoon was a good time for me to pipe up. I’m sitting here listening to The Punch Brothers 2018 album All Ashore on the Fairchilds. Yes... this incredible journey we were all following along on in this thread was all for my benefit. :)

At this point I’ve had the Fairchilds back for about a month or so. TL : DR version is they are incredible and Dave did an amazing job with them. They are truly a special pair of amps. Its taken me a long time to get to making this post partly because I don’t have the best words describe them. They just seem to do exactly as they should and get out of the way of the music and don’t really draw attention to themselves... I mean, other from looking fantastic. At least to me.

I’m a designer for a living, Art Director for an advertising agency. The aesthetics are special to me because of the involvement of Raymond Loewy working with Fairchild on the design of the front brass label and the colors etc... he’s a design god. Look him up since I won’t go into his storied career here.

The amps are marvelous. I don’t know a lot of their history, but right place at the right time brought them to me and after exercising some patience they are better than they probably have ever been sonically thanks to Dave.

Their system and associated equipment is currently as follows.

Analogue: Well Tempered Simplex with Dynavector 20X2L cartridge. Well Tempered DPS regulated power supply powering the deck and the Dynavector P75MK4 phono stage. Audio Sensibility interconnect from TT to Phono Pre.

Digital: Bluesound Node2i optical into a Topping D50S with P50 regulated power supply.

Preamp: Bent Audio AVC-1 Passive which uses Dave Slagle’s “Slagleformer” Autoformers for volume control.

Speakers: Onken cabinets housing Altec 416A’s which have been worked over with all that Great Plains Audio juju. Jabo 2” Conical horns with JBL 2441 compression drivers. Networks are Werner Jagusch from Germany which also use autoformers for attenuation of the HF.

All wiring is Duelund wire in varies gauges depending on use. All DIY’d.

The sound this rig is producing is sublime. I can’t thank Dave enough for waving his magic wand over these amps. And for detailing it so eloquently here allowing us all a peak behind the curtain of the Great and Powerful Oz. I’m from Kansas... had to use the Wizard of Oz analogy.

Here’s some pics I just snapped.

- Woody

CC3A5D40-AE1E-4499-B590-C240E9BC9D9B.jpeg B92ACC12-0C5A-4D0A-A8CE-21FF9E33E633.jpeg 23E2C8F3-1582-4615-AFFA-B10B3CC44C9B.jpeg 22B57A56-3AB7-4E10-B2B2-E4F7C7CEA1B7.jpeg F6AB59AA-F0E3-4B59-A4F9-75BCE271559D.jpeg 9077640F-B5E2-46EC-AC27-79A0BEA4C46A.jpeg D3929191-857A-4317-89A3-A005C879421E.jpeg 3E81B1F3-4118-4CFA-9643-278678308A17.jpeg
 
Glad you're enjoying the combination, and what a great room! The speaker design and the simple aesthetics of the rack are very pleasing. I think on some subconscious level the visual augments the auditory experience. Nice to see someone else with a mobile hanging from the ceiling. We have two and they provide a nice visual curiosity. :beerchug:
 

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Dave and Woody, terrific end notes to the story. Woody, that sounds like a terrific system, and that mid-century listening room is to die for. :-)
 
I know I am way too late to the party. Fellow vintage amp and Fairchild lover.
Love the room the story the gear!
Enjoy!!!
 
Life (well, work, after attempts at domestic life turned into a mess) keeps me from more than popping in here these days, but I somehow missed this thread in my fascination with all things Fairchild. I've long pondered the possibility of making (or buying) at least credible replicas of the incredible Todd transformers in the 275s, and the wealth of detail in this thread, along with the unusual amount of information provided by Todd themselves in that long-ago article, may get me a bit closer.

I also have an insane idea to replicate/update the absolutely phenomenal (and gorgeous) 248 preamp. We'll see how that goes.

Raymond Lowey's influences on Fairchild are fascinating. Reportedly, Sherman Fairchild was friends with Lowey, which is the only way that I can see that such a small-volume manufacturer could engage his services. I've never seen a formal attribution, but looking at the SA-12 tonearm, Lowey had to have been involved with the design. And even the box was stylish and coordinated with the styling of the 245/248, as seen in an eBay listing for an incredibly rare NOS example that ended in October.


One thing that caught my eye - the behavior of that rogue carbon comp resistor is why I, as a general rule, shotgun them out of anything I'm working on and consign those nasty little buggers to the landfill. Too many problems with them going wonky over the past 55-75 years to keep them around.
 
Hi guys,

I've completed my beautiful pair of Fairchild 275 and wanted to share my experience with you.
It's the second pair I restored so I am starting to get to know them quite well.

But first, I wanted to thank Dave dearly for his remarkable work and sharing it with us.
Dave's post helped me tremendously and paved the road for my restorations.
So Dave, thank you very much.

I started to document the boards on my amps as they were different. One was the older model and one the newer. I had to make modifications in the wiring on both to accommodate my changes.

First I decided to have all components on the turret board, for both amps (versus some on the 6AB4). So I've made schematics of the original boards, then with the modifications needed for the components relocation.

And I managed to relocate the 2 bias capacitors on the board, as well as the bias rectifier. This makes things cleaner.

I changed the ground path as Dave's recommendation, and indeed both amps are very quiet.

I installed 2 100R 1/2W screen resistors directly on the socket.

I also added a fuse on the B+ rail going to the OT CT. I didn't want to drill holes on the chassis so I made 90 degree brackets to mount the fuse holder on the PT stud. I painted them as close as I could and they are not an eyesore, kind of look original.

The only modifications I've made from Dave's are:
- I changed the test jack circuitry with a stereo socket, and wired the cathodes through a 10R 0.1% Vishay resistor on each side to ground, the classic way really. This allowed me to sense the bias current and the balancing of the tube at once. Then I made a little gizmo bias and balance rig, connected to the amp via a guitar jack and monitor the balancing and bias at once. Helpful little thing I can reuse for other amps.

- I modified the power supply by adding SS rectifiers upstream the rectifiers. Nothing new here but I noticed that the original PS had a B+ ripple of almost 2.4VAC RMS.
I wanted to reduce this. Then I found a nice 3x100uF 550VDC in a small can format suitable for the F275. So with 100uF off the rectifiers, and 2 spare 100uF gave me the idea to use them as an extra decoupling stage before the rectifiers. So I connected the 2 sections to the SS rectifier cathodes. The end result is a VDC higher by 10V, not really an issue, but a ripple B+ now at 0.2VAC RMS.
I can't really tell the difference but I preferred to make the best cleaner PS I could with the real estate I had.

Here is the results:
Older version:
IMG_20240525_172602.jpg

New version:
IMG_20240601_143959.jpg

Both amps are stable, extremely detailed and beautiful sounding. I am very happy with the result.

I am burning in the GL KT88 and so far no issue: all stable.

On the frequency response, I get the same as Dave's.

These amps are simple, well designed but quite difficult to work on due to the way they were manufactured. The soldering is not McIntosh's approved, and so some had to be redone. Cleaning the turrets is also a pain.

But the end result is stunning and well worth every penny and hours put in these beauties, as Dave wrote.

IMG_20240601_171247.jpg

Thank you for reading.
Brice.
 
Thanks guys.

Yes it's original. I've only seen green and gray in the 275 line.

Gray only in the 255A.
And orange in the preamp 248 combo.

It's an aluminum chassis, and there are 2 coats of paint: one black layer and then the green/gray one.

I also have the original cages, aluminum too, but I prefer them naked :).
 
Thanks guys.

Yes it's original. I've only seen green and gray in the 275 line.

Gray only in the 255A.
And orange in the preamp 248 combo.

It's an aluminum chassis, and there are 2 coats of paint: one black layer and then the green/gray one.

I also have the original cages, aluminum too, but I prefer them naked :).
But do your cages have the round emblem that tell you 75 watts?
The Fairchild 260 cages had a 50 sticker on the cages and the 275 a 75w one.Unfortunaltely most are missing . look at your cages and you might see a a small blemish on then where the sticker would be.
 
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