preston1000
Active Member
Would like to know if you've removed the stock RCA cables from your turntable and replaced them with better sounding RCA cables. If so, what cables did you use and what improvements did you notice?
And, it's "baling wire", not bailing wire.
As always, just my opinion, YMMV.

The only thing that would concern me with Beldens are the open stage they'll produce. Will it be enough with the Denon MP-11? Don't know.p1k: I wouldn't use that Belden 8402 as a phono cable - formost due to being rather thick, having a pretty large minimum bend radius as well as both a pretty high conductor-to-conductor and pretty high conductor-to-shield capacity, but also because I don't like tinned copper conductors that much.
Greetings from Munich!
Manfred / lini
In every tonearm I've wired (4 or 5), a continuous run of thin well-shielded tonearm wire, uninterrupted from cartridge-output to preamp-input, sounds far and away the best to me. The output from a LOMC is the smallest by far in the audio chain — every solder-joint, metal-to-metal plug connection, every dissimilar metal interface, chips away at that tiny signal, a little or a lot. Some wiring has 6, 8, 10 discontinuities. They add up. No matter how fancy the metals or dielectrics used, or if the RCAs belong in the window at Cartier — it won't be as good.
I await the onslaught....[/QUOTE
Yeah!!! Someone that understands the properties of baling wire! Seriously: Thanks for saying what I have believed all along.