Measurements like this don't really mean anything in the real world, of course.
When equipment is used to measure distortion, it's generally done at a single, steady, fixed frequency. It turns out that people are also more sensitive to distortion when a single frequency is used. But distortion,
when listening to music, has to be quite high in order for a person to hear it.
Here's a summary, from an article I read recently, of people's
audible perception of distortion:
"
. . . our tests indicated that very small amounts of distortion (0.15 per cent) are perceptible if the program material is sufficiently simple—for example, a single pure, steady tone. Mixing two tones dramatically raised the threshold of perception to over 2 per cent. Three simultaneous tones, representing increasingly complex program material, resulted in a perception level of a surprising 4 per cent. With normally complex music, it was necessary to increase distortion to a full 6 per cent before it became just [barely]
perceptible. . . . at 6 per cent we just began to detect a "strained" quality in the singer's voice. However, even at 6 per cent, distortion was not evident on the percussive instruments. It was only at 12 per cent that distortion began to affect the sound of the guitar and cymbals. Higher [than 12%]
distortion levels caused an obvious "fuzziness" in the sound. To test the relationship of volume level to the ear's ability to detect distortion, we played the music at a very loud level with peaks exceeding 100 dB. There was no difference: distortion was again just barely audible at 12 per cent."
BTW, and FWIW, the listeners in that test were well known professional audio writers and equipment reviewers from some elite high end audio magazines. So they're likely used to listening more critically than most folks. Since I don't read those magazines I wasn't familiar with most of them. The only name I recognized was Julian Hirsch.
Sansui Alpha's were very advanced designs for there day , they still stand up to modern offerings. That allo volt D+ looks interesting, I bought one of these .
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Interested in new tech coming out, seen alot of interesting chip amps , might look into more later on .
I also have one of those Nobsound NS-04G Pro Class D amps. I think you'll be pleased, it's a very nice sounding amp! Since Class D produces more power into a 4 ohm load than a typical 8 ohm I'm running a stack of 8 ohm speakers with it. One pair of Pioneer HPM-100s and one pair of JBL 4312 Control Monitors.
There does seem to be a steady parade of interesting chip amps coming out all the time.
I still prefer tube amps but I've picked up a few Class D amps to play with including an Aiyima A-07. Most recently I bought a Loxjie A30, somewhat on a whim, because I have a Loxjie D30 DAC that I really like. In addition to being an amp, the A30 It has its own internal DAC with numerous digital inputs, Bluetooth, analog inputs, headphone output, sub out, digital EQ and remote control. Amazon has them for $170 shipped.