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What are you Listening To Right Now? - and more

Dusty Ol'Man said:
Back in the 80s, I bought a set of Gold-Endz rca cables for my cassette deck. I didn't then, nor can I now, hear any difference. And with the current state of my hearing, I don't believe I ever will. I did purchase a heavier lamp cord to counter the effects of distance, just in case I had to go 50 ft. But I doubt that will ever happen again.
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Didn't we all get sold on that in our youth? I did.:rflmao::rflmao::rflmao::rflmao:
 
Delmarva said:
This one fits the criteria for that "I Think I'm The Only One Here Who Owns This" thing we were doing a couple of weeks ago. I've never understood why nobody post them but me. Not even @heavyrock, which I find surprising..
They were kind of caught in the vice between the end of metal's glory years in the early 90's and the beginnings of grunge. The music reflects that period with a healthy dose of punk in the mix as well.
Their debut album here is generally considered to be their best effort. The singer spent several years fronting doom metal hero's Trouble.

Warrior Soul - Last Decade Dead Century
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I know the cover, but will need to listen to some online to see if it rings a bell.
 
Picked up this used CD today. Was taped shut with a printed label, from a vendor selling only LP’s and CD’s.

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Got home ready to rock, but when I cut the tape and opened it this is what I found

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Got in a hurry and did not check the media. I know better.

Maybe I’ll enjoy some Van Morrison . . .
 
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'Everything Must Go' by Manic Street Preachers. My favorite Welsh band and Man, did they have such a great streak. Back to back #1 albums then and they are still going so strong today.

Everything Must Go is the fourth studio album by Welsh alternative rock band Manic Street Preachers. It was released on 20 May 1996, through Epic Records, and was the first record released by the band following the disappearance of lyricist and rhythm guitarist Richey Edwards.

Released at the height of Britpop in the mid-1990s, the album was a commercial and critical success, it reached its peak in the UK on separate occasions, debuting and peaking at number 2 in the UK Albums Chart and earned the band accolades in the 1997 Brit Awards. It represented a shift in the group's sound due to Edwards' departure. The album charted in mainland Europe, Asia and Australia, eventually selling over two million copies. Everything Must Go is frequently featured and voted highly in lists for one of the best albums of all time by many music publications such as NME and Q.

The album was released on 20 May 1996. It debuted on the UK Albums Chart at number 2 with sales of 60,000 copies. To date the album has achieved Triple Platinum status in the UK, making it their most successful chart album and spending 103 weeks in the Top 100, with the album still in the top five a year after its release. The International Federation of the Phonographic Industry awarded the album with a Platinum certification, for sales above one million copies. The album presented the band with a new generation of fans, charting in Europe, Asia and Australia. Since May 1996 Everything Must Go has shipped more than two million copies. Worldwide sales of their next album, This Is My Truth Tell Me Yours, were to be even higher.

Being the first album since the departure of Edwards, the band at the time was under pressure, but after the release of "A Design for Life", which was well received by critics and fans, Everything Must Go was the album that introduced the band to the mainstream public. All the singles were radio friendly and the album was a critical success.

Writing for Q magazine in June 1996, Tom Doyle felt that Everything Must Go had "little in common" with its predecessor, The Holy Bible, and saw the album as a return to, and improvement upon, the "epic pop-rock" sound of Gold Against the Soul. He noted the band's choice of producer, Mike Hedges, as a possible contributing factor to the overall change in sound, and drew parallels to the lyrics of Kurt Cobain and the "reverb-laden" music of Phil Spector. Nicholas Barber of The Independent described Everything Must Go as "the most immediate, assured and anthemic British hard rock album since Oasis's Definitely Maybe", noting that the record was more accessible when comparing it to the "crushingly heavy-going" sound of The Holy Bible, especially, he noted, for a band "who once would have spat at the breadhead, corporate-sell-out idea of a hummable ditty."

Vox magazine's Mark Sutherland saw Everything Must Go as the group's "most approachable" album, describing it as a "record so superb it might just make intelligence fashionable again", and surmising that the album "proves that, professionally, at least, the Manic Street Preachers don't miss Richey." Rolling Stone critic David Fricke called Everything Must Go the "most underrated album of the year", describing it as "a record of painstaking melodic craft and thundering execution, a proclamation of physical and emotional cleansing – up to a point."

In a retrospective review, Stephen Thomas Erlewine of AllMusic wrote: "Above all, Everything Must Go is a cathartic experience -- it is genuinely moving to hear the Manics offering hope without sinking to mawkish sentimentality or collapsing under the weight of their situation." Reviewing the 10th anniversary edition, Dave Simpson of The Guardian said that the album "achieved the zenith of the Welshmen's original ambition: to conquer the mainstream with anger, art and soul." Writing for Sputnikmusic, Nick Butler concluded that "Everything Must Go is a stellar album, stuffed with great, anthemic songs, and it's a rewarding listening experience. It loses ground to The Holy Bible simply because it's not as unique, but if Everything Must Go is inferior, it's only slightly so."

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