I had an audio epiphany after the past few years sticking with the Sony PS-X series, which I think is the secret tt workhouse considering how much R&D was put into these monsters. I loved my Sony PS-X60 but got tired of having multiple expensive cartridges eventually sound muddy at the inner groove or the incessant tinkering during each song was not what I signed up for, tho I understand everybody has a different need, which is great when it's repair time. So when I had my Sony serviced, I picked up a cheap Sony PS-X55s for the interim and audibly gasped when my ears said, "Dude, this sounds so much better than the PS-X60 with a D103 or Stanton 681 or...Wha' Happened?" And I can only claim I might not be the best VTA setter but I can balance a tonearm with a perfectly aligned cart and still get IGD during the best last tracks. I didn't realize how much the Sony arm was quite different than the sturdy PUA but I realized this X55 had something unique that was doing a lot of good work.
Eventually, I climbed up the Sony PS ladder and discovered the Biotracer arms just this past year as I had avoided LT for no reason except audiophiles seem to hate them but I realized I've always wanted one since I was a kid. They seem a more advanced way to play vinyl and based on my own sound test with the Sony PS-X600, there's no going back for me. I LOVE this TT and will stop and look at it like Miguel Ferrer in ROBOCOP and say, "You are a bad mother---!" It just goes after those grooves and tracks like a Japanese bullet train. I can see how some audiophiles claim that the constant motor adjustments might restrict the full cart dynamics but big whoop when there's almost zero IGD on my expansive collection and the stereo separation is audible and a huge upgrade to my Sansui QRX 7001 quad set-up. The true test is when I put on bad LP's from the Toss Bin and the Sony says, "Play!" and a previous unlistenable Mancini is now going back into my soundtrack row.
A week after I got the PS-X600, I had to pick up a mint Sony PS-X555ES for a rising song -- that sadly arrived nicely bubble wrapped but in a rumpled box with newspaper, no foam. It was indeed mint but no transport screws used and the tonearm was not secured and that gave me a bad vibe and of course it froze after I hit stop within a moment of first playing. Then the green Start/Stop light went out but I could hear the tonearm whirring and the other buttons were lit but none functioning with the tonearm transport. SIGH. Hard for me to believe how awful sellers pack this obviously very delicate equipment. I had intended to get it cleaned up anyway but not like this...so I found an excellent local TT repair pro who has it now and I'm crossing my fingers I didn't just buy a paperweight...In my research it seems these Sony are described as tough to service but most people find a way to get them serviced. And they pop up so rarely that I assume the owners keep them forever, likely retiring them after a few years. The Sony LT TT market is going up but the most common and inexpensive one commonly under 500 is the Sony PS-X600 and I would grab this incredible TT now as there's quite a few on the auction sites for great prices that won't last as people discover them...I would LOVE that Yamaha P-2 but I'm sticking with Sony for now and until a PS-X800 shows up cheaper, I plan on the PSX-555ES being my last TT. For now.
Oh, my Sony PS-FL7II is on its way as an addition to the TV set-up. I figure I can teach myself some belt basics if need be as that sounds like a typical problem. Got it cheap and I love that sliding tray. Yes, I have a Sony sickness.