I thought I would close out this thread by posting the schematic of the final version and providing some final thoughts. The amplifier has logged about 100 hours now, and has performed flawlessly.
First however, I realized that the power output figures I quoted earlier for the completed amplifier were those from my lab rat tubes and not those provided by the matched quad of Gold Lion EL84 reissues I had received from Jim McShane sometime ago. Credit too many unorganized notes at the time of that posting. In any event, with the GL tubes, individual channel power increased to 25 watts RMS, while maximum power with both channels operating increased to 22.5 watts, for 45 watts RMS total. THD at 1 kHz fell to an incredibly low .05% average at 1 db below full power with these tubes as well. As power output is reduced, distortion continues to fall even further. Not too shabby for an EL84 amplifier, and superb performance from the Gold Lion tubes.
I plan to continue the introduction of EFB II over on the Fisher forum, but lovers of Eico, Scott, Pilot, and a gazillion console EL84 AND 7591 amplifiers might want to follow with interest, as I have now had a real Fisher SA-100 (stock) to throw on the test best to develop some comparative data from, and the results are quite encouraging.
The SA-100 arrived DOA, having not been used in some years. After successfully reforming the can cap, the unit still produced no sound, which was traced to open plate load resistors in the first stage of each channel. Replacing those brought life to each channel again, and a quick check of the remaining components showed that while they were all still in tolerance, there is no doubt that the unit would benefit from some further TLC (matching critical components within each channel and to each channel, etc.).
Against the clone's performance with EFB II, the real SA-100 had credible enough performance in just eeking out 20 watts per channel with similar Gold Lion tubes, but best single channel distortion figures were nearly triple that achieved with the clone, and maximum power with both channels driven was 17 watts with still higher distortion yet -- this as measured at 1 kHz. Additionally, the low distortion point required the tubes to idle with ~ 6 ma more per tube than the clone did, operating the tubes right at the limits of their Design Center dissipation rating. This resulted in just over 30 ma quiescent current per tube, which is in fact Fisher's recommended setting for biasing the amplifier as well. Finally, distortion at lower power levels rose even further, as element voltages all shifted from lowest distortion settings for high power output conditions. Therefore, the stock amplifier does in fact leave room for significant improvement to be had, as had been hoped for -- not the least of which is improving on its well deserved space heater capabilities. This is one hot running amplifier! As a result of these findings, the owner of the SA-100 has requested that I install EFB-II in it for him.
Since the SA-100 is already a fixed bias amplifier, it will require the use of an EFB supply regulator, rather than the EFB cathode regulator used in my clone (because the power transformer offered no tap for a bias supply in it) and SCA/ST-35 amplifiers, but other than that, with installation of EFB II in the SA-100 and my clone, they should both produce nearly identical results. It is this installation in the SA-100 that 7591 users might enjoy, as EFB II for pentode output stages will lower quiescent currents, raise power output, and lower distortion all with a rather simple circuit to boot. With the cost of good NOS 7591s nearly equal to that of gold these days, it could be a very worthwhile modification to pursue.
With that, I will close this thread out with the circuit of my clone (other than to respond to any questions that might arise), and once installation of EFB II gets underway in the SA-100, I will detail that effort on the Fisher forum. After that, I should have plenty of comparative data for my article documenting EFB II in detail, and how it can be added to virtually any traditional push-pull pentode output stage to enhance its performance.
Taking a pic of the schematics was the quickest way I could post them, so I hope they are clear enough to at least give you a good understanding of circuit operation.
Dave