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The Official Kenwood KD 500/550 and 600/650 Owner's Thread

Hello to all Kenwood KD-500 / 550 and KD-600 / 650 owners.
I am new on this forum and I would like to share some pictures from my new turntable.

First, a brief summary of my journey into the wonderful world of turntables and vinyl records. A few years ago, I bought a pristine Pioneer PL-12D turntable for a few bucks. I used this turntable to rediscover the world of vinyl records. A year and a half ago, I bought a Denon DP-60L with all its original accessories. It was a huge step-up from the Pioneer.

And about 3 weeks ago, I sold it to buy my new turntable. A Kenwood KD-650 that needed a little love in order to work perfectly. After a careful reading of the maintenance manual, I adjusted the speeds to 33.33 rpm and 45 rpm. I set the overhang to 15 mm (unfortunately, the original 45 rpm adapter is missing). I polished the lid to give it a very nice appearance. Even if a few original micro-scratches remain. I've kept them to keep it looking authentic. I also have the original headshell. Like all owners of KD-500 / 650 series tables, the lid hinges are damaged. The original platter mat is pristine and very well damped. I do not plan to change it at all. As you can all see on pictures the plynth is a bit '' yellowish ''. If some of you guys have an effective solution for restoring whiteness to the plynth, it is most welcome.

My first impressions of the KD-650 are as follows. The build quality is really superb, the factory tone arm is really good, the well-balanced platter is heavy, and it's all made for excellent sound and upgradeability.

I am using a AT-VM95EN/H combo. I used it previously on my Denon DP-60L so I am able to compare, even if, as everyone knows, auditory memory is quite short.
Now what about sound quality?

First of all, I'd like to point out that I'm using a highly upgraded Rotel RQ-970BX-OM phono stage. This unit was sent to Partsconnexion in Canada and several upgrades were performed. This phono-stage performs to a level far beyond it's original state. Now using fully discrete opamps ( Ayre acoustics territory )
According to Partsconnextion nothing under 2000$ USD will compete and I can use MM and MC cartridges.
Compared to the Denon DP-60L, the Kenwood KD-650 is quieter. I can listen at higher sound levels without hearing the background noise I used to hear with the Denon.
The soundstage is wider and more '' aerated ''. The vocals are much more present. The treble are smoother and I get more detail everywhere. The engineers were not sleeping when they designed this turntable. I listen to a bit of classical music, pop, rock, heavy metal and especially a lot of jazz records.

My plans for the future are to replace few things : A better power cable ( nothing fancy but a DIY solution ) - a longer Low-capacitance RCA phono cable - new feet from MNPCTECH : https://www.mnpctech.com/products/kenwood-kd-turntable-isolation-feet

But the most important move would be to change the cartridge for a better one. I am thinking about a Soundsmith Ottelo one. This model is 22 μm/mN compliance
and would fit perfectly with the medium mass tonearm. All suggestions are welcome

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Nice table, it would take some serious green to compete with it buying new. There's a good reason Kenwood tables were so highly regarded back in the day.

I'm a big fan of their gear including the tables and have two upper tier Kennys, a KD-500/Grace G707 arm combination and a KD-770D.

The mat on the 500/600 is nice but the mat from the 770D is a nice improvement if you can find one.

Oh, and not all KD-500/550, 600/650 dustcover hinges are damaged, mine work perfectly on my 500.
 
@Sgt Shultz : Thank you for your comment. Since I get my KD-650 I looked for a used KD-600 and I found a Jelco SA-750EB. It can be a good match.
The previous owner broke one of the two dustcover hinges. I keep the dustcover without hinges. I add 4 clear silicone corner guards
 
Welcome to AK. Nice find on the Jelco arm. I believe the SA-750ED model is a 10” arm. I’ve found the Kenwood / Jelco combo to be a good match. I’m currently running a Jelco SA-750D 9” arm with the aftermarket mounting collar from Ammonite Audio on my KD-500.
 
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@jbjsr : Thank you - The Jelco SA-750EB is a 10'' tonearm in black color. That's why the ad catched my attention. Knowing that the original KD-650 tonearm measures 9'' 5/8.
Is the Jelco a better tonearm than the KD-650 one? I don't know I never owned any Jelco tonearm. But I only know they done well and now the factory is closed. Jelco's tonearms were used on Luxman turntable series PD-151 and PD-171A
 
I've not owned a 650 so can't speak to the arm. I can tell you I've been very satisfied with the Jelco SA-750D. Jelco also made a number of quality private label OEM arms for AudioQuest, Sumiko, AR, etc.
 

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@jbjsr : Thank you - you push me to open my wallet again and to pull the trigger on the used KD-600 and NOS Jelco SA-750EB to set up a second turntable ;)
 
Another option is to try the Jelco arm on your KD-650. You will probably need a new armboard. Jelco uses a 30mm mounting hole.
 
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I'm considering purchasing a Kenwood KD-550 tonearm but can't find anything about its quality anywhere. So, is it a good-sounding tonearm? How would it compare to a nine-inch Jelco, for example?
 
I'm considering purchasing a Kenwood KD-550 tonearm but can't find anything about its quality anywhere. So, is it a good-sounding tonearm? How would it compare to a nine-inch Jelco, for example?

Can't say on the comparison but the Kenwood OEM arm is quite nice.

Is this for a Kenny table, the 550 maybe?
 
Seen this mentioned before on AK, been a while but Micro Seiki possibly comes to mind as the maker of the KD-550 tonearm. If so Micro Seiki has a pretty good reputation for quality/performance. Do a search of the prior threads re the KD-550.
 
I agree. I'm doing the work for a friend, but an SME Series V is not something he can afford.

Then why not try the Kenny arm, I resurrected an AR XA with a donor Sony arm leaving it reversible if desired. That's a Grado Reference Platinum on there and it worked quite well.

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Then why not try the Kenny arm, I resurrected an AR XA with a donor Sony arm leaving it reversible if desired. That's a Grado Reference Platinum on there and it worked quite well.

Thanks for the tip. I'm also glad to see you're using a Grado cart with the arm; that's exactly the cart I'll be using if I buy the KD-550. Do you find that's a good combo?

I have found that those Grado carts are a major pain to get dialed in, for me at least. Glad the Kenwood arm has a removable headshell.
 
Thanks for the tip. I'm also glad to see you're using a Grado cart with the arm; that's exactly the cart I'll be using if I buy the KD-550. Do you find that's a good combo?

I have found that those Grado carts are a major pain to get dialed in, for me at least. Glad the Kenwood arm has a removable headshell.

My middle son has that table now, the Grado was later on a Grace G-707 arm mounted on a Kenwood KD-500 and an outstanding match with that arm.

It along with a Denon DL-301 were both destroyed by our cleaning lady, the Denon was repaired awhile ago. The Grado is on its way back now with a nude Shibata after a 7yr hiatus.

I've not found any Grado an issue to align having a Prestige Blue and Gold with 8MZ stylus along with the Platinum. The Grace arm is now paired with different Grace carts at times.

There are others here with the 550 that can tell you more about the OEM arm but my gut feeling is the Grado should work fine. Joseph recommended running the wood bodies at 1.65g - 2g VTF not the Grado recommended 1.5, arm a bit tail down with zero anti-skate.
 
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Hey gang, I need help identifying a tonearm. I am assuming this is a Kenwood KD-550. Am I correct?

If it is a KD-550, I've already download the documents from Vinyl Engine. That gives me the measurements of the arm, but I can't find a template. Which is a bit of a challenge, because I intend to install it in a Sota Sapphire.
 

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