Could you elaborate on that, it is most intriguing!!!:scratch2:
Who designed the plinth and the support system?
How were the tonearms measure for their mounting?
What are the different tonearms?
What are the different cartridges mounted on them?
It needs a new thread!
Hi Balifly,
It was my own idea because I assumed that an acrylic plinth would be attractive and aesthetically very pleasing to the eyes. I had thought about using wood, MDF and slate as the material for the plinth but I finally chose acrylic which is normally easy to get cut and handled as wood and MDF will need to be painted or veneered as well. Slate is very heavy and expensive and I don’t have the special tools to do the job unless it is done by professionals.
At first, I ordered and bought a piece of 40mm thick polished acrylic from a shop, then cut the large size hole for the motor with a router, measured and drilled the small tonearm mounting holes with the help of templates which were provided and come with the tonearms when they were bought brand new many years ago.
I decoupled the whole turntable with acrylic footers at the beginning, but changed them to Audio Technica AT 605 Insulators and finally magnetic floaters at the end.
I have 20 tonearms in total and I keep swapping among them from time to time. The most frequently used tonearms are: Micro Seiki MA 505S, SAEC 308L, AT 1100. AT 1010, Grace 747, Mission 774 Original, Audiocraft AC3000 Silver Ltd, Linn Ittok and Rega 300(Incognito rewired, Michell Technoweight, Origin Live VTA adjuster) etc.
There are over 50 cartridges in my possession, including MM, MC and semi- conductor. The main ones that I normally play with are Denon 103R(aluminum body), AT 33ANV, ADC TRX-2, AT OC9, Ortofon M20FL Super, Ortofon 530 mk2, Orton MC15 mk2, Entre EC-1, Empire 2000E mk4, AT 14SA, Technics 205C mk3 and…..