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Sir.Byrd's 2226H based super speaker project

Threadjack or no, this is an interesting discussion, and a worthy one -- probably worthy of some work by our mods to abstract it into its own thread, if Byrd would prefer.

The subject is relative merits of different 15" woofers, and that's where I started what I do, with which you are all quite familiar by now, many years ago. 2235H was my platform, an extraordinaily capable extended-bass kick-ass woofer that was used in the JBL 4430 Studio Monitor, font for EconoWave and similar 2-way designs for decades, which also happens to make beautiful subs that anyone can build DIY modeled on the B380. The little BX63A active crossover for those is an easy clone, and I'm surprised nobody has built up a bunch of those. Maybe ZilchLab will design/build a version of that with some additional features. As subs, the crossover is not essential; they'll run without it nicely, or with assist from an alternative external with the requisite VLF boost, as well.

2226H plays higher, with more articulate midrange and more "punch," does not reach as low, but with it's extraordinary power-handling capability, can also be used with assist to dig deeper. Over on LHF is a link to a design (I forget the name right now, but will try to look it up) which uses 2226H as an assisted sub. I never tried that, largely because I was off and running with my main gig, EconoWave, and never got the opportunity, which takes me to what I'd like to contribute here.

I don't do 15" 4430 equivalents anymore, though I do understand and appreciate them, and generally support the platform. There are two primary issues: 1) midrange articulation and 2) center-to-center distance between woofer and waveguide for directivity matching the design. 12" woofers are simply easier to get happening with these, and extended-bass is now offloaded to external subs(s) in many contemporary applications such as HT.

As soon as we start talking about 15" woofers that'll play to 2 kHz and beyond, it's merely an academic advantage in the context of what I do; the physics of piston diameter mandates 15" dispersion collapsing in the range of 100° an octave lower, at 4430's 1 kHz crossover frequency, typical horizontal beamwidth for directivity-matched 2-ways using waveguides in domestic applications. There is considerably leeway in achieving a successful blend through the transition region, and up to 1.5 kHz is probably well workable with careful design, but beyond that, not optimum, and I just don't see much of a point in paying a premium for unused HF extension capability. Yes, horns, waveguides, and compression drivers that'll play down to 800 Hz are available, and that works too, but pushing that envelope is not my gig anymore.

As Gordon just pointed out, more typical crossover frequencies above 1 kHz stretch the capabilities of 2235H with respect to midrange performance. Without the mass ring as 2234H, still available factory direct from JBL, gets up a bit higher, has higher efficiency, sounds nice, but loses a bit of LF extension. JBL doubled them up in 4435 running 2.5 mode to make up for that. Another option for getting here is to recone the 15" musical instrument woofers like E140 which have higher magnet strength than the 2225H/2234H/2235H motors and play nicely a bit higher up, as well.

The second issue is not so insignificant as many suppose -- for any given crossover frequency, the height of the resultant vertical forward lobe between the nulls is reduced as a consequence of center distance between the drivers, and what can be achieved with -6 dB as the definitive criterion is compromised by the larger diameter of 15" woofers themselves when mated with typical waveguides. Yes, with careful attention to steering the forward axis, acceptable compromise is achievable, as Wayne Parham does in his larger Pi-Speaker designs, but there's just not a wealth of understanding of what's required among DIYers with respect to this concept, and it takes measurement sophistication to work through it. Actively crossed with delay capabilities, it's easier, but you still end up with a relatively short forward lobe in comparison to what is more easily accomplished using smaller woofers snugged up with typical axi-asymmetric waveguides.....
 
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Le of the "2236" is about 1.18mH. I'd call that "average" for a 15". A smidgen lower than the 2234 and 2235 (which are 1.2mH), but not enough different from that to make a significant difference.

The TD15M has an extraordinarily low inductance (for a 15" driver), at .2mH. The other Lambda drivers seem to have around .3mH, which is still remarkably low. This means, as Newman mentioned, that the Lambda drivers have more bandwidth. However, since the 2226 and 2234 are known to easily be able to do 1.5KHz (the 2235 has problems, due to the mass ring, ostensibly- they really don't do terribly well above 1.2KHz, in contrast. But, since the "2236" has no mass ring, it should perform closer to the 2234 and/or 2226), this shouldn't be a deciding issue for most people, using these with horn mid-high-systems (most of those can at least play down to 1.5KHz easily).


Also, since the 2226 is rated at 600 watts for the motor, the "2236" should also share this same power rating. In fact, the copper voice coil of the 2226 should conduct heat better than the aluminum coil in the 2226... so, it may actually handle a little more power in practice... unless I'm reading the data wrong, none of the Lambdas are rated at higher than 500w?

Regards,
Gordon.

Gordon, IIRC, at rated power, the power compression of the JBL is closing in on 5dB and even closing in on 3dB at half their rated power. To get to that level of compression on the Lambda's (with apollo motor upgrade), I think you have to be up in the 1000w range. At rated power, their power compression is right around 1 dB, IIRC.

Again, like their ability to extend to comparatively high frequencies, the ability to handle massive amounts of power in a typical home environment is probably not especially critical.
 
Yep, I am glad that a woof I might use can handle 600w, but I have a 12wpc amp. I think that we should do another trip down to Dans and do some measuring and listening to get a more accurate understanding of all this. DAN????
 
DjNagle, Kegger, Dnewman04.. come on down! You're about ready to play "The Woofer is right"..
 
I'm game but need to figure out how to get Annie to work as we are down to one car. I'll work on that.
 
Look: me working!
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Good to see you working. For a while there I thought you might be management material...:D
 
lookin good sir!
was the red capaciators used because of a special sonic quality or did you use that kind because of the UF rating?



he's 16 now..

a little of both, I used one of the less expensive Clarity Cap lines because it is .47uF and Bennic did not make a .47uF. Also it was in series with the tweeter, otherwise I would have gone with something slightly cheaper.
 
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